59 books like Quit Monks or Die!

Shapiro’s Edsel appeared in 1971, well after Shapiro had established himself as one of America’s greatest poets and 25 years after he won the Pulitzer Prize. Like many novels by poets, the protagonist is a writer, in this case a poet named Edsel Lazerow. Also like many other novels in this grouping the setting is academia. I’m particularly fond of academic satires, from John Barth’s Giles, Goat Boy, to Richard Russo’s Straight Man, to the novels of British writer, David Lodge. Perhaps I enjoy these romps because I am a failed academic—I went to college for five years without getting a degree. They had the audacity to suggest that I take Zoology! Anyway, this novel is a hoot, and unjustly forgotten.

This book is more autobiographical, based on his struggle with alcoholism. Berryman had already written a book of poems, The Dream Songs (my favorite book of poems), which practically reads like a novel. It’s full of wit and playfulness and jerry-rigged syntax. Recovery is also witty but not quite as playful. It’s darker, of course. Perhaps one’s perception of it is colored by the knowledge that Berryman had committed suicide in 1972, a year before its release. So, it’s a melancholy book, yet its difficulties are human and common and, here, well-wrought by a poet’s grace.

Leonard Cohen is one of my touchstones, an artist I take personally, someone who speaks to me deeply. He is best known as a singer/songwriter, the author of “Suzanne” and “Hallelujah.” He is not quite as well-known as a poet, but that’s how he started and he’d already published books of verse before his first album appeared. He also wrote two novels, the first when he was in his 20s. It is entitled The Favourite Game and it’s an autobiographical, Jewish, coming-of-age story. It’s so good it seems like an early Philip Roth novel.

In an interview, Cohen once said, “There’s no story so fantastic that I cannot imagine myself the hero. And there’s no story so evil that I cannot imagine myself the villain.” His protagonist is a little of both in this book. And the prose, as you might imagine is beautiful, simpler perhaps than in his poetry,… show more.

Pictures from an Institution, to my mind, is the best novel written by a poet. It’s comical, biting, engrossing, moving, and flat-out entertaining. Once again, we are back in academia, at a woman’s college based loosely on Sarah Lawrence, and never has academia been skewered more amusingly. Regarding the college, one character muses, “You Americans do not rear children, you incite them; you give them food and shelter and applause.” The novel’s jokes—aphorisms, wisecracks, putdowns—come so fast and furious one could lose track of the story, if the story itself were not so interesting…and jovial. It’s funnier than throwing a hardboiled egg into an electric fan. Pictures from an Institution is also learned and wise and, underneath the drollery, there is a basic humanism that does not allow you to dismiss the book as mere satire.

This first book in Kelle Riley’s new series has it all—a plot full of twists and turns, a super-smart sleuth, and just a smidge of romance. I love that the sleuth doesn't act impulsively and instead observes and deduces. In addition, there are yummy recipes, a cranky rescue cat, and several quirky secondary characters. I especially like the couple who own a dog bakery and their trained dog that discourages the goose population.

Peter Singer’s Animal Liberation is usually taken to be the founding philosophical text for the animal rights movement, but I think Tom Regan’s The Case for Animal Rights presents the more compelling, more multi-dimensional argument.

Where Singer grounds moral standing in the fundamental interest in avoiding suffering, Regan foregrounds the “inherent value” of being the “experiencing subject of a life,” for whom avoiding suffering is only part of the question.

There’s plenty of disagreement about whether the rights framework is the best way to think about our moral duties to animals (cf. Derrida above). And Regan’s position is available in less rigorous and scholarly form in some of his other books. But for the full walk-through of the best argument for animal rights, this is the text.

To properly understand dehumanization—which represents human beings as subhuman creatures—it is important to recognize our less-than-humane relations with other animals.  In this compact, vividly-written book, Marjorie Spiegel powerfully juxtaposes the oppressive and cruel treatment of enslaved people with the terrible treatment of nonhuman animals. The book is largely concerned with the dehumanization of enslaved Africans and their descendants, but it is also pertinent to other episodes of racial dehumanization.

One of the very important agricultural issues is treatment of animals especially those grown in confined animal feeding operations (CAFOs).

Singer was among the very first who wrote about how animals are treated by the agricultural enterprise and by people. He was among the first to tell us that animals can suffer and therefore we must consider our moral obligation to any creature that can suffer.

Animal science has made more progress than most other agricultural disciplines in changing the way animals are treated. There is still a long way to go.

I found this to be a hard list to put together because there are so many excellent books on animal history--on any given day I could have presented a completely different list. However, this was the one book that absolutely had to be on my list. Hilda Kean’s Animal Rights was the book that started me on this journey. I first encountered this book when I was a grad student, and it has shaped my thinking on animal history in many important ways over the years. Animals and concerns for their welfare have always been important to me in my personal life, but I hadn’t thought about incorporating human-animal histories into my scholarship until I read this book. It was a real game-changer for me. This is a very good introduction to some of the shifts in thinking that took place regarding relationships between humans and nonhuman animals in Britain… show more.

This beautiful photography book is deeply moving. Subtitled Portraits of Elderly Animals from Farm Sanctuaries, it was inspired by Leshko’s encounter with Petey, a 34-year-old Appaloosa horse. His aged body was the first of the photos for this collection; all are quietly magnificent. They drew me into contemplation of both the plight of farm animals and Leshko’s personal quest to accept aging; she hopes to face her own eventual decline “with the same grace and stoicism the animals have shown.” I’ve spent time volunteering at an animal sanctuary, and have a special connection to Ruby, a Standardbred mare who turned 30 in April 2022. She had a hard life, and her age shows in the hollows over her eyes and her grizzled cheeks, but it’s immeasurably comforting to know she will live out her remaining days in dignity.