95 books like Put a Lid on it

One of the first modern cozy mysteries I have ever read, Stephanie Plum is zany, ridiculous, and laugh-out-loud funny. Basically, she’s a bounty hunter, and she gets her man and solves mysteries despite herself. Her Grandma Mazur is quite possibly one of the best sidekick characters ever invented. Funerals may or may not involve dead bodies, but Granny Mazur will be there anyway, even if it means stealing a corpse. Especially if it means stealing a corpse! Stephanie has a habit of losing cars and getting stuck driving a very old boat of a car (Big Buick), which deprives her of looking as cool as she’d like. Well, she isn’t exactly a put-together gal, so that’s okay. 

The initial books in the series are almost a coming of age—a chance at a career, a chance or two at romance, and family shenanigans that almost kill her with good intentions. This… show more.

You might be wondering why I’m recommending book two of a series. Well, book one was a bit of a mess. While fun and intriguing in spots, it wandered and had trouble ending. It isn’t until book two that the characters who made it out of book one are developed into delightful mystery sleuths. Because of weaknesses in the first book, I would venture to guess some readers never discover the absolute wonder of the Vicky Bliss cozy mysteries. 

The characters are hilarious, and the situations and escapades are many. Vicky Bliss is a historian who visits multiple countries but always ends up having to investigate an art heist, a missing heirloom, or a found and fascinating artifact. The plots are well-developed, and the characters are absolutely lovable. 

If you are at all familiar with Elizabeth Peter’s Amelia Peabody series, you know this author understands intrigue, disguises, subterfuge, and, best… show more.

This is soccer mom meets the film True Lies, with monkeys thrown in for good measure. This caper has laughs, fun, romance, and pacing that had me finishing it in one sitting. Barbara Marr’s mid-life crisis doesn’t end in divorce and finding new love—no, this is more clever.

And after book one, Barb and her friends continue finding dead bodies and household crisis’ that anyone over forty can appreciate. The whole neighborhood is often involved in Barbara Marr capers, each one a tangled mess of clues, mishaps, and criminals.

Julie Moffett won my heart with geeks and gadgets. I love a main who can invent her way out of a bad situation especially if she requires the help of more geeks!

These books tend a bit more toward young adult than my other picks, but they are just as crazy when it comes to adventure. Lexi is a techno-geek working for a government agency. She’s a reformed hacker, a gamer, and an unbelievable klutz. She’s stubborn and determined to solve cases and prove herself, even if she has to rewire a vacuum cleaner to do it—Zany, good, cozy, fun.

Molly Grant is a divorce attorney at a large Manhattan firm representing wealthy and demanding clients. While the book is entertaining in its descriptions of ridiculous office politics and insufferable clients, what made me fall in love with it was the main character. Molly is sharp and funny, and in the beginning of the book, she seems like the typical associate playing the game to get ahead, putting in the hours and stroking egos while also keeping her head down. But when the ex-wife of a rich, ruthless media mogul seeks help because her husband is alienating her children against her, Molly has to choose between her own career advancement or listening to her conscience to use her lawyer powers for good. This is an engrossing, entertaining, feel-good read. 

Who knew a book about sleeping could be so funny and engaging?

As someone who constantly wants and needs more rest, I related to the protagonist’s hunch that a year of (almost uninterrupted) sleep would change her life. And it does, though not at all in the way she expects.

Moshfegh writes about trips to the local bodega and the edgy conceptual art scene in such a brilliant way that the book will (perhaps, unfortunately!) keep you up late.

Because I never stop asking what if, I am drawn to cozy mysteries with a plot that weaves a ribbon of fantasy through the stories. I love the added dimension of an inexplicable “presence” when Harlow Jane Cassidy leaves a successful Manhattan fashion design career and opens a dressmaking boutique in the turn-of-the-century Texas farmhouse she inherits from her grandmother.

I loved the originality of The Impossible Girl. Cora Lee is a resurrectionist—she steals bodies from cemeteries for medical dissection in 1850s New York City. This isn’t really a sympathetic activity, however. Would you love a grave robber? So, to add flavor, bodies with unusual physical traits bring in extra money, and Cora specializes in stealing these.

But she’s got a unique malady of her own—she has two hearts. And people want to kill her to cash in on her body. Now we have a reason to cheer for her.

The story has many twists as Cora learns who she can (and can’t) trust. Add to that some romance, the vibrant setting of 1850s New York City, and some twisted characters, and this is a fun book.

This novel of interconnected stories is a fascinating snapshot of life in 1920s New York City.

Considering that it was written in 1925, Dos Pasos does an incredible job of representing different backgrounds and classes as they move through the city with one another. It shows how one can’t exist in such a setting on the highest levels of society without the help of people who make up the fabric of the rest of the town.

Encountering day-to-day strangers in the city won’t feel the same after reading this book. Plus, it takes place during Prohibition from a real time perspective, showing that the “Roaring Twenties” were more of a yelp.

This book revealed a pastoral Manhattan few of us could imagine, including feral pigs that roamed the streets, and horses that transported everything and everyone around town. Set in the transformative 1800s when New York City underwent unprecedented urbanization, this book shows how farmers and other New Yorkers who worked the land were ultimately squeezed from Manhattan for more profitable tenants, and how Central Park, and other open spaces, sought to replicate all that recently displaced nature.