Here are 100 books that Poems from the Book of Hours fans have personally recommended if you like
Poems from the Book of Hours.
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I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I love Wordsworth’s poetry (and his comments on the creative process) for its beauty and its importance to the history of the art form. His best poems—especially Tintern Abbey and his Intimations or Immortality Ode—tell psychological and spiritual tales about the gains and losses of growing up, and the role that nature can play in a person’s maturation.
His Preface to Lyrical Ballads lays out a Romantic program for poetry that has been hugely influential for two centuries. Wordsworth’s idea that poetry comes from “emotion recollected in tranquility” and captures the “spontaneous overflow of powerful feelings” encapsulates how, for me and countless other writers, reflecting on personal memories provides a storehouse of poetic material.
William Wordsworth (1771-1850) is the foremost of the English Romantic poets. He was much influenced by the events of the French Revolution in his youth, and he deliberately broke away from the artificial diction of the Augustan and neo-classical tradition of the eighteenth century. He sought to write in the language of ordinary men and women, of ordinary thoughts, sights and sounds, and his early poetry represents this fresh approach to his art.
Wordsworth spent most of his adult life in the Lake District with his sister Dorothy and his wife Mary, by whom…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.
Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.
An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
Every time I revisit Gabriela Mistral’s poetry, I’m eager to start writing new poems of my own. She unlocks my imagination with her richly synesthetic images, her suggestive metaphors, and her intense emotions, including grief, doubt, joy, and gratitude.
Her first two books—Desolation (Desolación, 1922) and Tenderness (Ternura, 1924)—are my favorites. From the landscape of her native Chile and her personal experiences, she develops universal themes. Her voice is always humane, no matter what emotional region she journeys into.
Gabriela Mistral was the first Latin American ever to receive the Nobel Prize for Literature, and her works are among the finest in all contemporary poetry. She is loved and honored throughout the world as one of the great humanistic voices of our time.
This bilingual edition of selected poems was translated and edited by Doris Dana, a close personal friend with whom Gabriela lived and worked with prior to her death in 1957. These translations give a profound insight into the original poetry of this greatest of contemporary Latin American women. They were selected from her four major works…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
As much as any writer I know, Jorge Luis Borges soars in both poetry and fiction. His short stories would make him a candidate for my top five fiction authors, and they make a great bridge to his poetry.
With their profound examinations of the mysteries of selfhood and time, their love letters to the activities of reading and writing, and their reimagining of the past—from his native Argentina to Europe and beyond—Borges’s poems offer endless riches for my mind and my heart.
The largest collection of poetry ever assembled in English by "the most important Spanish-language writer since Cervantes" (Mario Vargas Llosa)
A Penguin Classics Deluxe Edition with flaps and deckle-edged paper
Though universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in…
I’ve been in love with the Middle Ages ever since my mother handed me a copy of The Conquering Family, by Thomas B. Costain, when I was in the 7th grade. Eventually, I went on to earn a degree in history from the University of Arizona. In addition to the many colorful characters who impacted the medieval world, I became entranced with the art of the time period, particularly manuscript paintings. Their beauty, reverence, whimsy, even their occasional naughtiness, are, to me, simply enchanting! It was impossible not to share my love of this artform in at least one of my novels. Below are some of the books that helped me on my writing journey.
One cannot dismiss the importance of religion during the Middle Ages. It was intertwined with nearly every aspect of people’s lives, so it was natural that medieval illuminators like my heroine and her father would spend a tremendous amount of their time and talent on creating artwork for religious books. The Book of Hours was one of the most important sources of religious teaching and inspiration during the Middle Ages and indispensable to that inspiration and teaching were the exquisite illuminations that filled their pages.
Time Sanctified places the Book of Hours in its medieval social and religious context and demonstrates through countless visual examples the way illuminated paintings helped bring these religious lessons to life for their medieval owners.
The illuminated manuscript was the primary vehicle of learning, religion, and art during the Middle Ages and Renaissance. Within the pages of these hand-painted treasures, medieval civilisation flourished. Of all the illuminated manuscripts from this period, the Book of Hours was, by far, the most popular and among the most exquisitely made. In the words of scholar L. M. J. Delaisse, it was the "best seller" of its time - the most frequently commissioned book by both the aristocracy and the middle classes. A selection of these splendid pages is presented in Time Sanctified, along with a detailed discussion of…
I have always tuned into the atmosphere of places. Sometimes this is a joy and sometimes it’s a very different experience, but either way, it’s a fundamental part of me. It spills over into my work, too, because each of the thirty-odd non-fiction books I’ve written has its own strong atmosphere. I was particularly aware of this while writing Red Sky at Night, as I wanted to evoke a sense of the past informing the present, whether that means planting a shrub to keep witches away from your front door or baking what I still think is one of the best fruit cakes ever.
This is extraordinary, meditative, and beautiful. For me, it fulfils the most important element of any book – that magical sense of stepping into another world. In this case, it is the world of Katherine Swift as she describes the creation of her garden in Shropshire. Yet it is so much more than that. The book is built around the daily structure of monastic prayer, as in a medieval Book of Hours, and this contemplative mood flows through every page, taking us on a discursive journey involving horticulture, history, and the stories of some of the people who previously lived at Morville. Whenever I read it, I get that all-important sense of connection with nature and the rhythm of life.
This is a book about time and the garden: all gardens, but also a particular one: that of the Dower House at Morville, where the author arrived in 1988 to make a new garden of her own. Katherine Swift takes the reader on a journey through time, back to the forces which shaped the garden, linking the history of those who lived in the same Shropshire house and tended the same red soil with the stories of those who live and work there today. It is an account which spans thousands of years. But is also the story of one…
I’ve been in love with the Middle Ages ever since my mother handed me a copy of The Conquering Family, by Thomas B. Costain, when I was in the 7th grade. Eventually, I went on to earn a degree in history from the University of Arizona. In addition to the many colorful characters who impacted the medieval world, I became entranced with the art of the time period, particularly manuscript paintings. Their beauty, reverence, whimsy, even their occasional naughtiness, are, to me, simply enchanting! It was impossible not to share my love of this artform in at least one of my novels. Below are some of the books that helped me on my writing journey.
I added this book simply because I think it’s charming. Although written for children, grownups will love it, too! In 15th century Paris, Marguerite, the young daughter of a manuscript illuminator, has to help her aging father illuminate a Book of Hours for a very important lady or her father will lose both his commission and his reputation. This beautifully illustrated book joins Marguerite through each step of her illuminated book’s creation. You will be transported to medieval Paris and Marguerite’s workshop as you read and gaze at the pictures! This book was inspired by a rare collection of illuminated manuscripts held by the J. Paul Getty Museum.
It is Paris in the 1400s. A young girl named Marguerite delights in assisting her father, Jacques, in his craft: illuminating manuscripts for the nobility of France. His current commission is a splendid book of hours for his patron, Lady Isabelle, but will he be able to finish it in time for Lady Isabelle's name day? In this richly illustrated tale, Marguerite comes to her father's aid by secretly completing his commission. She journeys all over Paris buying goose feathers for quills, eggs for mixing paints, dried plants and ground minerals for pigments, and gold leaf; then she expertly finishes…
I am a novelist, a journalist, a humanist celebrant, and coauthor with my husband of the best-selling Nicci French thrillers. Witnessing my father’s dementia and his slow-motion dying radically transformed the way I think about what it is to be human. In 2014, I founded John’s Campaign which seeks to make the care of those who are vulnerable and powerless more compassionate, and which is now a national movement in the UK. In 2016, I won the Orwell Prize for Journalism for ‘exposing Britain’s social evils' in the pieces I wrote exploring the nature of dementia.
Erwin Mortier is a poet, and this slim, intense volume is a haunting memorial to his mother in her final months. She died of early-onset dementia, and Mortier struggles to find adequate words for a condition that is profoundly connected to the failure of language and the connection of the self to the world.
'My mother, a house that is slowly collapsing, a bridge dancing to a tremor.'
It started when she could no longer remember the word for 'book'. Then her mind, her language and her identity began to slip away.
This is Erwin Mortier's moving, exquisitely observed memoir of his mother's descent into dementia, as a once-flamboyant woman who loved life and pleasure becomes a shuffling, ghostlike figure wandering through the house. Piecing together the fragments of her lost life, and his own childhood, Mortier asks: what do we become when we lose the repertoire of habits and words that make us…
I’ve been studying and reading tarot for more than 50 years—starting when I was a teenager. I feel called to do this work—I think of it as holy work, because every reading is an inner journey for my client, I merely serve as a guide for them to discover the insights and wisdom that already exists hidden within them. Over the years I’ve studied with some of today’s top tarot teachers, I’ve studied Kabbalah with respected rabbis. I’ve studied psychological principles with leading therapists. And I’ve studied storytelling with world-famous performers. Tarot brings all these disciplines together in a way that makes every reading an encounter with the Divine that lives within each of us.
This was the first book that ever taught people not only how to read for themselves, but also how to use the cards to attain personal insight. It will teach you how to develop a deep relationship with the cards, and it shows you how to use the cards for greater self-knowledge. Every book on this subject since has Mary K. Greer to thank. When I first came across it, it changed the way I read forever. And it gave me new tools to use the cards for my own.
The tarot classic that first promoted the practice of reading the cards not just for others but for one's own personal insight and self-transformation
“Tarot for Your Self was ground-breaking when this book was first published and is still radically significant today.” —Benebell Wen, author of Holistic Tarot
“Deciding to work with the Tarot is like embarking on a long, inward journey.”—Mary K. Greer
This tarot classic by Mary K. Greer was the first book to promote reading the cards for your own insight, revolutionizing tarot through a combined emphasis on self-teaching techniques and personal growth. Tarot for Your Self…
I wasn’t always a joyful person. But today I’m freaking sunshine, and full-out committed to being an effective member of the team that’s elevating the level of love and joy in the world! My positions on that team have included writing dozens of mega-selling books (my own, and as a ghostwriter), founding my online Joy School at LisaMcCourt.com, hosting my Do Joy! podcast, and collaborating on projects with many other popular teachers of consciousness and joyful living. My books have sold over 9 million copies, earned 7 publishing industry awards, and garnered over 9,000 glowing Amazon reviews. Joy is my jam. I know a joyful book when I read one!
My books and trainings are all about joy, but that doesn’t mean I don’t geek out on the science behind it all.
I’ve long admired Eldon Taylor’s approach to bridging the gap between spirituality and what is considered hardcore scientific understanding at this current stage of human evolution, and this book addresses a question that underlies all of the work I do.
If more people could release the widespread, ridiculous idea that spiritual concepts (understood and practiced by our far wiser ancestors thousands of years ago) are somehow not as “real” as the other arbitrary, culturally-accepted paradigms they subscribe to, we’d have a far more joyous, compassionate, successful society.
Eldon provides a fact-based bridge for readers to cross in this well-researched book!
A pragmatic case for the rational viability of a spiritual belief in a higher power. [Taylor] makes a compelling case that the scientific worldview--one that sees humans as "meat machines"--is inconsistent with people's experiences of themselves and is not nearly as rationally superior as it is so often presented. This alone makes the author's compact consideration a worthwhile read. A philosophically astute challenge to the rational supremacy of science over its spiritual rivals. Kirkus Reviews
