Here are 100 books that The Collected Poems of William Wordsworth fans have personally recommended if you like
The Collected Poems of William Wordsworth.
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I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I also love Eliot’s poetry (and his comments on the creative process) because of how different they are from Wordsworth’s—and equally profound. In essays including Tradition and the Individual Talent, Eliot argues that keeping your poetry “personal” artificially limits your material. And I think he’s right: some of my own best poems come from imagining my way into someone else’s mind.
Eliot’s own poetry, including The Love Song of J. Alfred Prufrock, illustrates the value of this approach in how it crafts its titular character. Eliot can also write deeply intellectual poems like The Waste Land that transcend purely “personal” concerns by exploring history and that repay many re-readings. In addition to their thematic richness, Wordsworth’s and Eliot’s poems are also beautifully musical.
An indispensable collection of the Nobel Prize winner's most renowned works
“In ten years’ time,” wrote Edmund Wilson in Axel’s Castle, “Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English.” In 1948, Eliot was awarded the Nobel Prize “for his work as a trail-blazing pioneer of modern poetry.”
This book is made up of six individual titles: Four Quartets, Collected Poems: 1909–1935, Murder in the Cathedral, The Family Reunion, Old Possum’s Book of Practical Cats, and The Cocktail Party. It offers not only enjoyment of one of the great talents…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
Every time I revisit Gabriela Mistral’s poetry, I’m eager to start writing new poems of my own. She unlocks my imagination with her richly synesthetic images, her suggestive metaphors, and her intense emotions, including grief, doubt, joy, and gratitude.
Her first two books—Desolation (Desolación, 1922) and Tenderness (Ternura, 1924)—are my favorites. From the landscape of her native Chile and her personal experiences, she develops universal themes. Her voice is always humane, no matter what emotional region she journeys into.
Gabriela Mistral was the first Latin American ever to receive the Nobel Prize for Literature, and her works are among the finest in all contemporary poetry. She is loved and honored throughout the world as one of the great humanistic voices of our time.
This bilingual edition of selected poems was translated and edited by Doris Dana, a close personal friend with whom Gabriela lived and worked with prior to her death in 1957. These translations give a profound insight into the original poetry of this greatest of contemporary Latin American women. They were selected from her four major works…
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
As much as any writer I know, Jorge Luis Borges soars in both poetry and fiction. His short stories would make him a candidate for my top five fiction authors, and they make a great bridge to his poetry.
With their profound examinations of the mysteries of selfhood and time, their love letters to the activities of reading and writing, and their reimagining of the past—from his native Argentina to Europe and beyond—Borges’s poems offer endless riches for my mind and my heart.
The largest collection of poetry ever assembled in English by "the most important Spanish-language writer since Cervantes" (Mario Vargas Llosa)
A Penguin Classics Deluxe Edition with flaps and deckle-edged paper
Though universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I’m a poet, lover of great literature, and an English professor who has served as faculty advisor to my university’s student-run literary journal. I caught the bug as a teenager when I first started reading and memorizing poems that moved and intrigued me. Since then, reading and writing poetry—and having the pleasure of teaching it to students—has been my best way of checking in with myself to see what’s most important to me that I may have lost sight of in the daily bustle. It’s also my best way of going beyond myself—allowing my imagination to carry me to unexpected places.
I’m captivated by the speakers in these poems: Russian monks, totally committed to their faith, whose god is more a product of their imaginations than something that can exist without them. In fact, this god is lonely, anxious, and dependent on the artist-monks for his existence.
With images of cathedral-building, prisons (prisons of the self, that is), and sunrises, Rilke brings to life a mysterious form of devotion that is also a kind of art. These poems are haunting and peaceful at the same time and very beautiful.
Although The Book of Hours is the work of Rilke's youth, it contains the germ of his mature convictions. Written as spontaneously received prayers, these poems celebrate a God who is not the Creator of the Universe but rather humanityitself and, above all, that most intensely conscious part of humanity, the artist. Babette Deutsch's classic translations-born from "the pure desire to sing what thepoet sang" (Ursula K. Le Guin)-capture the rich harmony and suggestive imagery of the originals, transporting the reader to new heights of inspiration and musicality.
I’ve been writing poems since an inspirational period of study in Stirling in my twenties, when I did a lot of hill walking in the Scottish Highlands. For me, poetry that doesn’t move you, that doesn’t make you feel, is just words on a page. I love poems that make you shiver as they incongruously bear the full load of life’s mystery. I like all kinds of poetry but have a special place reserved for nature poems, poems that find the heart and soul in the landscape, rivers, and wildlife.
I cherish this book and always take it on holiday with me. "Lines Composed a Few Miles Above Tintern Abbey" is probably the best romantic nature poem ever written. The image of how the senses are responsive to, and creative of, the inner life of nature is sublime ("of eye, and ear, - both what they half create, And what perceive”). This poem encapsulates for me the whole nebulous but immeasurably important job of writing poetry, as well as shining a light on what it means to be a human being.
One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
This is one of those gems that can easily get lost in the literary shuffle. Poet-teacher John Fox gets into the craft of writing poetry in Finding What You Didn’t Lose, but it’s not one of those dry books that will get you all tangled up worrying about your iambic pentameters. Instead, he takes you on a beautiful journey, showing how such useful tools as imagery, sound, metaphor, and rhythm can help you express yourself. Quotes and poetry excerpts round out the rich content of this book.
I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.
If some books inspire a rethink of recent history through hundreds of pages of forensic evidence or rigorous theory, Emtithal Mahmoud’s poetry recasts big questions that African societies have struggled with by weaving together hard-hitting metaphors and stunning phrases to open up new worlds of possibility and loss.
I find Emi’s writing an incredible call for solidarity, compassion, and the shattering of barriers—whether through the tender or the raw, the unspeakable or the gushing, the blistering and the comforting. A set of poems I return to regularly for perspective, whether on personal dilemmas, the contraptions of unity and division, or the political currency of love and othering.
2015 World Poetry Slam Champion and Woman of the World co-Champion Emtithal "Emi" Mahmoud presents her hauntingly beautiful debut poetry collection.
Brimming with rage, sorrow, and resilience, this collection traverses an expansive terrain: genocide; diaspora; the guilt of surviving; racism and Islamophobia; the burdens of girlhood; the solace of sisterhood; the innocence of a first kiss. Heart-wrenching and raw, defiant and empowering, Sisters' Entrance explores how to speak the unspeakable.
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
I love poetry that employs new takes on old forms. The sonnet is once again brought alive by Hayes in a collection that feels poignant, playful, and urgent. I personally struggle with writing in the form and am blown away by the range and inventiveness of the nearly 80 sonnets in this action-packed collection.
My experience in reading these sonnets is one of joy: the pointed wit that paints Sylvia Plath as a drama queen and Trumpet (thinly veiled) as sexually tormented, the clear-eyed social and political criticism, the warm, broken, self-knowing heart. This collection rings true to me as a full and authentic ledger of the American experience.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
I love to write about the places, folklore, nature, and above all the magic of Cornwall. I have lived in Cornwall most of my life, I learned to crawl along the rockpools of Cornish beaches and I went to school in a moorland village. Now, I live on the edge of Bodmin Moor and write in the Cornish wilds, I live close to both the moors and the sea. I began writing for Cornish folklore project Mazed in 2013 and I have been retelling Cornish Folk Tales and writing poetry and stories inspired by Cornish folklore ever since.
Charles Causley’s poems celebrate every turn of Cornwall’s stride. He writes of the sea, towns, moors, and people with incredible imagery humor, and tragedy.
The poems ask questions of love and nature. "And careless, like tide-marks, the hedges / Are bursting with Almond and May." Causley sings the magic of Cornwall, ‘Its anchor is glittering granite," "His smile was sharp as tin."
My favorites are the ballads, I was inspired to write the Caradoc ballads by reading Causley’s ballads over and over. Folklore underpins many of his poems, there are mermaids, giants, saints, and even a baby devil.
LeeAnn Pickrell’s love affair with punctuation began in a tenth-grade English class.
Punctuated is a playful book of punctuation poems inspired by her years as an editor. Frustrated by the misuse of the semicolon, she wrote a poem to illustrate its correct use. From there she realized the other marks…
My childhood diary entries often turned into poems. Writing and art have been in my life a long while. After earning a BA in Advertising and Design, I became an art director for Prentice Hall, a large educational publisher. My reading tastes are eclectic. Reading the work of poets came to me later in life when poetry began oozing out my pores. I’ve maintained an art & writing blog since 2014. I self-published an illustrated collection of poetry in 2016. My work has been published in a variety of journals. Do check out the books on my list, they are unique, just like you.
I’ve never been one to read a writer because of their accomplishments. But there are confessional voices (with stellar accolades), I can’t avoid. Louise Glück’s poetic voice evaluates experiences in ways that remind me that we’re all a bit messed up, but beauty sometimes lingers under rocks if you’re willing to dig. And dig I must to improve my work.
My poetry sometimes hides behind soft language, while my word-wolf remains hidden. Poems like Ms. Glück’s “Purple Bathing Suit” force me to evaluate if I’m artfully deceiving or striving to rise to her level of genuine gut-wrenching prose.
“I like watching you garden / with your back to me in your purple bathing suit: your back is my favorite part of you, the part furthest away from your mouth”
The collected works of the inimitable Pulitzer Prize–winning poet
It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone, a copper beech, a mother and father…