Fans pick 85 books like Pirates!

I first read this memoir as a young teenager and was completely captivated by the idea of a girl not much older than myself simply raising a sail and setting off into the vast ocean. In 1985, Tania Aebi was eighteen and aimless, and her father gave her an ultimatum: either go to college or sail solo around the world. She chose the latter. Sailing is hard work, and Aebi has plenty of hard days, but her unusual coming-of-age story is romantic (sometimes literally) and exciting and opened my eyes to the possibilities of adventure and courage.

David Cordingly’s book is useful for its accurate and lively attempt to separate pirate facts from public fiction. He sifts through childhood tales of wooden legs and parrots to highlight the harsh realities experienced by most of these violent rogues. The tortures he describes serve to remind the reader that these were desperate times full of volatile career criminals. And the women were often as dangerous as their male counterparts! While considering Anne Bonny and Mary Read, he questions “Were there other women pirates?” and “How was it possible for a woman to pass herself off as a man in the cramped and primitive conditions on board an eighteenth-century ship?” These prompts helped me to focus on the issues my own female protagonist would have to overcome during her nautical adventures. I recommend this book because it is informative, thought-provoking, and entertaining.

This book is pretty recent, having been published in 2015. In my opinion, it is the best book ever written about Atlantic piracy. Hanna dissects pirates to examine who they were and why they became pirates. What is unique about this work, is that he argues that pirates were just as significant on land as they were at sea. Without pirates, there would be no rise of a British Empire in the American colonies. This book was released during the last year of my doctoral research and I probably would not have been as successful in its completion without Pirate Nests!

I first read Rediker’s work as a graduate student, and from the first pages, I was “hooked.”

Want to understand what made pirates tick? In this book, pirates are recast not as violent, unthinking brutes but as ordinary, sea-going laboring men driven to lawlessness by the brutal demands of expanding Atlantic trade.

I especially appreciated Rediker’s situating pirate behavior and customs within the broader world of maritime life. He argues that these outlawed men created a floating society that was then the most egalitarian and democratic in the Western world.

I appreciate this book for bringing the local into the world of Atlantic seafarers. Daniel Vickers is one of the deans of early American social history (he is one of the historians mentioned in the Harvard bar scene in the film Good Will Hunting) and turns his talents here to explain how American seamen were different in the Age of Sail. The simple answer is that they were young. Unlike the long-distance professional seafarers of Europe, sailing in America, especially New England was more of a life stage on the way to other jobs and pursuits.

These sailors were not rootless wanderers forced to go to sea because they were poor; they were rooted in specific communities and filled a necessary role in local economies. As exciting as we find tales of mutiny, scurvy, and shipwrecks, most early American seafarers lived much more stable lives. I find this variation… show more.

It’s not just that Ann Davison crossed the rough Atlantic alone in her twenty-three-foot yacht, the Felicity Ann, it’s that this solo crossing, in stages, took place in 1952-3. Ann Davison, middle-aged and widowed, took her heart in her hands and set off from Plymouth, England, to find “the key to living.” The boat was sturdy but the ocean was big, and it was winter.  A lot of the logbook reads “Wretched night” or “Squalls” or “Incessant scream of the wind,” but you know she’s going to get through it. In its humorous, modest, courageous way, this book continues to be my favorite seafaring story. Even though I would never ever try the same thing. 

Anne Bonny and Mary Read weren’t history’s only female pirates – though you’ll find them here alongside some lesser-known names.

From Artemisia in Ancient Greece, though to Grace O’Malley, Cheng I Sao, and more, you’ll find stories on what drove these women to sea, and the freedom it offered them alongside the risks. Fascinating.

Joan Druett is the dean of authors writing about women at sea. Her books bring to life not only the pirates and transgressive women, but the wives and daughters of sea captains who sailed alongside their men and shared the ship’s command and the global adventures. When I want good, historical data I turn to Druett and the tidbits she incorporates into her writing bring dry historical figures to life.

Long John Silver isn’t a novel but a graphic novel series.

Set twenty years after Treasure Island, and featuring the man himself, what follows is a dark, adventurous tale, an expedition to find a lost city of riches deep in the Amazon. For a series with relatively brief entries, the story takes its time, setting up sharp characters, a moody, tense atmosphere, and laying the seeds for future rivalries and betrayals.

The artwork follows these moods, rich or muted, sparse or dense as needs be, and some of the larger panels are truly impressive.
For an ominous, well-paced adventure, focused on its character work and simmering tensions, look no further than Long John Silver. Particularly recommended for fans of the superlative pirate show Black Sails (itself a pseudo-prequel to Treasure Island).

This book is not from the age of classic SF. However, it and the author perhaps taught me more about writing than any other book. They literally saved my life.

The novel was written for Disney and the Pirates of the Caribbean universe. I was introduced to A. C. Crispin (Ann) at DragonCon. I marveled at her ability to jump into a world and write great stories there. I learned so much about the craft and business of writing from her. The opening advice she gave at her workshops. “Money should flow from the publisher to the author, not the other way around.”

While battling cancer and dying, Ann reached out to me, knowing that I was a diabetic, and warned me to get off a dangerous drug.