Here are 100 books that Paternal Tyranny fans have personally recommended if you like
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Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
In prose that is engrossing and rich in color, culture, and voice, Dunant’s historical fiction novel incorporates stories of two of the women that I included in my own book.
The courtesan Fiammetta, loosely based on the life of Veronica Franco, and her healer La Draga, inspired by Elena Crusichi, pulled me into eighteenth-century Venice and its opportunities and dangers for enterprising women. Paired with reading Franco’s actual poems and letters, edited and translated by Ann Rosalind Jones and Margaret F. Rosenthal, I developed a deep admiration and compassion for Franco and Crusichi during Venice’s heyday.
Dunant has again written a page turner that I read more than once.
My lady, Fiammetta Bianchini, was plucking her eyebrows and biting color into her lips when the unthinkable happened and the Holy Roman Emperor’s army blew a hole in the wall of God’s eternal city, letting in a flood of half-starved, half-crazed troops bent on pillage and punishment.
Thus begins In the Company of the Courtesan, Sarah Dunant’s epic novel of life in Renaissance Italy. Escaping the sack of Rome in 1527, with their stomachs churning on the jewels they have swallowed, the courtesan Fiammetta and her dwarf companion, Bucino, head for Venice, the shimmering city born out of water to…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
Elena Cornaro Piscopia holds the title as the first woman in the world to earn a university degree. But she earned it at great cost, and her story breaks my heart every time I recount it to others.
Guernsey pulled me into Elena’s fraught life, from her early intellectual curiosity and prowess, to her self-flagellation after being paraded around as a prodigy. Elena loved learning but hated the spotlight. Her experiences encapsulate what many Early-Modern women had to offer—and had to endure—yet her fortitude ultimately spotlights her resilience and can inspire others.
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
This historical fiction novel formed Anna Maria dal Violin into a real person for me and inspired me to humanize every woman I wrote about in my own book.
Anna Maria was abandoned at the church of the Pieta in Venice where she was taught to sing and play numerous instruments. She became a violin virtuoso and a favorite of Vivaldi, who wrote pieces specifically to challenge her.
Barbara Quick takes this real story and makes both Anna Maria and Venice live brightly in eighteenth-century Venice.
Fourteen-year-old Anna Maria, abandoned at the Ospedale della Pieta as an infant, is determined to find out who she is and where she came from. Her quest takes her beyond the cloister walls into the complex tapestry of Venetian society, from the impoverished alleyways of the Jewish Ghetto to a masked ball in the company of a king; from the passionate communal life of adolescent girls competing for their maestro's favor to the larger-than-life world of music and spectacle that kept the citizens of a dying republic in thrall. In this world, where for fully half the year the entire…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
Giacomo Casanova, mostly remembered as an adventurous lover, wrote over a million words about his own life.
Here in Casanova’s Women, Summers turns the spotlight onto the women whom Casanova loved. I’ve read Casanova’s memoirs and have written a book about Casanova in Venice, but it was Summers’ chapters that made me reconsider perspective: How true is a story when it’s told from only one viewpoint?
Summers elevates the voices of these women, such as Casanova’s actress mother, the nuns who were his lovers, the adventurous sisters that he lost his virginity to, and the hometown girl who created one of London’s premier social spots. Their voices are invaluable in learning the fuller story.
Eighteenth-century Venetian adventurer Giacomo Casanova, history's most famous seducer, talked his way into the beds of more than 200 women. Charming, brilliant and devastatingly attractive, the compulsive womaniser claimed to like and understand his conquests. But he could also be ruthless, cruel, selfish and dishonest. Who were these women who established Casanova's extraordinary reputation? From the two sisters with whom he had his first sexual experience to the libidinous Venetian nun who defied God in order to sleep with him, from the wealthy widow he tricked out of a fortune to the love of his life, the glamorous and daring…
Having my assumptions fundamentally changed after reading a book is one of my favorite experiences. I have a BFA in design and I’ve always approached my assignments—logos, websites, home renovations—as a problem to be solved. What is a visual and functional solution that fits all the constraints (time, budget, purpose, materials, etc.)? The same part of my brain that likes figuring out elegant solutions to design problems also likes thinking about and re-examining cultural issues. For over 16 years, I’ve written about parenting (I’m a mother of six), design, living in France, and current events on my blog, in my newsletter, in Twitter threads, and on Instagram.
Oh how I love this book! It’s a clear-eyed look at the history of the world, examining when and why women lost their rights and autonomy as governments and societies developed. I think in my head, patriarchy had just always been around; a permanent fixture in our world. Thinking about patriarchy as a system that didn’t exist at one point, and that was created, really helped my brain comprehend the idea that a world that is not based on patriarchy is possible. The book makes clear that patriarchy is not inevitable, but was a deliberate choice, and that we can make another choice.
When precisely did the ideas, symbols and metaphors of patriarchy take hold of Western civilization? When were women, so central to the creation of society, moved on to the sidelines? Where is the evidence to support the notion that male dominance over women is a natural state of things? Gerda Lerner's radical review of Western civilization shows that male dominance over women has nothing to do with biology, and everything to do with cultural and historical habits. Dr Lerner draws her evidence from a host of archaeological, literary, and artistic sources, using them to pinpoint the critical turning points in…
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
Women’s empowerment is my passion and my purpose, which is why I founded Women Connect4Good, Inc., a 501(c)3 foundation to help support other organizations that work to advance women and girls. Our name says it, and our work proves it. Women make phenomenal leaders, and while I can do a lot through my foundation to promote women’s leadership, we can all do something in our day-to-day lives to help women lead. Every day we can do something to support another woman, or partner with another woman, like the women who’ve written the books I’ve reviewed here – friends, colleagues, and fierce advocates for equality on every level. We are all lifting as we rise.
Why are women still struggling for equality in every area of society, from wages to leadership, and why are so many women allowing men to control their finances? How did we get here – especially when women own over half of the investible assets in the U.S.? Cindy Couyoumjian gives us a sweeping picture of women, money, and power in her new book and shows how women taking charge of their personal and economic power and directing their own financial future will revolutionize the world. Whether you know your way around investments or don’t even try to balance your checkbook, you’ll enjoy reading this book. It will open your eyes to the way you think about money and inspire you to change your financial future.
It's time for all women to take control of their financial destiny.
Financial expert Cindy Couyoumjian is on a mission to empower women to stop being spectators and enter the fiscal arena; to stand up and assert their inalienable right to financial self-determination. Although today in the US, women are making gains in higher education, hold corporate positions, and are successful leaders, men still control most of the household wealth.
Yet women are powerful agents of change with boundless potential in the financial realm, and Cindy shows female readers that by confronting their patriarchal past and becoming financially literate, they…
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
Women have been told, likely from time immemorial, to keep their anger under wraps or, even better, to not feel angry in the first place.
But what if our anger isn’t the unhealthy, unhelpful, ugly thing we’ve been told that it is? What if, as Chemaly suggests, our anger is the very thing we require if we want to pursue and achieve equality and justice, for women and for society more broadly?
Which is a lot like a question I ask in my book: What if anger is actually women’s superpower?
A conversation-shifting book urging 21st-century women to understand their anger, embrace its power, and use it as a tool for positive change
'How many women cry when angry because we've held it in for so long? How many discover that anger turned inward is depression? Soraya Chemaly's Rage Becomes Her will be good for women. After all, women have a lot to be angry about.' GLORIA STEINEM
Women are angry, and it isn't hard to figure out why. We are underpaid, overworked, thwarted and diminished. The assertive among us are labelled bitches, while the expressive among us are considered shrill.…
Because I was brought up in a cult, I'm determined to serve as a voice for children. I'm an advocate for assisting children born into cults or taken into them in finding their true identities outside of the indoctrination they received. It's important to me that there is a network of support available to those who want to learn how to lead a balanced life. As a post-cult adult, I went on to study creative writing and art at the University of Tennessee. I have a deep appreciation for poetry as a form of expression, and I recommend using it as a method to work through the complex range of feelings.
It was a brilliant decision on Natalie's part to create a graphic novel that lays out the many facets and layers that make up the dynamics of cults. It has been a pleasure for me to get to know Natalie. A former member of the Jehovah's Witnesses, she is now a dynamic and independent individual. This graphic novel explores a wide variety of aspects of the tactics used by Jehovah's Witnesses, including shunning, the reasons why cult family members will disavow non-cult family members, and a great deal more. This seemed to me to be an excellent option for storytelling geared for minds that have a tendency to gravitate toward visuals.
Cult Girls based on a true story, tells the story of Talia and her friends as they struggle with growing suspicions that their faith is a patriarchal religious cult. It's a story of tremendous courage and female empowerment as Talia as her friends successfully free themselves told through a feminist lens with cautionary humor. Read this first place BookFest award winning Girls and Women YA Graphic novel.
My passion started as a personal quest in my twenties, struggling with my relationship with my own mother. When my daughter was born, I knew that I could not repeat the difficult dynamics between my mother and I. What started as a personal quest to understand the underlying dynamics between mothers and daughters quickly grew into a professional quest. Today, I have worked as a mother-daughter therapist with thousands of mothers and daughters of all ages and from different countries and cultures and have developed the Mother-Daughter Attachment® model that helps therapists and mothers and daughters uncover the hidden dynamics in their relationship and create a roadmap for change.
Mothers are too often blamed for their children’s and adult daughters’ problems. I regard Paula Caplan’s book as the quintessential text on understanding how patriarchy blames mothers and how mother-blaming harms mothers, women, and the mother-daughter relationship. Paula exposes the myths surrounding motherhood – revealing that there is no such thing as a “perfect mother.”
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