Fans pick 100 books like Oscar Wilde on Trial

I’ve always thought of this book as a gay “bodice-ripper,” though a bit on the darker side. And it’s the darkness that haunts me still some two decades after first reading it.

The love story, if one can call it that, verges on and then outright plunges into brutal obsession between the two main male characters, and even though I knew I shouldn’t, I rooted for them.

Beyond the intensity of the relationship between the main characters, the writing, steeped in the history of the English Revolution, is wonderful–strong and brutal and raw and visceral. I’ve returned to this novel repeatedly over the years, and its impact never lessens. Truly a marvel of a novel. 

This book is written with the utmost clarity – making an incisive and digestible argument why liberation for trans people fits into wider fights for socialism and justice for minorities. With chapters on why “T” belongs in “LGBT” and why trans inclusion should be core to feminist movements, it’s an essential read for LGBTQ+ people and their allies. 

Blind Justice, set in 1768, is the first of Bruce Alexander’s 11 Sir John Fielding mysteries. Its hero is the famous blind magistrate of London’s Bow Street Court; its narrator is thirteen-year-old Jeremy Proctor, whom Fielding’s wisdom has saved from an unjust accusation of theft. The pair investigate the death of Sir Richard Goodhope, who has been discovered shot in his library, locked from the inside. Sir John assumes suicide, but Jeremy’s observation of a detail that the magistrate could not see suggests murder. Proof of murder involves following Goodhope’s history through London’s streets, gambling houses, coffee houses, and great houses—to Drury Lane theater and Newgate—in a compelling portrait of eighteenth-century London.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.

This is a glorious bird-by-bird book, filled with photographs and lots of information and first-hand accounts, including folklore and history, with copious endnotes and references. It was first published in 2005 and reissued in 2020. The book is divided into different bird families, starting with the Diver family, the Grebe family, and the Albatross family, so it can be read systematically or by dipping in and out. Birds Britannica perhaps deserves the name ‘coffee-table book’ – being so heavy, it is almost impossible to read unless seated (with a coffee) at a table. 

This is a biography but it’s about a famous ship, the Mauretania, rather than a famous person. Through her illustrious career the Mauretania—affectionately called the ‘Maury’—carried passengers in speed and style across the Atlantic while holding the Blue Riband for more than 20 years. In service from 1907 to 1934, she spanned the era of the great luxurious liners.

Lots of textual material, which I like, although there’s enough photos to illustrate the various aspects of her life. If you like detail, this book has it. My only criticism is light coverage of her important role in the First World War. Read this in conjunction with the histories of her sister ship and running mate, the ill-fated Lusitania. They provided a rotating weekly service across the Atlantic for 8 years, and were equally luxurious, but their stories are far from identical.

This is such a fun book! The book-loving heroine is so upbeat and full of sunshine. Grace loves whimsy yet manages to keep her feet on the ground. I loved how she uses her experience with fiction to solve mysteries and escape harrowing situations. Lord Astley is haunted by past mistakes but his brooding nature can't stand against Grace's guileless enthusiasm. A marriage of convenience, a villain on the prowl, and a house with secret passageways. What's not to love? Riddled with laugh-out-loud moments, this book should not be missed at Christmas or any other time of year.

John Morris was an ancient historian specializing in the later Roman Empire who late in life turned his attention to Dark Age Britain. I only met him very briefly at a conference in the mid-1970s, by which time he was already very ill. He wrote by far his best-known work while presiding over the translation of a host of source materials for early medieval Britain and their publication by Phillimore, all the time fighting his own battle against cancer. He didn’t just accept Arthur as a real historical figure but made him the pivotal figure of British history in the decades around 500, accepting as authoritative all sorts of stories written many hundreds of years later. In so doing he was largely responsible for bringing the Arthurian Period of British history into existence and certainly gave it enormous popular appeal. Rarely has one writer had such an impact on a… show more.

I loved this book. It’s an absolute classic coming-of-age story, beginning when Emma is a schoolgirl on the brink of teens, and ending with her as a newly-married novelist. I particularly identified with the author as the bookish youngest of three, growing up in Devon – there were lots of parallels with my own teenage self – and I wonder how I would have coped with emerging into adulthood just as war broke out, as Emma did  – highly recommended!

I’ve read it multiple times and also listened to an audiobook. Of course, there are movies, too. I read it on my own out of pure interest as a young woman and then again repeatedly as an adult.

I get wildly involved in Dickens’ plots. (Most of his novels would fulfill my category of children overcoming odds.) David is bereft, having lost his father. He has a loving but weak mother. He experiences beatings, hunger (Oh, I hate hunger), and loneliness as he is tossed about the world. And yet he never loses his humanity, that is, his native kindness.

Somehow, Dickens finds ways to leverage all the pain with comedy. Amazing. I love his strange characters (Peggoty, Mr. Dick) and thrill to his evil characters (Uriah Heep) because Dickens has the gift to often make them comic.