Fans pick 100 books like Northern Spy

What I loved most about this book is true of all Louise Erdrich novels: she creates such warm, complicated, fully human characters that I delight in their presence and grieve when I have to leave them at the book’s end.

In this novel, history hit home in a devastating way when the U.S. government in the 1950s decided to solve its “Indian problem” by simply reclassifying Native people as no longer Indian—a kind of paper genocide that wiped out Indigenous people’s cultural identity and tribal rights, such as land rights.

Sadly, this is all historical fact; the fiction comes in when Erdrich re-imagined in riveting detail the (also true) story of how one small tribe in North Dakota fought back.

I’d always assumed that the Dust Bowl in the 1930s was a natural disaster. Nope. The scouring dust storms that destroyed thousands of lives and millions of farms in five states didn’t have to happen. They were the predictable—and predicted!—result of short-sighted human decisions, such as the government handing tracts of formerly Indian land to white settlers to tear out the nourishing native grasses and plant wheat instead.

The human hand behind extreme weather might seem obvious to us now, but it was eye-opening for me in 2006 when I read this riveting nonfiction drama of families trapped in a living nightmare. I have never forgotten its impact or its lessons.

Any book in which a journalist and a librarian are the heroes gets a gold star from me. In this gripping novel, a Black journalist from Detroit who writes about the Black Lives Matter movement goes to Birmingham, Alabama, in 2019 on a personal and professional quest.

Her great-grandfather was, she believes, killed there by a white policeman 90 years ago, and she’s determined to find out the truth. She also thinks his story can illuminate what’s happening nationwide today. Based on this compelling premise, the novel is a mystery, a love story, a history, and an examination of racial justice rolled into one. I enjoyed the behind-the-scenes view of exactly how a journalist builds a story.

I love quiet novels that pack a punch, particularly when the writing is gorgeous and wise, as in this case. The book takes place in the real Las Vegas, where people live and work, and it pulls us deep into a community and its fault lines.

Four very different characters are drawn together as they are propelled into situations where the stakes are high yet intimately human. They must face the crucial issues of their time—war, poverty, sanctuary—and the most terrifying question: what kind of person am I?

McKinty takes you right to the streets of a city in chaos. An excellent, edgy, police procedural with a great sense of place––and McKinty doesn’t spare the language or violence in DS Sean Duffy’s first appearance.

In 1981 Belfast, it seems a serial killer is targeting homosexuals––an anomaly in Ulster during the troubles when most murders are sectarian. Just as Duffy starts to doubt this angle, a young woman, ex-wife of a hunger striker, commits suicide, or was she murdered––and was she connected somehow to the killings?

We’re immediately caught up in Duffy’s dysfunctional world, he’s a Catholic detective in the predominantly Protestant RUC. A hard drinker, too smart for his own good, but with a strong moral compass. 

I was twenty-five and enraged at the self-pity and posturing dominating the Irish peace process. I was dying to write yet terrified of even attempting to say anything in print. And then, like a rogue rocket, Divorcing Jack arrived. A hilarious assault on Northern Irish sacred cows right at the bitter end of the bloody Troubles. A timely, wisecracking strike back at a place where being a self-important Muppet had become a job description. So… Dan Starkey, suspected of murdering a lover, stumbles through local fiefdoms to solve the crime himself. He was in places I knew, bars I drank in, saying things that needed to be said. Divorcing Jack started a train of thought that still runs in my mind, one that insists rules are for rulers, not writers. 

Absurd, funny, ingenious, sad, and violent, this book is an ode to Belfast. The first line – and I’m big into first lines – runs: “All stories are love stories.” Are they? Are they not? I still don’t know. Yet that’s the nature of the characters here, the nature of this cynical society too, back in 1994 as the ceasefire trembled into life and everyone was confused by the silence. So, ceasefire time, an obese Protestant waster cashes in by selling ‘ethnic accessories,’ including walking sticks for leprechauns. And his erudite, tough Catholic mate prowls Belfast while getting hassled and thinking deeply about getting laid. Self-appointed ‘revolutionaries’ get torn a new one here, and rightly so. All of Wilson’s books are blunt among the beautiful. Sadly there’s all too few of them.

I was so moved when I read The Lonely Passion of Judith Hearne that it inspired me to write my novel with my protagonist Laurence J Benbo as a male equivalent of Judith Hearne, an innocent exploited by an uncaring world. The quotidian details of Judith’s life are delineated brilliantly by Moore in all her wretchedness reminiscent of some of the characters in Joyce’s Dubliners which Moore would have read and which possibly influenced him. The dark surroundings of Judith’s life lead her into a fantasy world aided by her one necessary weakness—alcohol. But, as Moore points out, it doesn’t have to end tragically. There is a glimmer of hope with life going on, but nothing as before.

Ireland again, this time in the 80s, and right in the middle of the Troubles. Adrian McKinty’s cop, Sean Duffy, is an outsider, a Catholic in a Protestant police force. He’s irreverent, sarcastic, bitter, and a more than occasional drug user. In Police at the Station (6th in the series) Duffy investigates the murder of a small-time heroin dealer, who’s been shot by a crossbow. Meanwhile his posh girlfriend wants to move…the Sean Duffy novels are tough, funny, exciting, and extremely well done. Enjoy!

It is not widely known that, like Dublin, Derry and Belfast were policed by their own municipal forces. The Belfast Police was responsible for preserving peace and order in the parts of the city which paid their rates. It looked after lighting, paving, and scavenging. Following sectarian violence and alleged police partisanship peaking in the riots of 1864 and 1869, Derry and Belfast forces were deemed inadequate in the face of rising public distrust.  In contrast to the Royal Irish Constabulary or the Dublin Metropolitan Police, which were headed by Commissioners, the Belfast police were under a single authority, the police board, until 1844, and a police committee thereafter – whose members, as Griffin aptly shows, gave ample reason for ongoing allegations of partisanship and corruption.