Here are 100 books that Norfolk Rood Screens fans have personally recommended if you like
Norfolk Rood Screens.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Today surviving medieval church wall paintings are a bit of a rarity in England, but during the Middle Ages every church, almost without exception, would have been an absolute riot of colour, with saints, angels, and demons battling their way across the walls. What Rosewell's book does is allow you to understand not just what you are seeing, but how and why they were made in the first place. It explains the way in which the pigments were made, who painted them, and even who paid for them. It also contains an absolutely fantastic selection of images, that bring to life just how vibrant the walls of our churches once were. A gem.
Highly Commended in the Best Archaeological Book category of the 2008 British Archaeological Awards.
Wall paintings are a unique art form, complementing, and yet distinctly separate from, other religious imageryin churches. Unlike carvings, or stained glass windows, their support was the structure itself, with the artist's "canvas" the very stone and plaster of the church. They were also monumental, often larger than life-size images forpublic audiences. Notwithstanding their dissimilarity from other religious art, wall paintings were also an integral part of church interiors, enhancing devotional imagery and inspiring faith and commitment in their own right, and providing an artistic setting…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Definitely not as grim as the title might suggest. All churches are crammed full of memorials to the dead, and many dozens of books have been written that focus upon the people who lie in these tombs, or beneath the elegant grave slabs. However, sometimes little attention has been given to these memorials themselves, and the craftspeople who made them. This book is the culmination of a lifetime's research and will fascinate anyone who has an interest in church decoration - or dead people.
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Stephen Hart spent a lifetime travelling around English churches and was one of the most knowledgeable - and good-natured - individuals I ever had the pleasure to work with. One of his passions was for flushwork - the decorative flint work seen on many English churches, most especially in East Anglia. This book was published towards the end of his career and brings together many of his thoughts and ideas - as well as a fantastic selection of images.
Flint Flushwork is a wholly external decorative medium, where the skills of medieval craftsman blended with the iconography of the medieval church to create a unique new art form. It is an artistic achievement that is built into the very fabric of many hundreds of medieval churches. As such, many examples of Flushwork survive where more impermanent artworks have succumbed to the ravages of reformation and over-zealous restoration. Despite this, however, ithas not attracted the same depth of research and analysis as other aspects of church architecture.
This book provides a wide perspective on the several different modes of Flushwork…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
I love this book, and not just because it is one of the few church archaeology books to mention graffiti. This book takes a very different approach to churches than most volumes you will have come across, as it quite literally strips them back to their bare bones. This is the deep history of the parish church, laid bare in the stones. Rodwell is a recognised expert in his field, and understands churches in ways that few others do - and after reading this you will never look at a medieval church in quite the same way again.
Churches are Britain's most completely surviving class of historic monument. They are also usually the oldest buildings within their settlements. As such, these structures, from parish church to cathedral, from medieval to Georgian, are a huge architectural and archaeological resource.
The last couple of decades have witnessed an unprecedented upsurge of public interest in the historic environment, and the growth of the tourism and 'heritage' industries has focused new attention on churches. While some visitors to churches, cathedrals and monastic ruins seem content to wander around with little or no understanding of what they are looking at, many have an…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
Star-crossed lovers and a strong female heroine! This setting is the beginning of the end for the Plantagenets. Their royal court is turbulent—filled with secrets and enemies after the dramatic coup of the current king’s father, King Edward II (the events of which are featured in my book). When the beautiful and willful Joan of Kent, cousin to the royal family, is sent to live among them, she soon learns they’re the ones responsible for her father’s unjust execution and her family’s subsequent shame. Though the handsome and chivalrous Black Prince of Wales is falling at her feet, she twists his affection against him in an act of revenge, only allowing Fortune’s Wheel to turn once she decides it should be so.
The daughter of a disgraced earl, she matched wits with a prince.
It is the fourteenth century, the height of the Medieval Age, and at the court of King Edward III of England, chivalry is loudly praised while treachery runs rampant. When the lovely and high-spirited Joan of Kent is sent to this politically charged court, she is woefully unprepared for the underhanded maneuverings of her peers.
Determined to increase the breadth of his rule, the king will use any means necessary to gain control of France—including manipulating his own son, Edward, Prince of Wales. Joan plots to become involved…
I didn’t enjoy my first degree in Modern History and Political Science and it took twenty-five years and another MA in Women’s History, Gender, and Society, before my enthusiasm was rekindled. I’ve always believed it’s important to know where we come from, as well as the history of our country, and I don’t just mean wars, laws, and politics – but the lives of ordinary people, men, women, and children, because finally, we discover that our hopes, aspirations, and challenges are not so very different to the people who lived 500 years ago. I’m also passionate about the reality of women’s lived experience in all periods of history.
I found this study of gentry culture, with essays on political influence, education, social networks, religious activities, and the display of ‘gentility,’ a useful guide to a social class that was evolving in the period of my research. It also helped me understand why Dame Alice was so successful in running her own household and did not remarry – she was secure in the knowledge that she could exercise power and influence as an independent woman. Many of the other books I read about medieval households focused on the aristocracy, their sumptuous lifestyles, lavish entertainment, ostentatious festivities, opulent recreations, and itinerant households, but were not relevant to the subject of my book about a sedentary fifty-year-old widowed gentlewoman running her estates and giving hospitality to her neighbours and agricultural workers.
Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry's military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group's culture evolved, and how it was disseminated. Studies of the gentry's literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address…
I have been working on science and religion for 15 years now. While there are a number of books on Darwinism and religion (too many to count), the number on Darwin himself and his own (loss of) religion is far smaller. So, I wrote a short "spiritual biography" of the great man. Reading through the Darwin archives, it emerged that there was so much more to the story than “man finds evolution but loses God,” and the more I read around this topic and spoke to the leading academic scholars on the subject, the more I realized that that was the case for science and religion overall.
The popular view is that “mediaeval science” is a contradiction in terms, but this is… well, nonsense, really. The mediaeval world did not have “scientists” (the term was only invented in the 1830s), but it did have “natural philosophers” who studied the world about them with great care and interest.
True, they worked within a totally different framework from later scientists, and that made the kind of leaps forward that were made in the 17th century impossible. But nevertheless, they thought logically, examined carefully, reasoned well, and even sometimes experimented successfully.
James Hannam’s book is a great introduction to a world that seems very alien to us but is closer than we might think.
This is a powerful and a thrilling narrative history revealing the roots of modern science in the medieval world. The adjective 'medieval' has become a synonym for brutality and uncivilized behavior. Yet without the work of medieval scholars there could have been no Galileo, no Newton and no Scientific Revolution. In "God's Philosophers", James Hannam debunks many of the myths about the Middle Ages, showing that medieval people did not think the earth is flat, nor did Columbus 'prove' that it is a sphere; the Inquisition burnt nobody for their science nor was Copernicus afraid of persecution; no Pope tried…
All my life I’ve been pushing against limits. Being the oldest of five children born to a farm couple who became mill workers, I was frequently reminded by family that “people like us” did not need much education, didn’t get the good jobs, and shouldn’t “rise above themselves.” Being a girl, I had additional limits. Naturally, when I learned to read, I was drawn to books in which characters broke through unfair restraints to have adventures and accomplish great deeds. I wanted to be one of those people. By the time I came of age, I knew I had a shot at becoming the heroine of my own story!
Crispin is a young serf in Medieval England--an orphan despised by everyone for reasons he does not understand. Though I never had problems as dire as Crispin faced, I frequently felt mistreated as a child, and like him, the forest was my comfort and refuge. Like him, I had a lively curiosity about the lives of others and many times learned important lessons through observation. I shared Crispin's tendency to hero worship those who befriended me, and like him, I generally chose my role models well.
Newbery Medal winner The Cross of Lead is "a page-turner from beginning to end... full of adventure, mystery, and action" (School Library Journal).
Sometimes I ran, sometimes all I could do was walk. All I knew was that if the steward overtook me, I’d not survive for long....
Crispin is a poor thirteen-year-old peasant in medieval England. Accused of a crime he did not commit, he has been declared a "wolf’s head," meaning he may be killed on sight, by anyone. He flees his tiny village with nothing but his mother’s cross of lead.
Ever since I traveled to Ethiopia as a child and saw its forms of Christianity, I’ve been fascinated with the ways that a religion that seems to be “pure” and ethereal actually gets mixed with folk traditions. I came to specialize in the ways that Egyptian Christianity became Egyptian. But I have also noted this phenomenon throughout religions: Buddhism, Judaism, and Islam all assimilated themselves to particular regions and village expressions. This dynamic exchange between the “great tradition” and resilient local traditions is fascinating to trace even today when many leaders claim that nothing exists except for pure religious teaching. But historians of religions know that every religion is constantly “syncretizing.”
This rich book lays out the vivid (and extensive) evidence for mixtures of Christianity and village traditions all over the post-Constantinian world (feasts and sacrifices, local saints and spirits, sacred trees and fountains).
Clearly, the notion of “the conversion of the Empire” is a vast overstatement since the Christianities we discover in early Christian literature and archaeology are highly idiosyncratic.
The slaughter of animals for religious feasts, the tinkling of bells to ward off evil during holy rites, the custom of dancing in religious services-these and many other pagan practices persisted in the Christian church for hundreds of years after Constantine proclaimed Christianity the one official religion of Rome. In this book, Ramsay MacMullen investigates the transition from paganism to Christianity between the fourth and eighth centuries. He reassesses the triumph of Christianity, contending that it was neither tidy nor quick, and he shows that the two religious systems were both vital during an interactive period that lasted far longer…
I am Professor of History at Our Lady Seat of Wisdom College in Canada. Previously a journalist and a diplomat serving in the Middle East, since returning to academia I have published several books and a wide variety of academic articles – winning the 2014 Eusebius Essay Prize. My work is focused on source analysis and the use of sources to reconstruct the truth of the past – especially in the early Middle Ages: as a result, I have been able to discover the date of Augustine of Canterbury’s death; the underlying reasons behind the need to appoint Theodore of Tarsus as bishop; and the essential story of how Bede produced his Ecclesiastical History.
This book is the best introduction there is to early Christian Anglo-Saxon England.
Mayr-Harting is an excellent scholar and a beautiful writer – in addition to being a superb lecturer and, indeed, an incredibly kind and generous human being. All of these qualities shine through in this wonderful book, which repays frequent reading – even by established academics.
Mayr-Harting’s treatment of sources is sensitive, and his commentary is always perceptive. This volume provides both narrative and some analysis, giving not only a general overview but also an introduction to the key people and issues that will take readers’ understanding of – and appreciation for – the period far beyond the preliminary.
The Coming of Christianity to Anglo-Saxon England is more than a general account of the conversion of the Anglo-Saxon kingdoms. It is a probing study of the way in which Christianity was fashioned in England, giving full weight to the variety of wealth of the traditions that contributed to early Anglo-Saxon Christianity. It is also a study in the process of Christianization, as it was carried out by churchmen who, according to Mayr-Harting, prepared themselves by prayer and study and travel as well as by social awareness to Christianize their world.
