Here are 100 books that Norfolk Rood Screens fans have personally recommended if you like
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If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Today surviving medieval church wall paintings are a bit of a rarity in England, but during the Middle Ages every church, almost without exception, would have been an absolute riot of colour, with saints, angels, and demons battling their way across the walls. What Rosewell's book does is allow you to understand not just what you are seeing, but how and why they were made in the first place. It explains the way in which the pigments were made, who painted them, and even who paid for them. It also contains an absolutely fantastic selection of images, that bring to life just how vibrant the walls of our churches once were. A gem.
Highly Commended in the Best Archaeological Book category of the 2008 British Archaeological Awards.
Wall paintings are a unique art form, complementing, and yet distinctly separate from, other religious imageryin churches. Unlike carvings, or stained glass windows, their support was the structure itself, with the artist's "canvas" the very stone and plaster of the church. They were also monumental, often larger than life-size images forpublic audiences. Notwithstanding their dissimilarity from other religious art, wall paintings were also an integral part of church interiors, enhancing devotional imagery and inspiring faith and commitment in their own right, and providing an artistic setting…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Definitely not as grim as the title might suggest. All churches are crammed full of memorials to the dead, and many dozens of books have been written that focus upon the people who lie in these tombs, or beneath the elegant grave slabs. However, sometimes little attention has been given to these memorials themselves, and the craftspeople who made them. This book is the culmination of a lifetime's research and will fascinate anyone who has an interest in church decoration - or dead people.
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Stephen Hart spent a lifetime travelling around English churches and was one of the most knowledgeable - and good-natured - individuals I ever had the pleasure to work with. One of his passions was for flushwork - the decorative flint work seen on many English churches, most especially in East Anglia. This book was published towards the end of his career and brings together many of his thoughts and ideas - as well as a fantastic selection of images.
Flint Flushwork is a wholly external decorative medium, where the skills of medieval craftsman blended with the iconography of the medieval church to create a unique new art form. It is an artistic achievement that is built into the very fabric of many hundreds of medieval churches. As such, many examples of Flushwork survive where more impermanent artworks have succumbed to the ravages of reformation and over-zealous restoration. Despite this, however, ithas not attracted the same depth of research and analysis as other aspects of church architecture.
This book provides a wide perspective on the several different modes of Flushwork…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
I love this book, and not just because it is one of the few church archaeology books to mention graffiti. This book takes a very different approach to churches than most volumes you will have come across, as it quite literally strips them back to their bare bones. This is the deep history of the parish church, laid bare in the stones. Rodwell is a recognised expert in his field, and understands churches in ways that few others do - and after reading this you will never look at a medieval church in quite the same way again.
Churches are Britain's most completely surviving class of historic monument. They are also usually the oldest buildings within their settlements. As such, these structures, from parish church to cathedral, from medieval to Georgian, are a huge architectural and archaeological resource.
The last couple of decades have witnessed an unprecedented upsurge of public interest in the historic environment, and the growth of the tourism and 'heritage' industries has focused new attention on churches. While some visitors to churches, cathedrals and monastic ruins seem content to wander around with little or no understanding of what they are looking at, many have an…
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
A classic cited in every title on my list, Goldberg’s book provides a glimpse into the lives of women in the area, both rural and urban. The book grew out of the question, How far was marriage a necessity for medieval women? His focus is on women in the north, with its unique labor issues. To answer the question he examines the economy and how women participated in it, with an emphasis on the changes brought on by the decline in population after the Black Death in the later 14th century.
He covers tradeswomen, servants, prostitutes, farm laborers, with glimpses into the lives they led and how the different groups made choices about marriage. Women in York and Yorkshire chose to enter the workforce, often delaying marriage until it offered a clear advantage, and their economic independence offered them an advantage in making decisions about their future. Gives a…
This is an innovative analysis of the relationship between women's economic opportunity and marriage in the fourteenth and fifteenth centuries. It is based on an intensive study of York and Yorkshire, but also utilizes evidence from other parts of England and continental Europe.
P. J. P. Goldberg explores the role of women in the economy and the part that marriage played in their lives. Importantly, he challenges the Wrigley and Schofield thesis of nuptiality: his analysis of the demography of marriage demonstrates that in late medieval Yorkshire, women participated strongly in the labour force, deferring marriage or avoiding it entirely.…
Vivian Nutton is an emeritus professor of the History of Medicine at UCL and has written extensively on the pre-modern history of medicine. He has lectured around the world and held posts in Cambridge and Moscow as well as the USA. His many books include editions and translations of Galen as well as a major survey of Greek and Roman Medicine, and he is currently writing a history of medicine in the Late Renaissance.
A lively account of the ways in which the philosophical and medical ideas of the Greeks were transmitted to Rome, the Arab world, and medieval Italy. What Plato, Aristotle and Galen had said was often changed and even lost on the way, and only partially recovered in Renaissance Italy. A vivid reminder of the influence of the Greeks over many centuries.
'A lovely debut from a gifted young author. Violet Moller brings to life the ways in which knowledge reached us from antiquity to the present day in a book that is as delightful as it is readable.' Peter Frankopan, author of The Silk Roads
In The Map of Knowledge Violet Moller traces the journey taken by the ideas of three of the greatest scientists of antiquity - Euclid, Galen and Ptolemy - through seven cities and over a thousand years. In it, we follow them from sixth-century Alexandria to ninth-century Baghdad, from Muslim Cordoba to Catholic Toledo, from Salerno's medieval…
Marion Turner is a Professor of English Literature at Oxford University where she teaches medieval literature. Her critically-acclaimed biography of the poet Geoffrey Chaucer was picked as a Book of the Year by the Times, the Sunday Times, the New Statesman, and the TLS, and has been hailed as ‘an absolute triumph,’ and a ‘masterpiece.’ It won the British Academy Rose Mary Crawshay Prize and the English Association Beatrice White Prize, and was shortlisted for the Wolfson History Prize.
For me, this isn’t a book that I read cover to cover; it is a book that I very frequently refer to when I want information. This is my go-to book when I want to check how much a labourer was paid, and what that money would buy, for example. It is an economic history and, as such, helps you to understand the fundamentals of how medieval society worked and was put together. So you can find out not only about the life of an aristocrat, but about the life of a peasant, free or unfree, and about life in the countryside as well as life in towns or in great households. It covers almost 700 years of history, so it also demonstrates how much changed across this long and varied period – starting hundreds of years before the Norman Conquest, and ending in the reign of Henry VIII, when…
Dramatic social and economic change during the middle ages altered the lives of the people of Britain in far-reaching ways, from the structure of their families to the ways they made their livings. In this masterly book, preeminent medieval historian Christopher Dyer presents a fresh view of the British economy from the ninth to the sixteenth century and a vivid new account of medieval life. He begins his volume with the formation of towns and villages in the ninth and tenth centuries and ends with the inflation, population rise, and colonial expansion of the sixteenth century.
I’ve been fascinated by magic and its history since I was at school. One of my first Saturday jobs was as a shelf stacker in Portsmouth Central Library, and I was delighted to discover that the library had a special collection on the occult and magic. I spent as much time dipping into the books as I did shelving them! That interest was sharpened by holiday visits to places with links to magical people and events in the past – and I am very grateful for the patience of my family. I now research and teach medieval magic at Reading University and enjoy discussing spells and instruction manuals on various types of magic.
Sophie Page is an expert on magic in medieval Europe and in this book she was given free rein to choose fascinating images from the British Library’s collection of medieval manuscripts.
As somebody who studies medieval manuscripts myself, and loves them as works of art as well as for the historical records they contain, this book is irresistible.
It’s a little like being given a guided tour through an exhibition on the subject, by someone who really knows how alchemy and astrology – or even necromancy and sorcery – were performed.
If you want to know how to summon a demon or uncover hidden treasure, you’ll find places to start in this book!
Magic existed in diverse forms in the Middle Ages: from simple charms to complex and subversive demonic magic. Its negative characteristics were defined by theologians who sought to isolate undesirable rituals and beliefs, but there were also many who believed that the condemned texts and practices were valuable and compatible with orthodox piety. Magic in Medieval Manuscripts explores the place of magic in the medieval world and the contradictory responses it evoked, through an exploration of images and texts in British Library manuscripts. These range from representations of the magician, wise-woman and witch to charms against lightning, wax images for…
I’m a medieval historian who specialises in social history, and more particularly on sexuality, propaganda, and apocalypticism. I fell in love with the period from my very first class during my BA, but even back then, I was struck by just how little we as a society pay attention to some thousand years of history. Even worse, we often tell lazy myths about the Middle Ages as a time of filth and ignorance that makes us feel good about ourselves. Since not everyone can get a Ph.D. like I did, I have dedicated my career to bringing the period to light. I hope this book list does just that.
This deep dive into the people that medieval Europe sidelined is absolutely indispensable for understanding society as a whole.
I get frustrated because when people think about the medieval period, they assume that it was a time when everyone just quietly played along with whatever the Church said, and everyone was a straight white Christian keeping quiet. This book goes and finds the people that the medieval period wanted hidden and brings them to light.
I also like that it helps us to consider that we still partake in the same othering behaviours now. It’s full of fascinating primary sources, and I find it totally absorbing.
Seldom heard from in modern times, those on the margins of Medieval Europe have much to tell us about the society that defined them. More than just a fascinating cast of characters, the visionaries and sexual dissidents, the suicidal and psychologically unbalanced, the lepers and converts of Medieval times reveal the fears of a people for whom life was made both meaningful and terrifying by the sacred.
After centuries of historical silence, these and other disenfranchised members of the medieval public have been given voice by Michael Goodich in a unique collection of texts from the mid-eleventh through the fourteenth…
I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.
I love this classic study in which Huizinga vividly portrays the colorful era in which my heroin, Christine de Pizan, lived. Huizinga shows that late medieval society was full of striking contradictions, among them chivalry vs cruelty, courtly love vs vengeance, blissful visions of heaven vs horrific visions of Hell.
“To the world when it was half a thousand years younger,” Huizinga begins, “the outline of all things seemed more clearly marked than to us.” Life seemed to consist in extremes—a fierce religious asceticism and an unrestrained licentiousness, ferocious judicial punishments and great popular waves of pity and mercy, the most horrible crimes and the most extravagant acts of saintliness—and everywhere a sea of tears, for men have never wept so unrestrainedly as in those centuries.
First published in 1924, this brilliant portrait of the life, thought, and art in France and the Netherlands in the 14th and 15th centuries…
