Here are 100 books that Medieval Wall Paintings in English & Welsh Churches fans have personally recommended if you like
Medieval Wall Paintings in English & Welsh Churches.
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If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Definitely not as grim as the title might suggest. All churches are crammed full of memorials to the dead, and many dozens of books have been written that focus upon the people who lie in these tombs, or beneath the elegant grave slabs. However, sometimes little attention has been given to these memorials themselves, and the craftspeople who made them. This book is the culmination of a lifetime's research and will fascinate anyone who has an interest in church decoration - or dead people.
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Surviving medieval painted rood screens are one of the wonders of England's churches. Each one artwork in its own right. In this magnificently illustrated work, the authors highlight twenty-four of the finest surviving examples, showing them in all their glorious detail. It may not be a groundbreaking work, but it is most certainly an inspiring one. If you ever thought the Middle Ages were drab and colourless, then this book will undoubtedly change your mind. A visual feast.
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Stephen Hart spent a lifetime travelling around English churches and was one of the most knowledgeable - and good-natured - individuals I ever had the pleasure to work with. One of his passions was for flushwork - the decorative flint work seen on many English churches, most especially in East Anglia. This book was published towards the end of his career and brings together many of his thoughts and ideas - as well as a fantastic selection of images.
Flint Flushwork is a wholly external decorative medium, where the skills of medieval craftsman blended with the iconography of the medieval church to create a unique new art form. It is an artistic achievement that is built into the very fabric of many hundreds of medieval churches. As such, many examples of Flushwork survive where more impermanent artworks have succumbed to the ravages of reformation and over-zealous restoration. Despite this, however, ithas not attracted the same depth of research and analysis as other aspects of church architecture.
This book provides a wide perspective on the several different modes of Flushwork…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
I love this book, and not just because it is one of the few church archaeology books to mention graffiti. This book takes a very different approach to churches than most volumes you will have come across, as it quite literally strips them back to their bare bones. This is the deep history of the parish church, laid bare in the stones. Rodwell is a recognised expert in his field, and understands churches in ways that few others do - and after reading this you will never look at a medieval church in quite the same way again.
Churches are Britain's most completely surviving class of historic monument. They are also usually the oldest buildings within their settlements. As such, these structures, from parish church to cathedral, from medieval to Georgian, are a huge architectural and archaeological resource.
The last couple of decades have witnessed an unprecedented upsurge of public interest in the historic environment, and the growth of the tourism and 'heritage' industries has focused new attention on churches. While some visitors to churches, cathedrals and monastic ruins seem content to wander around with little or no understanding of what they are looking at, many have an…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
In 1307 the pope charged three commissioners to decide whether the survival of a Welshman hanged for murder some years previously had or had not been a miracle. Bartlett’s masterly and compulsively readable microhistory draws from their report a brilliantly illuminated miniature (less than 200 pages) of an entire world, from the family life of the highest nobility to the grisly details of hanging and what they symbolised, and of the struggle for power in many forms, from the marches of Wales to central Italy.
Seven hundred years ago, executioners led a Welsh rebel named William Cragh to a wintry hill to be hanged. They placed a noose around his neck, dropped him from the gallows, and later pronounced him dead. But was he dead? While no less than nine eyewitnesses attested to his demise, Cragh later proved to be very much alive, his resurrection attributed to the saintly entreaties of the defunct Bishop Thomas de Cantilupe. The Hanged Man tells the story of this putative miracle--why it happened, what it meant, and how we know about it. The nine eyewitness accounts live on in…
I’m a historian of medieval Europe who specializes in twelfth-century England and France. I’ve been fascinated with history since childhood and distinctly remember being obsessed with a book on English monarchs in my mom’s bookcase when I was young. In college, I took a class on Medieval England with a professor whose enthusiasm for the subject, along with the sheer strangeness of the medieval world, hooked me. I’ve been exploring medieval Europe ever since, and deepening my understanding of how our own world came into being in the process.
Any book by Robert Bartlett is worth reading (check out The Hanged Man and Trial by Fire and Water as well), but I love this one because it examines one of the most interesting and entertaining historians of the twelfth century, Gerald of Wales.
Gerald was famously opinionated, prejudiced (mainly against the Irish – check out his History of Ireland), and gossipy. Bartlett explores Gerald’s attitudes, experiences, and works to paint a compelling picture of the wider world around him. Much like Chibnall’s book on Orderic, this is a fascinating portrait of an important historian and the complicated world he lived in.
I have a great love of visionary fantasy fiction, metaphysical mystery thrillers, and fiction that doesn’t conform to generic norms, be it novels or film, as well as music and the arts. I’m also passionate about exploring the unknown, the mysteries of the mind, consciousness, and our existence in this unfathomable universe. In that regard, I love to travel. Some of my most recent escapades have included journeys deep into the Peruvian Amazon, Brazil, the Andes, and Mexico, meeting local indigenous folk wherever possible, and participating in shamanic ceremonies and tribal rituals. And lastly, I’m an ardent Formula One fan – something that has not yet featured in my fiction, though it may.
I was instantly transported by this epic saga of high fantasy steeped in legend and myth. The beautiful descriptions of the rugged, dreamlike, and sometimes sinister lands and fabulous otherworld dimensions of the Elder Isles, make Lyonesse an incomparable read. I love Vance’s stunning prose style, his razor-sharp dry humour, and the complexity of his characters. It is boundary-defying fantasy, mercifully devoid of elves, dwarves, and dragons but brimful with intrigues and subplots, unexpected twists, sudden violence, acts of heroism, and scenes of tragedy, love, strangeness, and betrayal. Lyonesse is magic from beginning to end.
The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .
Prince Aillas of Troicinet is betrayed on his first diplomatic voyage and cast into the sea. Before he redeems his birthright, he must pass the breadth of Hybras Isle as prisoner, vagabond, and slave, an acquaintance of faeries, wizards, and errant knights, and lover to a sad and beautiful girl whose fate sets his bitter rivalry with the tyrant…
My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.
Constance Hieatt, who died in 2011 before this book came out, was probably the most important historian of medieval English food and cookery. She discovered many recipes in manuscripts that would otherwise have gone unnoticed and edited and commented on a huge body of evidence for English medieval cookery. This book is the culmination of a career’s worth of identifying recipes and reconstructing them for modern readers. Its value lies in providing answers to practical questions about medieval cookery with examples and references from the sources. Professor Hieatt was particularly interested in making medieval recipes available for modern cooks, and this is probably the best guide.
• An epitomy of all surviving English medieval recipes • The great advantage for students of medieval English cookery is that there is an identifiable corpus of evidence in the manuscripts that have survived to the present day. Although there may be some new discoveries, in general terms the corpus is relatively stable. The beauty of this book is that it addresses the corpus as a whole and abstracts from it paradigm recipes for every medieval dish that we know about. The book is organised by category of dish (Pottage; Meat Dishes; Poultry and Game Birds; Fish; Eggs and Dairy…
My interest in medieval food and cookery combines two of my great passions in life, but I first started to become seriously interested in the combination when researching religious dietary ideas and practices. I am fascinated by the symbolic role played by food and drink in religious life, and by fasting and self-denial as part of a religious tradition, but also in the ways in which medieval communities feasted and how tastes in food and drink developed through trade and cultural exchange. I teach an undergraduate course on Feast, Fast, and Famine in the Middle Ages because questions about production, consumption, and sustainability are crucially important for us all.
This book is about the early modern cooking revolution. Basing her investigation on a ground-breaking recipe book from 1651, Peterson examines the fundamental shift in European food tastes from the medieval preference for fragrant, heavily spiced dishes that combined sweet and savoury to the salt-acid followed by sweet that forms the basis of modern European cookery. This book was not written for an academic audience, so although it is well-informed it is not a demanding read for non-experts. The book contains a few recipes that are worth trying, and as a whole it’s a colourful and compelling story.
In 1651 in Paris, the unknown cook, Francois Pierre de la Varenne published "Le Cuisinier Francois", and changed the course of culinary history. This book aims to reconstruct the seventeenth-century revolution in French cooking that explains why we eat as we do. It reveals how Varenne turned out to be the father of modern cuisine.
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
If you want even earlier information than 1068, Palliser begins with Roman York, Eboracum, moves through Scandinavian York, Jorvik, and then joins up with the city as it grows in the middle ages. The introduction discusses why a city grew in this particular spot, the strategic, geologic, and geographic advantage of the Vale of York.
This is the perfect complement to Rees Jones’s book, with more emphasis on the political and military history than hers and extending past the Black Death into the large degree of independent rule gained in two charters granted by King Richard II, then on to the gradual decline of the city in the 16th century.
Medieval York provides a comprehensive history of what is now considered England's most famous surviving medieval city, covering nearly a thousand years. The volume examines York from its post-Roman revival as a town (c. 600) to the major changes of the 1530s and 1540s, which in many ways brought an end to the Middle Ages in England. York was one of the leading English towns after London, and in status almost always the 'second city'.
Much research and publication has been carried out on various aspects of medieval York, but this volume seeks to cover the field in its entirety.…
