Fans pick 62 books like Nobody's Angel

I read this collection of loosely connected short stories about Tim O’Brien’s service in the Vietnam War when I was in high school, only a little younger than O’Brien was when he was drafted into the Army. The hazy line between memory and fiction in the book leaves you feeling like you’re strolling through someone else’s dream.

“Sweetheart of the Song Tra Bong” in particular has stuck with me throughout my life, the seemingly impossible yet terrifying realistic narrative of how a young girl who has no business being in a war zone falls in love with combat then with the primordial earth itself and eventually disappears into the heart of darkness. Did it really happen? Was it a tall tale? Memory is such a slippery thing.

Read enough Cold War spy novels by John le Carré, and you can’t help but wonder, who is this gorgeous writer and how much of what he writes is grounded in historical fact. Then you read his memoir, The Pigeon Tunnel, and see that le Carré  (the writer’s pen name) has been trying to sort all that out himself in his books.

Meet David John Moore Cornwell (John le Carré's real name), raised by his father, Ronnie Cornwell, and schooled in the art of espionage by the British Security Service (MI5) and Intelligence Service (MI6). What you get is source material for what you’d glimpsed (and suspected) all along in A Perfect Spy, Little Drummer Girl, Smiley’s People, and many others. Betrayal goes deep.

The troubled relationship between father and son plays out over a lifetime. And as a writer, you wonder, how much of me is embedded… show more.

One of the joys of the Internet is meeting people – writers – who give the reader a kick in the ass, an unexpected journey down an alley or a dirt path where we spend time with a character who changes our opinion, our outlook on society. Meeting writer Theresa Griffin Kennedy was that kick for me. Kennedy writes non-fiction, reportage, poetry, opinion, and fiction. Burnside Field Lizard took me down back roads and introduced me to larger-than-life characters that stung me with truths and observations that felt more like a documentary. I love realism and Kennedy knows and writes about her town Portland, Oregon, like no other writer. These short stories smack of a reporter in the trenches of a foreign war zone. The characters are in battle with themselves. Kennedy is also an observant translator of sexual behavior that can, at times, be another kind of war, internal… show more.

Shepard, like McGuane, was a screenwriter and, unlike McGuane, was a playwright and actor. He thought small for the most part – one character, maybe two – sharing how people miss the brass ring, miss the obvious, miss connections. Two things about Shepard’s writing hit home with me – he is alone a lot, sometimes lonely, angry, sad, self-destructive, funny; he spends a lot of time on the road, driving his pick-up truck away from someone or, sometimes, toward someone. He doubts himself questioning lovers, family, or friends, never standing on terra firma. He’s on the run and manages to run head-on into himself in a lonely motel outside of town, his own worst enemy, a bottle on the nightstand, always searching for a pay phone. Shepard was certainly around people but his mistrust of himself built walls separating lovers, family, and friends from who he was, an observer, a… show more.

This book broke me! Eli, a big, silent cowboy, and Abigail, a determined ranch owner come together in this book in explosive ways. The steam knocked my socks off, and I could picture the dusty ranch and barn set in Deep River, Montana so easily from the author’s descriptions. The love story is intense, filled with angst and a little bit of kink. Breaking Him is a book I will remember for a long time to come.

I’ve always felt a desire to make the world make sense through data – that numbers and structure could help unlock hidden meanings. When I read this novel, I felt seen: it’s told from the perspective of T. S. Spivet – a 12-year-old boy who has the same urge. Spivet thoroughly documents the world around him, sketching an ant he sees in the grass, and drawing schematics and maps of the spaces he travels through on his quest to travel to the Smithsonian Institution. The book’s margin is lavishly illustrated with Spivet’s diagrams – in seeing the world through his eyes, it felt like how I see it through my own.

I read the novel when I saw that Jane Campion had chosen to adapt the book for her latest film. I have nerves of cast iron. But I found this book truly terrifying. The subject is human evil – the sadistic, twisted cruelty of which men are capable, both to animals, and other human beings. The descriptive writing is extraordinary: the ranch, the mountains, and the wild lands of Montana appear before your eyes. The family is almost destroyed by the predatory, violent brother Phil. He is like a Shakespearean villain: magnetic, charismatic, spellbinding, brilliant, and vicious.

Campion softens the edges of the story at every step in her wonderful film. And I can understand why. Had she filmed the book the movie would be banned. Read the book. 

MacFarland Ranch has something for everyone. It’s a working cattle ranch, a breeding farm, and offers guest cabins in scenic Paradise Valley, Montana. At the lodge there are high-end cabins, though Wade’s fixer-upper would do me just fine, and plenty of options to keep guests busy all vacation. I wanted to work the cattle, wait for foals, and just sit on my porch and take in the beautiful vistas on a relaxing evening. You can really feel the love in the family-run business as each sibling has their part to do and Wade and his guest lodge is the perfect introduction to the ranch, taking the reader from guest to one of the family. I’ve got book two already and will be waiting for book 3 to arrive later this year.

Allen Morris Jones writes with such grace, humility, and empathy that I just knew, from the earliest paragraphs, that I’d follow him wherever he wanted to go with this one.

I like stories, whether on the page, on film, or in the oral tradition, in which the answers aren’t easy, and Jones obliges. This story of a hardscrabble Montana poet who witnessed something horrible as a child and searches for a way to live with it as an adult moved me in a deep and still way.

It’s one of those books I finished, set quietly down, and thought about for days afterward. The thinking about it persists years later.

I knew just about from the first page that ‘The Buckskin,’ as they call it, is a place I’d like to go. Just reminiscing about family vacations there had me wanting more. In book one, with Lucy, we get to see the ranch from her artist’s perspective and I could picture her sitting in the corner of the stall sketching the horses and I wanted to join her. The property is so well drawn out for the reader that it is easy to wander down the snow-line paths between the cabins and the dining hall, and sneak around to the bunkhouse for a bonfire. Even in the dead of winter, the atmosphere is so warm and inviting I’ve already signed up for another visit. Thank goodness there are ten books in this series!