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The Cowboy's Unexpected Love.
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I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
Sweet Springs is the smallest of small towns and the ranch is well known in the community. The family is tight-knit and loving and the property is drawn lovingly by the author in the MCs’ various moments working the land and with the animals. Every time we venture out onto a task, we are transported to the cowboy’s side to help with whatever project is at hand. Sheep, horses, chickens, haying... Sweet Springs does it all and what a wonderful ride it is to be taken on. If they open reservations for guests, I will be the first to book my stay.
A hardworking cowboy in danger of losing the ranch, his friend who built herself a new life, and the proposal that could cost them everything.
Eldon needs a wife to keep the old family ranch. But marrying is a problem – because secretly, his heart has always belonged to his sweet childhood friend.
Up-and-coming actress Kay is supposed to be in love with the movie’s hero - but she’d rather rake hay at high noon than kiss that particular actor. Told to fake feelings or get out, she’s about to lose everything.
I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
Silverian Stables isn’t technically a ranch, as it is in a fantasy story and the stable is more a place where the horses of the knights, travelers, and other high-born’s horses are kept, but in only a few pages I was sold and ready to start the long trek up Mount Saddle. The stables become a focal point in book two where the Stable Master is one of the main characters. We get a loving peek into her life and the lives of those caring for the horses. The horses that fill the stables feel like ones I have known all my life and am dying to ride. Even though it is fantasy romance, it reads like any great small-town story, just with an added hint of magic.
Raised as a noble scion, Heinregard comes to the House of Silveria for their famous Spring Song festival, but when he hears the voice of stable lad Clayten, he's overthrown in more ways than one. As they spend time together overseeing Heinregard’s troublesome younger cousins, the two grow close. Is Heinregard prepared to risk everything for someone of a different station?
As the Dowager Duchess’ daughter, Viraya is safely past marriageable age and responsible for Spring Song celebrations. This year, their guests include a formidable Capitán who has the gall to set his…
I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
The sweeping views of Stargazer Springs Ranch are enough to make me want to visit! It certainly helps that we are first introduced to the ranch through an FMC who is also a photographer and her enthusiasm for the vistas shines brightly. Quaint little cabins, horses, wide-open spaces, and a fishing river set the mood for sweet romance so well. I could spend ages on the ranch discovering each little nook and cranny as the author drops little tidbits for the reader. The ranch house sounds like such a fun place to hang out after a hard day’s work, and with more pies at Thanksgiving than people, you can count me in! I do wish we got to see a bit more of the animals, but I suspect that the more of the series I read, the more will be revealed. I need another trip to Stargazer Springs ASAP!
Holy hot flashes! This blue-eyed dream in a pair of Wranglers is the best-looking cowboy I’ve ever seen. Thankfully, I’m immune to his charms.
After nearly 25 years as a trophy wife, my cheating ex dumped me for a younger woman. Now I’m starting over in a new place with a car, a piddly amount if money in the bank, and an exotic cat. Oh, and a ten-foot pole to keep between me and any man, even the good-looking, boot-wearing Texan who swoops in to help me.
Yes, he makes me remember what it’s like to feel something. But my…
I’ve been an equestrian all of my life, so when I pick up a story that promises horses, I have high expectations. I want to be immersed in the moment, and to be honest, that can be difficult to find. I have put down more ranch romances than I have finished. My cowboys really need to be cowboys, not just hot guys in hats that maybe ride a horse off-screen sometimes. But when I find that special something, I can’t put it down. I hang on for the ride and put the horses up wet. I do wish these places were real. I’d book my ticket in a heartbeat.
I knew just about from the first page that ‘The Buckskin,’ as they call it, is a place I’d like to go. Just reminiscing about family vacations there had me wanting more. In book one, with Lucy, we get to see the ranch from her artist’s perspective and I could picture her sitting in the corner of the stall sketching the horses and I wanted to join her. The property is so well drawn out for the reader that it is easy to wander down the snow-line paths between the cabins and the dining hall, and sneak around to the bunkhouse for a bonfire. Even in the dead of winter, the atmosphere is so warm and inviting I’ve already signed up for another visit. Thank goodness there are ten books in this series!
He’s roped in by a runaway bride! When Lucy Patterson shows up at the Buckskin Ranch with no groom, Matt Ramsey’s in a fix. Six years ago she gave him her heart. He sent her away. He was wrong for her then. He’s wrong for her now. But the years have fanned the flames...
Saddle up for the fun-filled Buckskin Brotherhood series! Steamy western romances from the NYT bestselling author who brought you The McGavin Brothers of Eagles Nest, Montana. If you like sexy cowboys, charming small towns, and laugh-out-loud adventures, you’ll love meeting the Buckskin Brotherhood.
I’ve been a reader all my life. It started with books like Where the Red Fern Grows, and as I got older, I moved on to books like The Bean Treesby Barbara Kingsolver andSkipped Parts by Tim Sandlin. Whatever I was reading, it was taking place somewhere in the wilds of the mid and western United States. I’m from a small town, and growing up, everybody knew their neighbor’s business. These are the places I love to read and write about. Add some steamy romance, and I’m there! So when the MMC from my first book, Burned, cowboy Jack Cade, showed up in my head, I knew he was from a small town.
This book broke me! Eli, a big, silent cowboy, and Abigail, a determined ranch owner come together in this book in explosive ways. The steam knocked my socks off, and I could picture the dusty ranch and barn set in Deep River, Montana so easily from the author’s descriptions. The love story is intense, filled with angst and a little bit of kink. Breaking Him is a book I will remember for a long time to come.
Folks in town call him a monster—say he’s dangerous. But I know him simply as Elijah Hays, the quiet, gentle giant who works with the horses on my ranch. I can feel him watching me, that steady intense gaze making me crave things I don’t quite understand, burn in a way that frightens me. He’s always kept his distance…until that night.
I remember him coming to my rescue, me following him into the barn, giving him his first taste of a woman, and his inexperienced yet barely reined touch turning me to ash.
I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.
McGuane sure kicked it off for me in terms of seeing a way to write new fiction. Story is not a priority in his world rather observation of characters battling the odds of surviving each day. The reader wants to be like some of the characters and run to the hills from others but the sense of humor, dirt under the fingernails of these singular people we’ll never meet, relationships we’ll never be in, and locations such as Livingston, Montana or Key West, Florida we won’t spend much time in, draws me to McGuane’s page. McGuane, who wrote scripts for Missouri Breaks and Rancho Deluxe, writes like a filmmaker – the smells, the weather, the alcohol, the drugs – the reader is in the scene, the sun on your neck, the dust in the air, the sound of the ice-cold creek. McGuane is a travel agent.
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle).
In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But…
In sixth grade, my teacher tried to teach the class how to read line charts – and something fell into place for me. Ever since then, I’ve tried to sort data into forms that we can use to make sense of it. As a researcher at Microsoft, I consulted with teams across the organization – from sales to legal; and from Excel to XBox – to help them understand their data. At Honeycomb, I design tools for software operations teams to diagnose their complex systems. These books each gave me an “ah-hah” moment that made me think differently about the craft of creating visualization. They now sit on my shelf in easy reach – I hope you find them fascinating too.
I’ve always felt a desire to make the world make sense through data – that numbers and structure could help unlock hidden meanings. When I read this novel, I felt seen: it’s told from the perspective of T. S. Spivet – a 12-year-old boy who has the same urge. Spivet thoroughly documents the world around him, sketching an ant he sees in the grass, and drawing schematics and maps of the spaces he travels through on his quest to travel to the Smithsonian Institution. The book’s margin is lavishly illustrated with Spivet’s diagrams – in seeing the world through his eyes, it felt like how I see it through my own.
A brilliant, boundary-leaping debut novel tracing twelve-year-old genius map maker T.S. Spivet's attempts to understand the ways of the world
When twelve-year-old genius cartographer T.S. Spivet receives an unexpected phone call from the Smithsonian announcing he has won the prestigious Baird Award, life as normal-if you consider mapping family dinner table conversation normal-is interrupted and a wild cross-country adventure begins, taking T.S. from his family ranch just north of Divide, Montana, to the museum's hallowed halls.
T.S. sets out alone, leaving before dawn with a plan to hop a freight train and hobo east. Once aboard, his adventures step into…
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
In a tale of Scottish immigrants who homestead Montana ranches in the shadows of the Rocky Mountains, Dancing at the Rascal Fairfeatures a cast of characters who cooperate and sometimes clash as they build lives in a harsh new country. Human relationships prove as challenging as the land, the livestock, and the weather. Doig, like few authors who write about the West, presents a faithful picture of ranch life.
The central volume in Ivan Doig's acclaimed Montana trilogy, Dancing at the Rascal Fair is an authentic saga of the American experience at the turn of this century and a passionate, portrayal of the immigrants who dared to try new lives in the imposing Rocky Mountains.
Ivan Doig's supple tale of landseekers unfolds into a fateful contest of the heart between Anna Ramsay and Angus McCaskill, walled apart by their obligations as they and their stormy kith and kin vie to tame the brutal, beautiful Two Medicine country.
I am a novelist and an academic. My own writing often evokes both the Gothic and the supernatural, and I enjoy the pleasures of plot: mystery, intrigue, and suspense. The popular literature of a particular culture will often tell you more about what that culture fears than the complex high art written at the same time. But where the project becomes really interesting is the moment when a writer exploits the literature of terror to investigate the human psyche and the dark side of the mind. All these tales are also award-winning films. In every case the book is more frightening.
I read the novel when I saw that Jane Campion had chosen to adapt the book for her latest film. I have nerves of cast iron. But I found this book truly terrifying. The subject is human evil – the sadistic, twisted cruelty of which men are capable, both to animals, and other human beings. The descriptive writing is extraordinary: the ranch, the mountains, and the wild lands of Montana appear before your eyes. The family is almost destroyed by the predatory, violent brother Phil. He is like a Shakespearean villain: magnetic, charismatic, spellbinding, brilliant, and vicious.
Campion softens the edges of the story at every step in her wonderful film. And I can understand why. Had she filmed the book the movie would be banned. Read the book.
I am a son of the contemporary American West—born near the Pacific Coast, raised in Texas, and an inveterate traveler of its byways and odd corners. Through the duality of my upbringing, as the son of a well-traveled mother, a suburban sportswriter stepfather, and a father who worked in extractive industries, I’ve seen up close both harmony and dissonance. The work I’m drawn to, whether on the creation end or the consumptive end, goes deep into the lives that play out in these places.
Allen Morris Jones writes with such grace, humility, and empathy that I just knew, from the earliest paragraphs, that I’d follow him wherever he wanted to go with this one.
I like stories, whether on the page, on film, or in the oral tradition, in which the answers aren’t easy, and Jones obliges. This story of a hardscrabble Montana poet who witnessed something horrible as a child and searches for a way to live with it as an adult moved me in a deep and still way.
It’s one of those books I finished, set quietly down, and thought about for days afterward. The thinking about it persists years later.
Eli Singer, a rancher and poet in remote Eastern Montana, sees his life upended when a long-buried corpsewhich turns out to be a murder victim from Eli's childhooderodes out of a hillside on his property. This discovery forces Eli to turn inward to revisit the tragic events in his past that led to a life-changing moment of violence, while at the same time he must reach outside himself toward Chloe, a literary agent from New York whom he is falling in love with. In the tradition of such classic western writers as Thomas McGuane, James Lee Burke, Ivan Doig and…
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