Here are 100 books that Mornings in Mexico fans have personally recommended if you like
Mornings in Mexico.
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I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself.
Chatwin’s classic is a must read for anyone interested in the concept of the human relationship with landscape and spirituality.
A deeply thoughtful book that made me think very hard about my own place in the world, about how I connect to and interact with nature, and where my life’s journey may be leading me. By focusing on the quality of journey the destination will take care of itself.
This Moleskine-bound edition is sold together with a blank Moleskine notebook, for recording your own thoughts and adventures. Perfect for the travel writers of the future.
The Songlines is Bruce Chatwin's magical account of his journey across the length and breadth of Australia, following the invisible and ancient pathways that are said to criss-cross the land. Chatwin recorded his travels in his favourite notebook, which he would usually buy in bulk in a particular stationery shop in Paris. But when the manufacturer went out of business, he was told "Le vrai moleskine n'est plus". A decade after its publication, on…
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
Although its eloquent erudition might now strike some people as a little old-fashioned this is a book about Greece that still works for me and is the product of a lifetime’s immersion in Greece and its history and culture, a place which Leigh-Fermor made his home and whose language he spoke fluently. This is not the Greece of the tourist resorts and the package tours, it is the Greece of the post-classical age brought to life by an independent scholar and consummate stylist.
Patrick Leigh Fermor's Mani compellingly revealed a hidden world of Southern Greece and its past. Its northern counterpart takes the reader among Sarakatsan shepherds, the monasteries of Meteora and the villages of Krakora, among itinerant pedlars and beggars, and even tracks down at Missolonghi a pair of Byron's slippers.
Roumeli is not on modern maps: it is the ancient name for the lands from the Bosphorus to the Adriatic and from Macedonia to the Gulf of Corinth. But it is the perfect, evocative name for the Greece that Fermor captures in writing that carries throughout his trademark vividness of description.…
I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023).
Like many World War I veterans, British Gerald Brenan left the army depressed and dispirited. He moved to Spain and settled in Andalusia, specifically the small village of Yegen. Like many ex-pats, he wanted a simpler life.
He had a small house and humble furnishings but brought his entire library—2000 books—from England. Although he was isolated, Brenan had many visitors, including Virginia Woolf, Lytton Strachey, and Hemingway. He died at 92 in Spain, of course. Brenan’s book is one of the first “ex-pat” Spanish memoirs and sets the standard for the genre.
Perhaps it was being born in a large seaport – Liverpool – where I would watch from our front window the great liners steaming out on the tide that made me love travel and seeing the world. My book about the great age of British travel, A Corkscrew is Most Useful was the product of this obsession with how people travel, what they see, how they interpret their journeys. I have also written about Bruce Chatwin, one of the most original of modern travellers, and in my 2016 book Crossings I have explored the idea of borders, real and metaphorical, which figure so largely in the life of anyone moving from country to country and define our sense of belonging and identity.
Colin Thubron is our best living British travel writer whose books about China, India, Russia, the Middle East, and many other places are essential for anyone thinking of visiting those places. In the spirit of the great British Victorian travellers he travels alone, with the minimum of baggage except for his formidably well-informed mind which makes each book an education as well as a pleasure to read because of his wit and lightness of touch. He conveys so well the feel of a journey – which makes the title of this book so appropriate – and knows how to talk to the people he meets on his 600-mile tramp on foot around the island of Cyprus shortly before the conflict erupted there. It made my own journey to Cyprus so much more fruitful and enjoyable.
Cyprus, spring 1972. Tensions are rising between the Greek South and the Turkish North. Within two years, the country will become divided.
It is at this distinctive time in history British travel writer Colin Thubron embarks on a 600 mile trek across the country. Moving from Greek villages to Turkish towns, the author of Shadow of the Silk Road and Night of Fire provides a profound look into the people of Cyprus - from Orthodox monks to wedding parties to peasant families - against the landscape of a beautiful Mediterranean island on the eve of chaos and tragedy. A remarkable…
I am a Canadian social anthropologist living in England, and my research is about material culture and heritage in Mexico. I have always been fascinated by the ways that people make their cultures through objects, food, and space; this almost certainly started with my mum who is always making something stitched, knitted, savoury, or sweet, often all at the same time. I hope that you enjoy the books on my list – I chose them as they each have something important to teach us about how our consumption of things affects those who make them, often in profound ways.
Bill Wood’s engaging and accessible book is a must-read for anyone who is interested in travelling to Mexico or Mexican arts and crafts. Based on research with Zapotec weavers from Teotitlán del Valle, Oaxaca, Made in Mexico shows how it is impossible to understand how and why such items are made today without also knowing about the ways that Oaxaca and Zapotec people are marketed as part of an industry that sells authenticity and “Zapotecness.” Through clear analysis of the marketing of Oaxaca as a tourism destination and the making and marketing of Zapotec textiles as indigenous art and artifacts in both Mexico and the United States, Made in Mexico shows how Mexican craftworks today are very much global cultural commodities.
Made in Mexico introduces us to the people, places, and ideas that create Zapotec textiles and give them meaning. From Oaxaca, where guides escort tourists to weavers' homes and then to the shops and markets where weavings are sold, to the galleries and stores of the American Southwest, where textiles are displayed and purchased as home decor or ethnic artwork, W. Warner Wood's ethnographic account crosses the border in both directions to describe how the international market for Native American art shapes weavers' design choices. Everyone involved in this enterprise draws on images of rustic authenticity and indigenous tradition connecting…
I am fascinated by the places where cultures intersect and the means by which they do so. I am an American lucky to live in gorgeous San Miguel de Allende, Mexico, and previously in Hirakata, Japan; Shanghai, China; Suva, Fiji; and Oxford, England. Each move entailed a challenging but rewarding effort to absorb a new set of unwritten societal rules. A great way to grow is to immerse yourself in the unknown and have things you took for granted about how the world works suddenly come into question. Another is to learn from those who have gone before us, so I am delighted to share these wonderful books with you.
I read The Old Gringo in college before I had any inkling that I would one day be a not-too-old gringa making her home in San Miguel de Allende.
Fuentes imagines meaningful final days for Ambrose Bierce, an American journalist who in 1913 headed off into Mexico at the age of 71, never to be heard from again. I love this book for the way Fuentes captures and probes profound differences and lingering mistrust between our cultures as well as the universal human struggles for meaning, opportunity, security, and belonging.
While Fuentes’ old gringo, we are told, came to die a worthy soldier’s death in Mexico, the gringos of my generation are here to live fully and well.
One of Carlos Fuentes's greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.
I became passionate about the Mexico/US border question after meeting someone who is now a close friend, a Mexican academic who introduced me to some of the issues. She helped me write Saint Death as a way to explore the politics of ultra-capitalism, in the form of multinational business, and the action of drug cartels.
I could have picked almost any of Bowden’s books on the border, for example, the excellent Murder City, but I’m choosing Laboratory of the Future as it’s the first piece of his writing I came across. Bowden, who lived on both sides of the US/Mexican border for many years, was intimate with his subject, and the brutal power of his journalistic writing puts most novelists to shame. He is not afraid to question us or confront us, or hide his anger, but it is never unwarranted. In this book, he, and the thirteen Mexican photographers whose frequently shocking images accompany the text, paints a grim picture of the nature of ultra-capitalism when allowed to run free just south of the border – it is, he says, an experiment: it is the laboratory of our future.
Investigates the myth and reality of the current relationship between the United States and Mexico, with a focus on the more intimate connection between El Paso and the border town of Juarez. The photographers take on issues of immigration, NAFTA, gangs, corruption, drug trafficking, and poverty, and uncover a different Mexico.
For me, books have always been an incredible way to escape, most especially when life is overwhelming. I read books as an escape when I was young, and now as an author, I write books to escape as well. My favorite books to escape into always include heart pounding adventure, fantastical magic, and characters I wish I could know in real life. These are the sorts of books I write; ones that give readers the chance to exist as someone else in another place, perhaps go on a wild adventure. My hope as an author is that my books allow readers to leave their own world and their own worries behind.
When Cece’s older sister is kidnapped by a powerful, dark criatura, she must travel into Devil’s Alley and become a bruja to save her. To me, what makes this book special is Cece’s big, all-encompassing heart. She loves deeply and while it’s her heart that gets her into trouble, but it’s also what ultimately saves her. This was an incredibly meaningful theme to read into a book! I highly recommend this book as an escape; step into Cece’s life to glimpse the shadowy magic of the criaturas and also to experience the deeply moving love in her world.
When a powerful desert spirit kidnaps her sister, Cece Rios must learn forbidden magic to get her back, in this own voices middle grade fantasy perfect for fans of The Storm Runner and Aru Shah and the End of Time.
Living in the remote town of Tierra del Sol is dangerous, especially in the criatura months, when powerful spirits roam the desert and threaten humankind. But Cecelia Rios has always believed there was more to the criaturas, much to her family's disapproval. After all, only brujas-humans who capture and control criaturas-consort with the spirits, and brujeria is a terrible crime.…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
A story in which the author celebrates her place of origin, her family, and her culture. It's about magic, and how it can take different forms, like when people's hands touch the earth or when houses turn into homes.
I love that the book feels so personal. The illustrations are beautiful.
1
author picked
Magic
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
In her debut as author and illustrator, Mirelle Ortega shares her own story of growing up on her family's pineapple farm in Mexico, where she learned the true meaning of magicI learned that magic isn't good or bad, it just is. Sometimes it gives, sometimes it takes. Sometimes life blossoms, sometimes it wilts.Growing up on a pineapple farm in Mexico, a girl discovers the true meaning of the word magic in this truly magical picture book about change and transformation of all kinds-what we can't control, such as natural disasters and loss, and what we can. Magic can transform dirt…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
Texas schools do an incredible job of acculturating their students in Texas history. The school system starts by telling the story of true Texans. Unfortunately, some of those tales were what we called “stories.”
In college, I took a course called The History of Mexico. The course book used by Professor Macias (if I remember his name correctly) was a small book, less than 200 pages, called The Compact History of Mexico. What a wonderful course and wonderful book.
I have not looked at the book in years, even though I ordered a copy when writing this. I felt like a child reading the book, being told a different story than I had been told over the years, providing to me – a black student – the why and how history and both sides of a story are so important. Always feeling left out of the discussion, hearing a distorted…
Esta obra contiene la dosis mínima de conocimiento sobre la historia de nuestro país. Destinada a todos cuantos quieran una historia verdadera, interesante y escrita en un lenguaje sencillo y claro.
