100 books like Morkan's Quarry

By chance, I was entrusted with rare historical documents about the immigrant generations in our family, which inspired this novel and grounded it in reality. Who wouldn’t wonder why they came? Besides, I have always been fascinated by pre-modern times and how steam power changed everything and dragged us along, kicking and screaming. And, even though they arrived in America in 1836, I grew up on the farm where they lived, so I heard tales of their amazing journey. It may be 186 years on, but it’s time to tell their story, which, it turns out, is a story for us all.  

Since childhood, when I first witnessed Mary and Collin grow hale and hearty by breathing in fresh air from the moor while sinking their hands into the soil of The Secret Garden, I have been drawn toward stories featuring the healing power of nature. And when I discovered Karana, resilient and resourceful,  fending for herself on The Island of the Blue Dolphins, I realized nature could be as violent a mentor as she could be nurturing, less a wellspring for the thirsty than a fiery forge for the spirited. The mystifying interplay of this gentle/fierce duality and its effect on the lives of characters continues to intrigue me and influences my writing. 

Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life. 

History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.

As a historian of the U.S. presidency, I have long been fascinated by the ways in which aspirants for the White House energize and harness popular support for their candidacy. Tracing the development of electioneering practices from the early 1800s to today has been fascinating. Is there a connection between the hickory sprigs worn by Andrew Jackson’s supporters and the MAGA hats worn by Donald Trump’s supporters? Between the political rallies of William Henry Harrison and those of every modern presidential candidate? Between the derision leveled at politically active women in the 1830s and that directed at Sarah Palin and Hilary Rodham Clinton in the twenty-first century? You betcha!

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

I came to Civil War studies fairly late in life but still relatively callow, by a route too roundabout to explain. But after reading James McPherson’s, Battle Cry of Freedom (there’s a bonus book!), I found I had a love of every facet of the era. The only thing I’d ever wanted to be was a writer and, as I delved deeper into the vast body of literature on the American Civil War, I finally felt as if I’d found the subject I could pour all my passion into (that and my enduring love of dogs). My novel Wilderness, along with a few novels published in French, was the result.

Two boyhood experiences inspired my fascination with the Civil War: a family trip to Gettysburg and purchasing original photographs of soldiers at flea markets. Captivated by the old photos, I became an avid collector of Civil War-era portrait photography. Curiosity about identified individuals in my collection led me on a lifelong journey to tell their stories. In 2001, I started a column, Faces of War, in the Civil War News. Since then, I’ve profiled hundreds of participants in the column, and in six books. In 2013, I became the fourth editor and publisher of Military Images, a quarterly journal that showcases, interprets, and preserves Civil War photography.

I’m a lover of the sea, ships, seamen, and their histories, particularly of navies in the Civil War. After graduating from the U.S. Naval Academy (1967) with a history major, I served twenty years as a surface warfare officer (ship driver) on most oceans in ships ranging from destroyer to aircraft carrier and with river forces in Vietnam. I earned an M.A. in Political Science and an M.S. in Information Systems Management. Now as a historian, author, and speaker, I’m committed to communicating our naval heritage in an educational and entertaining manner for old hands and new generations. Writing about ships is the next best thing to driving them.

I'm an award-winning teacher and writer who introduces students and readers to war in a profession that today is at best indifferent to military history, and more often hostile. That gives me a wry sense of irony, as colleagues would rather teach about fashion than fascism and truffles over tragedy. Having written a multiple award-winning book that covered 2,000 years of war, frankly I was sickened by how the same mistakes were made over and again. It has made me devoted to exploring possibilities for humane behavior within the most inhumane and degraded moral environment humanity creates; where individuality is subsumed in collective violence and humanity is obscured as a faceless, merciless enemy.