Here are 78 books that Mercy fans have personally recommended if you like
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I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Hirshfield’s craft of language in this book knocks me off my feet. My head rings in the resonance of her poignant and pointed images.
The way she fuses intimate, personal experience with the immensity of nature and the fearless way she takes on the loss and peril of climate change makes me want to be a better writer and a better human. When I read the poems in this masterful collection, I am at once moved to sadness and awe and inspired to take action.
Jane Hirshfield's urgent new collection is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives' dilemmas as well as a call to action on climate change, social justice and the plight of refugees. The poems of Ledger record riches, both abiding and squandered, and mourn our failures. They confirm, too, the continually renewing gift of the present moment, summoning our responsibility as moral beings to sustain one another and the earth's continuance. Finally, it is the human spirit and the language of poetry - loyal instruments…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
My experience of reading this book is wooly, smokey, visceral, and consuming. His poetry takes a microscope to the guts, the excrement, the feel underfoot of the natural world. Just as he takes me into the detailed realm of the beech tree or lizard, he swoops me into the emotional feel-scape of loss, grief, belonging, and isolation.
Gander’s use of language is relatable and also stark, new, and encyclopedic. This book is perhaps his most famous work, having earned him a Pulitzer. It is condensed and distilled as rare bitters; open the bottle and let its pungent spirit subsume you.
Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section-a moving transcription of Gander's efforts to address his mother dying of Alzheimer's-rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Ah, Carver…where do I begin? This collection is packed with gems that, as Dylan sang, glow like burning coal. Carver’s poems make me want to drink too much, lament, get sober, and love so hard that my heart cracks open. These poems make me want to live a damn full life. Most of all, Carver makes me want to blow the shavings off my pencil and write.
This collection is a conversation with poetry and art itself; Carver invokes the pantheon from Balzac to Hemingway to Renoir. I want to join that conversation and write for dear life.
A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets.
Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy.
This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
I love poetry that employs new takes on old forms. The sonnet is once again brought alive by Hayes in a collection that feels poignant, playful, and urgent. I personally struggle with writing in the form and am blown away by the range and inventiveness of the nearly 80 sonnets in this action-packed collection.
My experience in reading these sonnets is one of joy: the pointed wit that paints Sylvia Plath as a drama queen and Trumpet (thinly veiled) as sexually tormented, the clear-eyed social and political criticism, the warm, broken, self-knowing heart. This collection rings true to me as a full and authentic ledger of the American experience.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
Every now and then I come across a book that I wish I had written, and Quashie’s Black Aliveness is among them. One of the motivating premises of Afro-Nostalgia is the sense that so much of black life is narrated through a trauma, oppression, and death. Black Aliveness operates from a similar premise and is centrally concerned with the “quality of aliveness” in African American poetry and literature. Here is one of my favorite passages in the book: “As necessary as ‘Black Lives Matter’ has proven to be, so efficient and beautiful a truth-claim, its necessity disorients me…I want a black world where matter of mattering matters indisputably, where black mattering is beyond expression.”
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This…
I was initially drawn to economics as a way to understand and address global problems of poverty and hunger, like those I saw in Africa with the Peace Corps and later as a researcher. As my interests broadened toward environmental and other social problems, again I found that economics provides valuable insights about their causes and possible solutions. Economics is unfortunately often misunderstood and defined too narrowly: but as a social science, it encompasses a broad framework to comprehend individuals, families, cities, nations. It encompasses philosophical thought, normative questions, and intangibles like humans’ desire for respect. After decades as an economics professor I still find its insights fascinating and powerful.
“Institutions are the rules of the game,” according to Douglas North, economic historian and Nobel Laureate.
Once created, institutions may be changed, but their legacy can be powerful. Economic history is a consequence of a dynamic, sometimes disruptive, process of institutional change, one for which a path to better institutions is not assured.
Exchange involves risks and uncertainty. In centuries past, kinship ties helped reduce uncertainty for exchange in insular communities. As exchange across larger distances expanded to engage with more distant communities, alternatives institutions were needed, such as contracts, laws, courts.
Whether one’s interest is promoting welfare, equity, sustainability, or economic growth (emphasized by North), this conceptual framework of institutional change offers powerful insights about how the world works and why it is organized the way that it is.
Continuing his groundbreaking analysis of economic structures, Douglass North develops an analytical framework for explaining the ways in which institutions and institutional change affect the performance of economies, both at a given time and over time. Institutions exist, he argues, due to the uncertainties involved in human interaction; they are the constraints devised to structure that interaction. Yet, institutions vary widely in their consequences for economic performance; some economies develop institutions that produce growth and development, while others develop institutions that produce stagnation. North first explores the nature of institutions and explains the role of transaction and production costs in…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
When I worked at the Academy of American Poets many years ago, I found a record of Stanford’s submission to the Walt Whitman Award. The Editors told him his submission could not be accepted because it exceeded the page limit—by about 500 pages.
The poem he submitted was The Battlefield Where the Moon Says I Love You, and if you’re interested in archetypal imagery that will shatter your heart and put it back together again differently, entirely differently, this wild ride is for you.
Poetry. Frank Stanford was called by Pulitzer Prize-winning writer Alan Dugan a brilliant poet, ample in his work, like Whitman. He was the founder of Lost Roads Publishers and the author of a number of important works, among them the epic THE BATTLEFIELD WHERE THE MOON SAYS I LOVE YOU, reprinted by Lost Roads under the editorship of Forrest Gander and C.D. Wright. Frank Stanford said his purpose in his writing and with his press was to 'reclaim the landscape of American poetry' - The Arkansas Times. Stanford ended his own life in 1978 when he was 29. The reprinting…
I’m a screenwriter and novelist who loves writing stories for kids! (And long-suffering parents.) I mostly write and produce animated movies and TV shows, am currently executive producer of The Chicken Squad for Disney, and won an Emmy® Award for children’s TV writing in 2020. A few years ago, my nephew stopped me in my tracks with a question: “Uncle T, what’s the big deal about 9/11?” His confusion opened my eyes to the fact that many schools don’t teach about this momentous event. “Never forget” has been our national refrain, but how will future generations remember if we don’t tell them the story?
For those of us who lived through 9/11, it’s easy to forget that kids in school today weren’t even born in 2001; to them, the events of 9/11 are ancient history. I Survived is the kind of book that can jump-start their interest by dropping them right into the thick of the events of that day. Lucas is a football-obsessed teen who makes a series of completely relatable bad decisions that leave him right at Ground Zero just as the planes hit the towers. Told in age-appropriate but heart-stopping detail, this book captures a perfect snapshot of the confusion, fear, heroism, and resolve on display that extraordinary day.
On the day that shocks the world, one boy just wants to find his family. A powerful addition to the gripping I Survived series.
The only thing Lucas loves more than football is his Uncle Benny, his dad's best friend at the fire department where they both work. Benny taught Lucas everything about football. So when Lucas's parents decide the sport is too dangerous and he needs to quit, Lucas has to talk to his biggest fan.So the next morning, Lucas takes the train to the city instead of the bus to school. It's a bright, beautiful day in New…
I am the author of over fifty books for young readers including the Zapato Power series, the Sofia Martinez series, My Name is Hamburger, Never Say a Mean Word Again, and Tag Your Dreams: Poems of Play and Persistence. On September 11, 2001, I was living in Arlington, Virginia and working as a librarian. Like anyone else who lived through that tragic day, September 11th evokes strong memories for me. Yet I know that subsequent generations have little knowledge of that day, even those who live in Arlington, where the Pentagon is located. By recognizing the wounds of the past, we can help young readers understand the present.
This novel follows four adolescents in the 48 hours preceding September 11, 2001.
The characters are two girls and two boys living in different parts of the United States in very different families. By fully depicting the lives of each character before the world abruptly changed, Baskin shows us how a watershed event changes one’s perspective forever.
My favorite moment comes at the end when a character remembers “that day, a year ago, when nothing else was important to her except fitting in.” Without violence or direct loss to the main characters, Baskin brings home the point that September 11th affected Americans from all across the country.
In the face of tragedy, Baskin shows us how we are all interconnected.
From the critically acclaimed author of Anything But Typical comes a "tense...and thought-provoking" (Kirkus Reviews, starred review) look at the days leading up to the tragic events of September 11, 2001, and how that day impacted the lives of four middle schoolers.
Ask anyone: September 11, 2001, was serene and lovely, a perfect day-until a plane struck the World Trade Center.
But right now it is a few days earlier, and four kids in different parts of the country are going about their lives. Sergio, who lives in Brooklyn, is struggling to come to terms with the absentee father he…
I’m a screenwriter and novelist who loves writing stories for kids! (And long-suffering parents.) I mostly write and produce animated movies and TV shows, am currently executive producer of The Chicken Squad for Disney, and won an Emmy® Award for children’s TV writing in 2020. A few years ago, my nephew stopped me in my tracks with a question: “Uncle T, what’s the big deal about 9/11?” His confusion opened my eyes to the fact that many schools don’t teach about this momentous event. “Never forget” has been our national refrain, but how will future generations remember if we don’t tell them the story?
As Nora Baskin’s book takes us backward in time, Kerry moves forward to capture the mood of the country after the attacks, as told through the eyes of a twelve-year-old boy whose best friend becomes the target of anti-Muslim rage. Like Alex in my book, protagonist Jake Green grapples with intense feelings of anger, confusion, and frustration as he tries to figure out how to be a patriot and what it means to be a hero, when everything he thought he understood about how the world should work has been shattered. I struggled with the same things after 9/11—still do, to be honest—and enjoyed this page-turner for both its gripping plot and its challenging moral complexity.
Winner of the Crystal Kite Award, this touching story explores what it mean to be a good friend, how you should react to a bully, and makes the events of September 11th, 2001 personal.
In this story about growing up in a difficult part of America's history, Jake Green is introduced as a cross country runner who wants to be a soldier and an American hero when he grows up.
Before he can work far towards these goals, September 11th happens, and it is discovered that one of the hijackers lives in Jake's town. The children in Jake's town try…
