Here are 79 books that Mercy fans have personally recommended if you like
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I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Hirshfield’s craft of language in this book knocks me off my feet. My head rings in the resonance of her poignant and pointed images.
The way she fuses intimate, personal experience with the immensity of nature and the fearless way she takes on the loss and peril of climate change makes me want to be a better writer and a better human. When I read the poems in this masterful collection, I am at once moved to sadness and awe and inspired to take action.
Jane Hirshfield's urgent new collection is a book of personal, ecological and political reckoning. Her poems inscribe a ledger personal and communal, a registry of our time's and lives' dilemmas as well as a call to action on climate change, social justice and the plight of refugees. The poems of Ledger record riches, both abiding and squandered, and mourn our failures. They confirm, too, the continually renewing gift of the present moment, summoning our responsibility as moral beings to sustain one another and the earth's continuance. Finally, it is the human spirit and the language of poetry - loyal instruments…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
My experience of reading this book is wooly, smokey, visceral, and consuming. His poetry takes a microscope to the guts, the excrement, the feel underfoot of the natural world. Just as he takes me into the detailed realm of the beech tree or lizard, he swoops me into the emotional feel-scape of loss, grief, belonging, and isolation.
Gander’s use of language is relatable and also stark, new, and encyclopedic. This book is perhaps his most famous work, having earned him a Pulitzer. It is condensed and distilled as rare bitters; open the bottle and let its pungent spirit subsume you.
Drawing from his experience as a translator, Forrest Gander includes in the first, powerfully elegiac section a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the U.S. border with Mexico. The poems of the third section-a moving transcription of Gander's efforts to address his mother dying of Alzheimer's-rise from the page like hymns, transforming slowly from reverence to revelation. Gander has been called one of our most formally restless poets, and these new poems express a characteristically tensile energy…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
Ah, Carver…where do I begin? This collection is packed with gems that, as Dylan sang, glow like burning coal. Carver’s poems make me want to drink too much, lament, get sober, and love so hard that my heart cracks open. These poems make me want to live a damn full life. Most of all, Carver makes me want to blow the shavings off my pencil and write.
This collection is a conversation with poetry and art itself; Carver invokes the pantheon from Balzac to Hemingway to Renoir. I want to join that conversation and write for dear life.
A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets.
Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy.
This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
I love poetry that employs new takes on old forms. The sonnet is once again brought alive by Hayes in a collection that feels poignant, playful, and urgent. I personally struggle with writing in the form and am blown away by the range and inventiveness of the nearly 80 sonnets in this action-packed collection.
My experience in reading these sonnets is one of joy: the pointed wit that paints Sylvia Plath as a drama queen and Trumpet (thinly veiled) as sexually tormented, the clear-eyed social and political criticism, the warm, broken, self-knowing heart. This collection rings true to me as a full and authentic ledger of the American experience.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
Every now and then I come across a book that I wish I had written, and Quashie’s Black Aliveness is among them. One of the motivating premises of Afro-Nostalgia is the sense that so much of black life is narrated through a trauma, oppression, and death. Black Aliveness operates from a similar premise and is centrally concerned with the “quality of aliveness” in African American poetry and literature. Here is one of my favorite passages in the book: “As necessary as ‘Black Lives Matter’ has proven to be, so efficient and beautiful a truth-claim, its necessity disorients me…I want a black world where matter of mattering matters indisputably, where black mattering is beyond expression.”
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This…
I was initially drawn to economics as a way to understand and address global problems of poverty and hunger, like those I saw in Africa with the Peace Corps and later as a researcher. As my interests broadened toward environmental and other social problems, again I found that economics provides valuable insights about their causes and possible solutions. Economics is unfortunately often misunderstood and defined too narrowly: but as a social science, it encompasses a broad framework to comprehend individuals, families, cities, nations. It encompasses philosophical thought, normative questions, and intangibles like humans’ desire for respect. After decades as an economics professor I still find its insights fascinating and powerful.
“Institutions are the rules of the game,” according to Douglas North, economic historian and Nobel Laureate.
Once created, institutions may be changed, but their legacy can be powerful. Economic history is a consequence of a dynamic, sometimes disruptive, process of institutional change, one for which a path to better institutions is not assured.
Exchange involves risks and uncertainty. In centuries past, kinship ties helped reduce uncertainty for exchange in insular communities. As exchange across larger distances expanded to engage with more distant communities, alternatives institutions were needed, such as contracts, laws, courts.
Whether one’s interest is promoting welfare, equity, sustainability, or economic growth (emphasized by North), this conceptual framework of institutional change offers powerful insights about how the world works and why it is organized the way that it is.
Continuing his groundbreaking analysis of economic structures, Douglass North develops an analytical framework for explaining the ways in which institutions and institutional change affect the performance of economies, both at a given time and over time. Institutions exist, he argues, due to the uncertainties involved in human interaction; they are the constraints devised to structure that interaction. Yet, institutions vary widely in their consequences for economic performance; some economies develop institutions that produce growth and development, while others develop institutions that produce stagnation. North first explores the nature of institutions and explains the role of transaction and production costs in…
As a poet and a novelist, I'm fascinated by the places where these two genres meet, undo each other, and create something new again. That sounds a lot like what love can do, and whenever I read a long poem that achieves a unique aesthetic unity, I feel the writer has found a new way to love the world, to love the reader. And, as usual, both the world and the reader are challenged by that love—to grow.
When I worked at the Academy of American Poets many years ago, I found a record of Stanford’s submission to the Walt Whitman Award. The Editors told him his submission could not be accepted because it exceeded the page limit—by about 500 pages.
The poem he submitted was The Battlefield Where the Moon Says I Love You, and if you’re interested in archetypal imagery that will shatter your heart and put it back together again differently, entirely differently, this wild ride is for you.
Poetry. Frank Stanford was called by Pulitzer Prize-winning writer Alan Dugan a brilliant poet, ample in his work, like Whitman. He was the founder of Lost Roads Publishers and the author of a number of important works, among them the epic THE BATTLEFIELD WHERE THE MOON SAYS I LOVE YOU, reprinted by Lost Roads under the editorship of Forrest Gander and C.D. Wright. Frank Stanford said his purpose in his writing and with his press was to 'reclaim the landscape of American poetry' - The Arkansas Times. Stanford ended his own life in 1978 when he was 29. The reprinting…
I was born and spent my childhood living under a tyrannical regime that indiscriminately used violence against innocent civilians. Such cruelty made a lasting impact on me. For the past thirty-two years, I have been teaching philosophy at Seton Hall University. Given my childhood experiences, I have chosen to write on issues related to social and political philosophy and applied ethics. After the catastrophic event of 9/11, I wondered about the motivations, explanations, justifications, or excuses for this kind of unprecedented act of war against civilians. I have spent a great deal of my research exploring the relationship between justified acts of war and terrorist acts.
Louise Richardson’s book is an insightful investigation for people who want to understand the motivation of terrorists and their supporters, especially those who engage in suicide terrorism. She makes a persuasive argument that suicide terrorists are motivated by political objectives understood in the broad sense of this term. They have long and short-term political objectives among which are revenge, renown, and reaction. She refers to these motives as the three Rs. She contends that those who engage in suicide operations are disaffected individuals supported by a community that espouses a legitimizing ideology, be it political, religious, or both. As result, their deep-seated grievances can turn into deep-seated resentment against powerful nations which they blame for intervening in their own country. For example, they oftentimes blame the US government for maintaining a presence in Islamic countries, including supporting despotic and nepotic regimes, such as the present Kingdom of Saudi Arabia.
“This is at the top of my list for best books on terrorism.”–Jessica Stern, author of Terror in the Name of God: Why Religious Militants Kill
How can the most powerful country in the world feel so threatened by an enemy infinitely weaker than we are? How can loving parents and otherwise responsible citizens join terrorist movements? How can anyone possibly believe that the cause of Islam can be advanced by murdering passengers on a bus or an airplane? In this important new book, groundbreaking scholar Louise Richardson answers these questions and more, providing an indispensable guide to the greatest…
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
I’ll never forget how enthralled I was from the very beginning ofReign of Terror. Ackerman begins the book with a fascinating contrast in behavior that demonstrates that Americans have not abandoned nearly as much of their race prejudices as we like to pretend. In 1995, when Timothy McVeigh (with the help of many white supremacist groups) bombed the Murrah Building in Oklahoma City, he was put through all of the standard legal procedures required under the law. When the United States was hunting extremists in the war on terror, we created places such as Guantanamo Bay and other CIA black sites to extrajudicially hold and torture people. The way Ackerman frames America’s behavior during the war on terror makesReign of Terror a must-read in my opinion.
"An impressive combination of diligence and verve, deploying Ackerman's deep stores of knowledge as a national security journalist to full effect. The result is a narrative of the last 20 years that is upsetting, discerning and brilliantly argued." -The New York Times
"One of the most illuminating books to come out of the Trump era." -New York Magazine
An examination of the profound impact that the War on Terror had in pushing American politics and society in an authoritarian direction
For an entire generation, at home and abroad, the United States…
I have lived in the US, and particularly lived and worked in New York, for many years. How the events of 9/11 changed the city, its people, and the perceptions of the people all around the country and the world has always intrigued me. 9/11 has put up a prism through which experiences have emanated out in a kaleidoscopic range of stories. A banker by day and a cynical blogger by night, I have traveled the world and have met many interesting people with compelling backgrounds and have experienced many peculiar and beautiful things. I love to explore the confluence of fascinating narrative arcs and life-altering events.
This is the sole non-fiction recommendation on the list. However, with its message of hope and optimism, it seems like a fairy tale in these days of partisanship and hatred.
The book details how the small city of Gander in Canada rallied around to provide safe haven to the passengers of 38 airplanes which had been bound for the US on 9/11. The stranded travelers are greeted by a welcoming community, build lifelong friendships, and find solace and peace in a time of grave uncertainty.
The description of the small acts of kindness which positively impacted the lives of strangers and fostered a feeling of worldly brotherhood is heartwarming and uplifting. It also showcases how the world came together for America in its hour of need.
The True Story Behind the Events on 9/11 that Inspired Broadway's Smash Hit Musical Come from Away, Featuring All New Material from the Author
When 38 jetliners bound for the United States were forced to land at Gander International Airport in Canada by the closing of U.S. airspace on September 11, the population of this small town on Newfoundland Island swelled from 10,300 to nearly 17,000. The citizens of Gander met the stranded passengers with an overwhelming display of friendship and goodwill.
As the passengers stepped from the airplanes, exhausted, hungry and distraught after being held on board for nearly…
