Here are 84 books that London is Dead fans have personally recommended if you like
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There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Jewel thieves, undercover investigation, and - a fake engagement? I seriously could not predict the twists and turns aplenty in this book from Erin Swann which made me gasp several times, and then frantically keep reading.
I adored the clever descriptions that Erin crafted, and it became impossible not to fall in love with her characters. Grab it now.
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
I had a ‘property tycoons’ itch that I needed to scratch, and this book by Rosa Lucas was exactly what I needed.
I adored this enemies to lovers high stakes romance, and the witty heroine was someone I was rooting for from the very instant I met her. With a dash of CEO/employee and a whole host of fire, this book needs to be on your ereader.
I'm a shameless people-watcher. There's nothing I like better than sitting in a cafe, or an airport, or on a bus, and observing the people I see (and yes, I admit, eavesdropping on their conversations). What are they wearing and what does it say about them? Who are they with, and what's their relationship? What are they saying to each other - and what are they not saying? So it's not surprising the most important element of a book for me is the characters, and my favourite characters are women who are a little bit different, who don't fit the mould - because you just never know what they'll do.
This one’s a story of obsessive love, with a heroine who is undoubtedly flawed, but who you can’t help cheering on, even when she’s doing very bad things.
You wouldn’t want her to be your brother’s girlfriend, but she’d be hilarious company on a night out. The story is darkly funny, but ultimately uplifting, which I think is a great combination in a book.
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
This poignant, tragi-comedy of a novel is
both relatable and uplifting.
And though the protagonist is going through a bit
of a crisis, it’s ultimately a story of a woman finding herself and coming into
her own.
Grace’s relationship with her teenage daughter is so well described –
as mum of a teen girl I recognised the sadness she felt when she realised her
daughter needed her less than she’d used to.
Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.
This one had me on the edge of my seat. More telling for me to be thrown back in time to the 1960s. I didn’t live this life, but the background was familiar. I remember the Kray brothers and I did once briefly have a job in the sleazy sort of club where the boss had his goons hold a guy so he could punch him in the gut. Scary. Simon Michael’s story is all too believable and it is a testament to his ability to pull me into that world that it threw up long-gone memories. The story is told in first person which works to keep you guessing along with the protagonist barrister sleuth. For me it was a thrill ride into the past.
The legal thriller series you need to read! Perfect for fans of John Grisham, Robert Bailey, Michael Connelly and Robert Dugoni.
Guilty until proven innocent…
London, 1960
Barrister Charles Holborne is not popular. A Jewish East Ender with a rough past, he is ostracised by his anti-Semitic and class-conscious colleagues who don’t want him in their prestigious Establishment profession.
And the bitterness Charles feels at work is spilling over into his personal life, putting his marriage under strain.
When a high-profile murder case lands on his desk, Charles is hopeful his fortunes will turn around. But after a shocking crime…
Having spent my youth watching dramasCrown Court andL.A. Lawon TV and reading Rumpole of the Bailey, it’s not surprising I became a lawyer and then went on to write legal thrillers myself. The courtroom is an inherently theatrical place, where emotions and tensions run high. It’s a place where egos collide, theories are propounded and punctured and the liberty (and sometimes the life) of the accused is at stake. It follows, then, that lawyers operate in a totally even-handed system, where they’ll always achieve a fair and just result and uncover the truth. All the books I’ve recommended challenge this notion in different (but equally brilliant) ways.
When Armani-loving lawyer, Leanne Mitchell, is asked to defend millionaire Clive Omartian on fraud charges, she believes her career is on an upward trajectory. But her success puts her at odds with the head of her Chambers, who is desperate to be awarded ‘Silk’ and with her instructing solicitor and old friend, as she begins to suspect he knows more about their client than he is letting on. Before she realises, she’s being dragged into dangerous waters.
Oozing authenticity, twisty and turny, the reader shares Lee’s pain, not just the wounds she suffers from courtroom barbs, but in her everyday experience as a young, black, working-class woman barrister in a mainly white, male, privileged world. Despite huge challenges she remains feisty and principled. A real hero for our times.
'Impressive and unique. As relevant today as it was over two decades go' Bernardine Evaristo, from the Introduction
A gripping, propulsive courtroom thriller following barrister Lee Mitchell as she uncovers the dark secrets of London's obscenely rich
Lee Mitchell is a thirty-year-old barrister from a working-class Caribbean background: in the cut-throat environment of the courtroom, everything is stacked against her.
After she takes on the high-profile case of notorious millionaire playboy Clive Omartian - arrested along with his father and stepbrother for eye-wateringly exorbitant fraud - the line between her personal and professional life becomes dangerously blurred. Spiralling further into…
I write crime fiction set in the north of England. It’s where I was born and grew up, although for the last 20 years I’ve lived in Spain. I really love novels with a local or regional flavour. The kind of writing that takes you to a specific place, and draws on that place in the action itself. The writers that I chose for this list all do this extremely well. And although their books are set in different locations, they share the sense of the setting almost becoming a character in the story.
Dominic wrote two very good crime books in a short series before publishing Vine Street.
I am including Vine Street on my list because, although it’s set in London and is therefore not ‘regional’, it was one of the great crime novels of 2021-22 and deserves to become a classic. I read this book before it was published, and I knew, like everyone else, that it was something special.
The story spans almost a century, from the seedy streets of London’s Soho in the 1930s, until the present day. There are some really well-researched and vividly depicted descriptions of police investigations in the 30s, and just for that it’s worth a read. But there’s also a twisting, mesmerizing plot that takes us all the way to the present.
What really distinguishes Vine Street, though, is the writing itself, which seems to echo the rhythms of the 1930s jazz clubs, and…
***BEST CRIME BOOKS OF 2021 - THE TIMES/SUNDAY TIMES*** ***CRIME BOOK OF THE MONTH - THE TIMES***
'Brings the obsessional dread of James Ellroy to 1940s London.' IAN RANKIN
'Extraordinary...a career-defining performance.' THE SUNDAY TIMES
'This is crime writing of the highest quality' DAILY MAIL
SOHO, 1935. SERGEANT LEON GEATS' PATCH.
A snarling, skull-cracking misanthrope, Geats marshals the grimy rabble according to his own elastic moral code.
The narrow alleys are brimming with jazz bars, bookies, blackshirts, ponces and tarts so when a body is found above the Windmill Club, detectives are content to dismiss the case as just another…
As someone who’s never been allowed to drive, but gets motion-sick reading in a bus or car, I’ve been a lover of audiobooks since I had my Walkman and a backpack full of audiobook cassettes. As a queer man, I’m always looking for more immersive stories about people like me. Finding queer voices and queer narratives is so important to me as a way to offset how queer people don’t have an inherited continuance of our culture as most marginalized people do; books are a way to fill that gap. I do own a rescued husky, and there’s nothing like an engrossing audiobook to get me through those minus-forty Canadian winter walks with a dog.
Visiting London at its most coal-caked and financially stratified, The Affair of the Porcelain Dog was Holmes-like in its execution, and pulled me into its mystery from the opening so steeped in the time and place and culture, and then never let go. Ira Adler is so charminga character that even when he was being selfish or spoiled I was smitten. An orphan, street thief, pickpocket, and former rent boy now living in luxury at the beck and call of a crime lord, Ira ends up tasked to recover the titular “dog” statue, which contains a secret that could ruin everything, and bring Ira's comfortable new life to an end. Philip Battley’s narration was so completely immersive, and had me there with Ira, hoping he’d somehow pull it off.
For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus. No sooner does Ira have the porcelain dog in his hot little hands, than he loses it to a nimble-fingered prostitute.
As Ira’s search for the dog drags him back to the mean East End streets where he grew up, he discovers secrets…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
It is suffused with music throughout (and the nerd within me loves the reoccurring literary motifs and phrases that definitely lend a musical quality to the book) and took me back to lazy summer days as a teenager when I first moved to London and the city felt wide open with excitement and possibility.
This is another love story, but one about community, family and the first loves that we learn from our parents.
An exhilarating and expansive new novel about fathers and sons, faith and friendship from National Book Foundation 5 Under 35 honoree and Costa First Novel Award winning author Caleb Azumah Nelson
One of the most acclaimed and internationally bestselling “unforgettable” (New York Times) debuts of the 2021, Caleb Azumah Nelson’s London-set love story Open Water took the US by storm and introduced the world to a salient and insightful new voice in fiction. Now, with his second novel Small Worlds, the prodigious Azumah Nelson brings another set of enduring characters to brilliant life in his signature rhythmic, melodic prose.
Sarah Sundin’s love for the stories of World War II comes from family members who served during the war on the US Home Front and abroad. Her passion for research and travel has fueled her award-winning novels. The horrors of the war brought out the worst in humanity. Yet they also brought out the best in humanity, and those stories—of people who chose kindness and courage and right in trying times—are the stories that inspire us to choose kindness and courage and right in our own trying times.
A love letter to London, this novel takes place immediately after the war, as a newlywed couple tries to pick up the pieces and fall in love again. But she’s keeping secrets from him—she must, having served as a codebreaker at Bletchley Park. And he’s struggling with nightmares from his service as an army medic. When her former boss ropes her in to help bring down a Soviet spy ring somehow connected to her beloved Christopher Wren churches, the secrets and nightmares could very well defeat them. A beautiful tale with literary depth.
The secrets that might save a nation could shatter a marriage.
Madly in love, Diana Foyle and Brent Somerville married in London as the bombs of World War II dropped on their beloved city. Without time for a honeymoon, the couple spent the next four years apart. Diana, an architectural historian, took a top-secret intelligence post at Bletchley Park. Brent, a professor of theology at King's College, believed his wife was working for the Foreign Office as a translator when he was injured in an attack on the European front.
Now that the war is over, the Somervilles' long-anticipated reunion…
