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Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
Besides the fact that I love a messy, sexy love story, Rosewater captures the very real feeling of being in your mid-20s in a beautiful but harsh city and trying to work your ish out.
Elsie, the main character, is a poet, which I feel leads a song-like quality to the narrative. This is for dreamers and lovers and those who kind of know what they want but are scared of throwing themselves at it fully.
A TODAY and LGBTQ Reads Most Anticipated Book of 2023 * A Goodreads Buzziest Debut Novel of the New Year * An Electric Lit Most Anticipated LGBTQ+ Book of Spring 2023 * A Bustle Most Anticipated Book of Spring & Summer 2023 * A Nylon April 2023 Must-Read Book * An Ebony Required Reading Pick for April
For fans of Bolu Babalola and Tia Williams comes a "tender, soulful, and sexy" (Phoebe Robinson) debut novel about finding love in an unexpected place.
Elsie is a sexy, funny, and fiercely independent woman in south London. But several things in her life…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
This book fills a gap that I didn’t know was missing until I read it.
Not much has been written documenting the history of Black Africans in 20th/21st Century London, but Jimi Famurewa covers the migration, the cultural contributions, the food, the music, the community…ah, it really covers a lot.
Non-fiction is never really my go-to but is immensely readable and the research is thorough and sharp. It filled in some the gaps in the word-of-mouth anecdotes you hear from the older generation, as well as introduced me to corners of our history that I wasn’t as familiar with.
A journey into the extraordinary, vibrant world of Black African London which is shaping modern Britain.
What makes a Londoner? What is it to be Black, African and British? And how can we understand the many tangled roots of our modern nation without knowing the story of how it came to be?
This is a story that begins not with the 'Windrush Generation' of Caribbean immigrants to Britain, but with post-1960s arrivals from African countries like Nigeria, Ghana, Zimbabwe and Somalia. Some came from former British colonies in the wake of newfound independence; others arrived seeking prosperity and an English…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
This is a modern classic – one that provides a slice of a very pivotal time in Black British history.
The 1980s saw a lot of civil unrest in Britain, from workers’ strikes to uprisings fuelled by racial tensions and police brutality. East of Acre Lane is set in Brixton – a neighbourhood in London that saw its fair share of uprisings – amongst the young Black Caribbean community.
It is such an authentic portrait, down to the musicality of the slang and dialects used. It’s immersive, it’s got action, it’s moving, it’s everything!
'Alex Wheatle writes from a place of honesty and passion' Steve McQueen, director of Small Axe
East of Acre Lane is the fast-paced and razor sharp story of a young man trying to do the right thing from celebrated author Alex Wheatle, one of the figures who inspired Steve McQueen's Small Axe
It is 1981, and Brixton is on the verge of exploding. Biscuit lives with his mother, brother and sister, trapped hustling on the frontline for the South London badman Nunchucks. As the patience of the community breaks and the riots erupt, Biscuit must make a choice that could…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
Another classic, but this time set a generation before East of Acre Lane.
This follows members of the Windrush generation as they try and make their way in a city that is hostile in weather and temperament. There is a lot of humour here amongst the occasional bleakness, but either way it’s a revelatory read. Again, language is really important here to really hear the voices of the characters.
Admittedly, I read this quite late in the game, but could instantly see why it’s one of the classics.
The Lonely Londoners, an unforgettable account of immigrant experience and one of the great twentieth-century London novels, now in in a stunning Clothbound Classics edition.
At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible…
Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.
What I personally loved about Open Waterwas just how original it was. From the second-person narration to the poetic prose and the beautiful portrayal of a Black man, not only being on the receiving end of love but also, the giver – a depiction we don’t see enough in publishing. I also enjoyed following how two artists fell in love, organically. And yet, I didn’t feel like a fly on the wall. A key takeaway I got from the story was how freeing vulnerability can be, but also, how difficult it can be to express emotions in words. Although triggering in places, overall, I found Open Water a comforting read; there were lots of cultural references that made me smile and nod my head, such as Peckhamplex cinema and Morley’s chicken shop.
WINNER OF THE COSTA FIRST NOVEL AWARD A NATIONAL BOOK FOUNDATION 5 UNDER 35 WINNER OF THE BRITISH BOOK AWARD FOR DEBUT FICTION
“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.”—Yaa Gyasi, author of Homegoing
In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are…
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Shortlisted for the Man Booker Prize and currently an AQA English Literature GCSE text, Pigeon Englishis a debut novel that captures the experiences of eleven-year-old Harrison Opuku. A new arrival from Ghana, he lives with his mother and sister amongst the gang culture on a south London housing estate. Harri is an appealing narrator who uses a mixture of West African slang and a rapidly acquired local vernacular. The text is enlivened by dialogue presented in the form of a playscript with illustrations and lists promoting the visual quality of the story.
Newly arrived from Ghana with his mother and older sister, Harrison Opoku lives on the ninth floor of a block of flats on a London housing estate. The (second) best runner in the whole of Year 7, Harri races through his new life in his personalised trainers - the Adidas stripes drawn on in marker pen - unaware of the danger growing around him.
But when a boy is knifed to death on the high street and a police appeal for witnesses draws only silence, Harri decides to start a murder investigation of his own. In doing so, he unwittingly…
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
This poignant, tragi-comedy of a novel is
both relatable and uplifting.
And though the protagonist is going through a bit
of a crisis, it’s ultimately a story of a woman finding herself and coming into
her own.
Grace’s relationship with her teenage daughter is so well described –
as mum of a teen girl I recognised the sadness she felt when she realised her
daughter needed her less than she’d used to.
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This novel perfectly captures the frenetic pleasure-seeking ethos of the youth of the English upper classes after the horrors of WW1- unsurpsingly, as it is written by one of them.
Evelyn Waugh was one of the Bright Young People, as they became known, who tore round London in sports cars, snatching at policemen’s helmets for the treasure hunts they loved.
Vile Bodies is both a celebration of the hedonism of the young and a warning to those who believe that their license to indulge is infinite, unquestionable and without consequence. A whole host of wonderful characters are introduced throughout Waugh's thought-provoking and satirical story, which follows protagonist Adam from the perils and pitfalls of being a gossip columnist to the trials and tribulations in attempting to secure his marriage to Nine Blount. Roll on an eccentric (verging on senile) potential father-in-law, parties as 10 Downing Street, high times at Shepheard's hotel, where the wine is always flowing (until your bill…
There are so many billionaire romances out there based in America, but as a Brit, there’s nothing quite like reading a contemporary romance based in London. The capital city of Great Britain, there are a great number of reasons why books here are simply to die for. The history, the culture, the mixture of communities, and the potential for passion – in my opinion, there’s no better place to escape to in a book. Even better if there are delicious characters to lose yourself with…
Jewel thieves, undercover investigation, and - a fake engagement? I seriously could not predict the twists and turns aplenty in this book from Erin Swann which made me gasp several times, and then frantically keep reading.
I adored the clever descriptions that Erin crafted, and it became impossible not to fall in love with her characters. Grab it now.
Even as a child, I wanted to escape from current times and visit bygone or future eras. History and literature were favourites and I gleaned most of what I know of the past by reading. Then I found Georgette Heyer, prompting a lifetime love affair with all things Georgian and Regency. Agatha Christie got me into mystery. I loved both the puzzle of whodunit and being whirled away into Poirot, Marple, or Cadfael territory. A good mystery and a deep dive into history as well? Heaven! Best of all is the author who draws me so completely into their imaginary world that the real one fades away.
With Charles Dickens investigating, I had to check this out. The author’s imaginative use of Dickens as a sleuth is rooted in facts new to me. I didn’t know he had set up a sanctuary for fallen women, for example. Having read much Dickens, I found the voice authentic. His Victorian world, so intense in his novels, was equally immersive here – the poverty, the dirt, the inequality – and I became thoroughly involved in the story and the unfolding investigation. If an author can draw me into their world and hold me… this did, due to impressive detailed research. I was particularly struck by the compassion visible in this Dickens which made me realise how much his books also demonstrate this aspect of his character.
An intriguing detective series featuring Charles Dickens! Perfect for fans of Sherlock Holmes, Victorian crime mysteries, A Christmas Carol and David Copperfield…
A brutal murder in Victorian London forces a famous writer to solve the mystery…
London, 1849Charles Dickens has set up Urania Cottage as a sanctuary for fallen women.
But he is shocked when the matron’s assistant – Patience Brooke – is found hanging outside the property, covered in blood.
Desperate to protect the reputation of the Home and to stop a scandal from spreading, Dickens takes the investigation into his own hands.
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