Fans pick 100 books like Lazarus

From the get-go the reader is introduced to Lauren Fielding, a teenager living with a condition that makes her believe everything she is told. When the opportunity for her to surgically correct this comes up, she takes it and sets much of the plot in motion. What I love is the narrative style; a set of journal entries, scenes, and supporting materials which serve to present the events as Lauren and the people around her see it. This is a classic coming-of-age speculative fiction story with sprinkles of a possibly unreliable narrator, leaving the reader to follow along with the events and create their own conclusions about what is happening. Laura and the pacing her story provides are both memorable and noteworthy.

Emma Watson firmly places herself in the mind of the protagonist Renata Ghali. Through this semi-reliable narrator, we learn that in this perfect planned society, a lot is happening beneath the still surface. This novel unfolds slowly, layering the pieces on scene by scene until something startling (which I don’t want to ruin for you) happens to the main character. Often in sci-fi, you see the character make some monumental decision, and then they win, and everything’s happy. This book doesn’t do that. Instead, it looks at the very real-feeling impact of said “monumental decision” on those who made it. And despite all of the character depth, Emma Watson manages to deliver a juicy, thick alien world that will leave you salivating for more! 

Like an earlier entry on this list, this story utilizes a unique format. In Sleeping Giants the reader is exposed to a first contact-like plot. Rose is a scientist and the woman spearheading a project to make sense of the discovery of giant robot parts hidden beneath the Earth’s surface. She, along with one of the project pilots, Kara, provide both depth and distance to events thanks to the help of a mysterious interviewer who does well to keep the reader engaged. We discover things as the characters do, and their revelations linger just enough for the reader to crave a sequel. I appreciate the complexity of the sci-fi in the story—there are aliens, robots, and perhaps a few international conspiracy theories.

This is one of the first stories I ever read with a strong female protagonist at the helm. Dante Valentine is a bounty hunter, necromancer, and a no-nonsense kind of woman. She is stubborn, flawed, and her story is a classic answer to what happens when you make a literal deal with the devil. I appreciate that she is unapologetically human and blatantly admits to her faults as a person. She is honest—perhaps sometimes too much so—and perseveres when things go awry. If anything, I would say she is a stand-out not only as far as female protagonists are concerned, but protagonists in speculative fiction as well.

Written in Soviet Russia in 1972, but only published in 1989, this is the story of a bizarre experimental city populated by strangers from all over the last century. All have made a deal with mysterious mentors who are trying to find out…something, by subjecting the city’s inhabitants to apparently arbitrary torments like plagues of baboons. Our hero, Andrei, tries to take it in stride like a good Soviet boy, but finds himself increasingly doubtful as the conditions of the experiment just get weirder and weirder. The humor and situations are very Russian while the emotions will be familiar to anyone dealing with seemingly incoherent orders from above. Reading it at the height of the pandemic was certainly a trip.

This book and the next on the list are interesting in that the setting becomes a character in and of itself. The town of Haven seems to have its own character arc, as a post-apocalyptic settlement that has gone from a watchful last outpost of mankind to a more complacent community where things that had once been necessities are now rituals. The human characters are fleshed out just as well, coming across as very much normal and well-realized people.

Altogether Stutznegger builds not only a cast but also a setting where you really care about their continued well-being; especially as threats from the outside world begin to sneak into the town. I would consider this possibly “soft fantasy”, with the semi-mystical mystery of the main character’s enhanced eyesight and a technically sci-fi explanation for the villainous Shadow Elves.

I discovered this book in 1985, reading and re-reading the book during high school and, eventually, buying the worn-out copy from the library before graduation.

While it may seem to be a dystopian story – it takes place after a nuclear-biological armageddon, after all – it’s an early example of hopepunk. Candy Smith-Foster repeatedly puts the good of others, including her macaw, Terry (short for Terry Dactyl), ahead of her own welfare. Not bad for a preteen facing the destruction of all she knew.

How much of an impact did this have on me? One of the reasons Kendra’s name starts as Foster-Briggs is to honor Palmer’s masterwork.

The Choosing is close to my heart because it highlights how the lowest in society, the outcasts, the unchosen, are chosen by God. The main character’s ongoing battle to see her worth struck a chord with me when I first read it as a teen struggling with my identity.

The overarching theme of this book is that when the world says you are worthless, God says you are priceless. The intriguing plot reeled me in from the first chapter, and the characters were so well fleshed out that I wished I could befriend them in person.

The Choosing is a beautifully crafted YA Christian dystopia, and finishing the book made me feel like I was saying goodbye to family.

I was recommended this novel by one of my students and loved it instantly. It has all the features you might expect of a dystopia: environmental damage, scant resources, and an authoritarian government controlling where people live, work, and travel.

I research contemporary women’s writing and the history of feminism, and I love Hall’s focus on how future dystopian scenarios might specifically affect women. Facing a world where women’s reproduction is controlled by the state, Hall’s narrator runs away to join a rebel women’s stronghold in the Cumbrian hills.

The experience is anything but gentle and sisterly; Hall is brilliant on both the brutal landscape of the north and the strength and violence of female resistance.

A man is chosen. A hero emerges. Deep, dark future action and adventure at its story-telling best. As a beast created to kill other beasts, what keeps Ragnar in check? What controls his path? Great questions, but who cares? These are adventures of the purest, most entertaining form. King offers the perfect balance of action and coming-of-age in a dystopian future. As the main character, Ragnar Blackmane can best be described as a noble savage, ascending within the pantheon of heroes that leave their mark on the galaxy. It’s this combination that makes it all work, and I wish King would have written more.