100 books like Kill 'Em and Leave

If any artist invented soul, funk, and rap, it is Mister James Brown.

I worked with him in 1994 and this book captures the spirit of the man,  telling his story from his dirt-poor childhood to becoming a musical icon. He was an innovator who influenced innovators like Michael Jackson, and Prince. It also expresses his deep commitment to social and political issues, and his understanding of the power of music to change our lives.

If you know the music of the 1960s, you know that Lamont Dozier was at the heart of the hit-producing machine that was Motown Records. He was one-third of the Holland-Dozier-Holland songwriting team that came up with hit after hit for an amazing number of celebrated artists. Later, after leaving Motown, Dozier continued to be a creative musical force (and still is today). He contributed his song-writing talents to over 100 Top 10 singles and was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame. This book is a window into Dozier’s musical world—in the 1960s and beyond. Dozier recalls what it was like to grow up in Detroit when he did and then reveals his experiences collaborating with some of the greatest musical talents of the era.

Scottish author Cosgrove wrote probably the ultimate trilogy of books covering the 1967-69 period of soul music, of which the ‘68’ tome dealing with the Memphis sound and southern soul is one. Cosgrove is another author that looks at all the cultural and social aspects of music with an easy and understandable writing style that keeps you turning the pages with ease.

This is an in-depth look at the life and career of the magnetic Otis Redding Jr., soul singer extraordinaire. We learn tons about Redding’s family background and his hometown of Macon, Georgia (also the hometown of Little Richard). Redding died at 26 in a 1967 plane crash just as he was starting to climb to the heights of the music industry. Even so, he left behind a much-admired body of work though his time was cut so tragically short. The author did an enormous amount of research for the book, then crafted an energetic and easy-reading story that captures the remarkable journey that was Otis Redding’s—from preacher’s son to charismatic soul singer who touched millions.

Laurie Colwin is by far my favorite fiction writer. She died in 1992 at the age of 48, and Goodbye Without Leaving is one of my all-time favorite books of hers.

In it, Geraldine Coleshares—a privileged graduate student who is unmoved by her insulated and expectation-laden world—goes on the road as backup singer for Ruby Shakely and the Shakettes—an Ike and Tina Turner-type rock and roll band.

Her parents are horrified and will barely speak to her when she calls them from the road, but there’s nothing she loves more than to stand on stage in a day-glow fringed dress, singing her heart out.

When love finds her in the form of a straight-ahead lawyer who adores her and knows every rock n roll and rhythm and blues artist from the last century, she grudgingly lets him in, and though she knows she loves him, she resists marriage at every… show more.

Being a musician in a band has been a hallmark of my life. When I first read Roddy Doyle’s book, I was amazed at how he expertly captured the exhilarating emotional peaks that come with starting a band. The early days of being in a band are some of the best, and Doyle writes exquisitely about the joy of shared dreams, spontaneous creativity, and the camaraderie that comes as you create a new musical family.

He also illustrates the inevitable tensions that can and do arise—egos clash, personalities differ, and the pressures of maintaining unity. But like Doyle, I agree that, in the end, the effort and energy are their own reward. The goal should always be making art for art’s sake.

Freeman’s Pulitzer Prize-winning, four-volume account of Lee remains the gold standard among the numerous biographies of the general. Freeman tirelessly examined the documentary record, and wrote a compelling narrative of Lee’s eventful life. The coverage here of the crucial battles of the Civil War is outstanding. One must be careful with Freeman’s biography, however. Freeman is unabashedly devoted to Lee and is extremely biased in his opinions. In the final volume, Freeman admits that he came “to respect and to love” the subject of his biography. In the third volume, which I recommend here, Freeman argues that Lee would have been successful at Gettysburg, if not for the insubordination of General James Longstreet. The Wilderness Campaign is also examined in this volume. Despite all of the hagiography, Freeman’s R.E. Lee remains an essential work for anyone interested in the Confederate general.

The workings of the state and the actions of state functionaries have long supplied the essential narrative informing our understanding of Ottoman history. This new volume by University of Chicago partner scholars is the first to give a platform to a wide spectrum of voices hailing from across the sultan's multilingual realm. Women and men, Muslims, Jews and Christians, prisoners and prostitutes, mystics and scholars, and a host of others, reach across the centuries to beguile us with their dreams and legends, anecdotes and jokes, biographies, and hagiographies. Although billed also as a textbook, as is customary these days in order to reach the widest readership, this book is for anyone who seeks affinity with the people of the early modern Ottoman world.

This book is a literary biography that reads like a detective novel. I found it to be gripping, shocking, hilarious, and tragic. I also consider it a great work of literature in its own right, effectively reinventing the genre of biography and turning it into an artwork forged in the era of Raymond Chandler. It was first published in 1934, but has been through many reissues, including with the alternative subtitle, Genius or Charlatan? 

That question captures perfectly the state of mind in which I was left after finishing Symons’s account of the life of Frederick Rolfe, who called himself Baron Corvo, as he swanned around southern Europe in the 1900s. While Corvo was a writer—he wrote a series of over-ripe novels, most famously Hadrian the Seventh—his life is more the stuff of the unbelievable potboiler than the usual tedious life of authors tied to their typewriters.

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The documents for this important collection, first published in 1874, were originally intended for an official biography of Lee. When that book was abandoned, Jones published all of the documents along with accompanying observations and anecdotes. Lee’s wife approved of the project. One historian said this collection “became a source book for all future Lee biographers.” The hagiography here in some of Jones’s anecdotes actually exceeds that of Douglas Southall Freeman, but it’s still an essential book for serious students of Robert E. Lee. Jones knew Lee personally and had access to all of his private papers.