Here are 79 books that History of London Transport fans have personally recommended if you like
History of London Transport.
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I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.
Capital Transport is a boutique publisher that has produced many books on various aspects of London’s transport system and this one is particularly good as it sets out the growth of the network in a series of maps based on Beck’s iconic design. There is a spread for each decade, illustrating the development of the network including sections that have now been lost.
When the London Underground first opened in 1863 there was just one line, the Metropolitan Railway, which ran for seven stops from Farringdon to Paddington. By 1900, it had been joined by the Circle, District and Central lines and extended into Buckinghamshire. This fascinating book uses 16 versions of the modern Tube map, accompanied by historic images of stations and rolling stock, to show the system's expansion up to the present.
I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.
There are many books on individual London stations but this is by far the best. It explains the architectural background to the station as well as the story of why two major and rival railway stations were built next door to each other.
In 1866 the ancient churchyard of St Pancras was excavated for the new Midlands Railway line into London. Both the train shed and the Midland Grand Hotel, the constituent parts of the new station, are outstanding structures: the train shed for its structural daring and drama, the hotel for its heroic attempt to adapt Gothic architecture for the requirements of modernity. In 2002 more of the churchyard was excavated as part of the station's transformation for the Channel Tunnel terminus. The work, to be finished in 2007, will reinvent St Pancras as the main hub for rail travellers between the…
I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.
Another out of print effort, but very significant in both the authorship and the moment in time it captures. This was written as a memorial to the stations which Betjeman expected would be demolished following the fate in the early 1960s of Euston Staton. Betjeman tours round all the stations celebrating their architecture but bemoaning their fate and he helped create the movement which resisted further demolitions and eventually resulted in a lot of the stations being radically and successfully improved.
I have written four books on London and its railway network. As well as Cathedrals of Steam, there is The Subterranean Railway, a history of the London Underground, and more recently, The Crossrail Story, which sets out the background to London’s newest and best railway that is due to open in 2022, and also, Down The Tube, the story of the way the London Underground was part-privatised and then taken back into state ownership. I have written a dozen other books on railways which are not technical tomes, nor aimed at trainspotters, but rather try to explain how railways were the catalyst for creating the modern world. The books on London combine my passion for the capital where I have lived all my life and my passion for the railways which has been a lifelong interest.
So many railway books concentrate on the networks that have been created, rather than their impact. London’s ‘Metroland’ grew up thanks to the Metropolitan Railway’s ability to develop land alongside the railway, the only company to be given that dispensation. The result was the creation of numerous suburbs which were sold on the basis that they were easily accessible via the railway to central London. This book is a powerful illustration of how railways change the landscapes in which they are sited.
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Set in London in the early 1920s, Huxley’s Antic Hay follows a cast of young bohemian and artistic characters, all affected in various ways by the Great War, as they search for SOMETHING to give meaning to their lives. London has changed, the world has changed, and they are lost. Cripplingly shy Theodore Gumbril, the main character, (inventor of Gumbril's Patent Small-Clothes, trousers which contain an inflatable cushion in the seat) searches for love, and meaning, in the shattered society following the end of the war. His search for love – including the donning of a false, confidence-boosting beard, makes for an absurd kind of comedy. Antic Hay is a savage satire, a switchback of emotions, swooping between humour and despair – though the slight plot does sometimes get rather side-lined by intellectual discussions and I admit to skipping the odd page. However, it gives an excellent flavour of the…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
Cynthia Harrod-Eagles is the author of the internationally acclaimed Morland Dynasty books. Five volumes of this comprehensive historical series focus on WW1, covering the military campaigns and the politics behind them. With the approach of the WW1 centennials, she was asked to write about the period again, this time from the point of view of the people who stayed at home. The result was the six-volume series, War At Home, which views the war from a more personal perspective, through the eyes of the fictional Hunter family, their servants, and friends.
Having grown up in London in the aftermath of WW2, and playing on its bomb sites, I was well aware of the WW2 Blitz. But like most people, I had no idea that London was heavily bombed during the first war as well. This book is detailed and fascinating, and as well as the raids themselves, it goes into a lot of related topics, such as the black-out, prostitution, munitions factories, pub closing hours and the drive for teetotalism, refugees, women’s work, and the aftermath. Well-written and illustrated with photographs, it’s an excellent look at how London fared through the darkest days of its history.
'Zeppelin Nights is social history at its best... White creates a vivid picture of a city changed forever by war' The Times
2018 marks the centenary of the end of the First World War. In those four decisive years, London was irrevocably changed. Soldiers passed through the capital on their way to the front and wounded men were brought back to be treated in London's hospitals. At night, London plunged into darkness for fear of Zeppelins that raided the city. Meanwhile, women escaped the drudgery of domestic service to work as munitionettes. Full employment put money into the pockets of…
As a history buff I am also fascinated by folklore and magic, and how it has influenced society during various time periods. I love discovering writers who seamlessly manage to present a parallel magical universe grounded in actual history or who manage to incorporate fantastical or magical elements into a historical novel. Over the last few years I’ve been increasingly drawn to exploring the philosophical, magical, and spiritual underpinnings of society as part of my historical research. Although my own published works to date have been straight historical fiction, my current work in progress is definitely veering into the speculative, alternative history realm.
Set in 1917, during an era that I have always been particularly drawn to, The Toymakers is one of those rare books that manages to capture magic in a way that feels both whimsical as well as deeply poignant – it truly reads like a fairy tale for adults set against the tragic backdrop of the First World War. Reading this book was like reading the first Harry Potter book – I was totally captivated and transported back in time to London and the Emporium (a wonderful magical toy shop). This book had me spellbound – both in terms of the enchanting forms of magic employed by the toy-makers as well as the darker aspects of their lives and the secrets uncovered.
An enchanting, magical novel set in a mysterious toyshop - perfect for fans of Erin Morgenstern's The Night Circus and Stephanie Garber's Caraval by way of Jessie Burton's The Miniaturist
It is 1917, and while war wages across Europe, in the heart of London, there is a place of hope and enchantment.
The Emporium sells toys that capture the imagination of children and adults alike: patchwork dogs that seem alive, toy boxes that are bigger on the inside, soldiers that can fight battles of their own. Into this family business comes young…
I’m the author of 17 twisty psychological thrillers, many of which are Amazon bestsellers. Most of them are set in southern England where I live. My life was tipped upside down in 2015 when I was diagnosed with Ewing’s Sarcoma, a rare bone cancer. Although I have a masters in writing and was traditionally published for non-fiction, I hadn’t been brave enough to put my fiction out in the world. Cancer changed that. I’m now a full-time author, writing about scary things that happen to ordinary people. I’m also an avid reader of thrillers and enjoy nothing more than reading a book with an ending that makes me gasp!
Not only is this a great story but I think it’s beautifully written, even more exceptional because this is Stevens’ debut. Quite often, psychological thrillers are such page-turners, the reader doesn’t properly appreciate the words. I think that Elliot Stevens achieves both literary finesse and fast-paced action in this book. Set in London and the south of England, it’s tightly woven with an original premise, and as a bonus, has a fabulous twist at the end. Mark and Cecilia seem to have the perfect life, until he meets Alice. But he can’t leave Cecilia because she knows too much…
At last, Mark has found the perfect woman. There’s just one small problem – his wife.
Married couple Mark and Cecilia seem to have it all – looks, wealth, love. But behind closed doors, things are very different – they live in silent resentment, their marriage broken by the shattering loss of the child they so desperately wanted.
Enter Alice – Mark’s idea of the perfect woman. She appears from nowhere and offers Mark the chance of a new life filled with love, passion, and – finally – the joys of parenthood. Everything he’s ever dreamed of.
I have loved the Malvern Hills my whole life, first living on a sheep farm at their foot and then in my great-grandparents’ old house at the very top. As a teenager I fell for a farmer’s son (now my husband) and spent all my time on his Herefordshire farm. My upbringing firmly engrained a deep love of rural life into me, so it was natural it became integral to my writing. To write with authenticity about a way of life I am so passionate about, I immerse myself in farming research and keep my hand in on a local farm when it comes to busy times such as lambing.
This book was published in 2018 and yet it already feels like a true classic.
It is the beautiful, poignant, and often poetic story of a rural community as one world war ends but the threat of an unsettled nation still lies heavily in the air.
Told through the eyes of a child on the brink of adulthood, there are moments of such naïve tenderness it pulled hard at my maternal senses.
The early part of the twentieth century saw so much change in the lives of small communities and I found this investigation of how the shifting world affected the way farmers lived and worked deeply fascinating. This resonated with me and the research I’ve done into the current issues of change farmers are facing now.
'A masterpiece' JON MCGREGOR 'Impossible to forget' THE TIMES 'Astonishing' GUARDIAN 'Startling' FINANCIAL TIMES
WINNER OF THE EU PRIZE FOR LITERATURE
'BOOK OF THE YEAR' NEW STATESMAN, OBSERVER, IRISH TIMES, BBC HISTORY MAGAZINE
The fields were eternal, our life the only way of things, and I would do whatever was required of me to protect it.
The autumn of 1933 is the most beautiful Edie Mather can remember, though the Great War still casts a shadow over the cornfields of her beloved home, Wych Farm.
When charismatic, outspoken Constance FitzAllen arrives from London to write about fading rural traditions, she…
