Here are 100 books that Hemingway's Boat fans have personally recommended if you like
Hemingway's Boat.
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Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
I first read this many years ago and it has stayed with me. Every so often, I return to it in order to immerse myself in its wonderful prose and insights. It combines travelogue with biography, detective work with a probing inner exploration and is both an account of a physical journey and a remap of the writer’s imagination. He begins with his homage to Robert Louis Stevenson’s Travels with a Donkey and describes his own trek over the Cevennes. He starts out with the idea that he will be a poet and finishes his walk having been led "far away into the undiscovered land of other’s men and women’s lives. It led towards biography."
It is the turning point of his life and for the remainder of the book – as he hunts down his subjects which include Mary Wollstonecraft, Shelley, Gerard de Nerval, and Gautier – he goes…
Richard Holmes knew he had become a true biographer the day his bank bounced a check that he had inadvertently dated 1772. Because for the acclaimed chronicler of Shelley and Coleridge, biography is a physical pursuit, an ardent and arduous retracing of footsteps that may have vanished centuries before.
In this gripping book, Holmes takes us from France’s Massif Central, where he followed the route taken by Robert Louis Stevenson and a sweet-natured donkey, to Mary Wollstonecraft’s Revolutionary Paris, to the Italian villages where Percy Shelley tried to cast off the strictures of English morality and marriage. Footsteps is a…
As a journalist who learned his craft on the job in the tumultuous 1960s, I happened to find myself living in states where racial history was being written. Reporting that story required me to understand why discrimination, poverty, and violence remained so deeply rooted in modern America. I wrote Ten Ways to Fight Hate, I made a movie about civil rights martyrs, and, after seeing people from around the world making a pilgrimage to the sites of the civil rights struggle, published my guidebook. Over the course of a 50-year career, I have written a million words. I am proudest of those that tried to right wrongs, and sometimes did.
As I drove through the South researching my guidebook to civil rights sites, my back seat was filled with books. Atop the pile was Taylor Branch’s magisterial three-volume history – America in the King Years 1954-1968: Parting the Waters, Pillar of Fire, and At Canaan’s Edge.
Though encyclopedic, Branch’s story-telling is riveting—weaving together personalities, legalities, strategies, and geography in a way that made me feel as if I were there witnessing history as it was made. Taylor’s detail, reflecting a journalist’s quest for who, what, where, when, how, and why, showed me that these stories could best be told, understood, and felt where they happened.
In Parting the Waters, the first volume of his essential America in the King Years series, Pulitzer Prize winner Taylor Branch gives a “compelling…masterfully told” (The Wall Street Journal) account of Martin Luther King’s early years and rise to greatness.
Hailed as the most masterful story ever told of the American Civil Rights Movement, Parting the Waters is destined to endure for generations.
Moving from the fiery political baptism of Martin Luther King, Jr., to the corridors of Camelot where the Kennedy brothers weighed demands for justice against the deceptions of J. Edgar Hoover, here is a vivid tapestry of…
I’ve been in the DEI trenches for over 20 years, and let me tell you, it's been one hell of a ride. As a Black woman navigating this shit show, I've seen it all—from clueless executives to well-meaning “allies” who can't get out of their own way. My passion? Calling out the bullshit and actually making DEI work. I've gone toe-to-toe with tech giants, founded Inclusology, and now I'm tackling a second PhD because I believe in the work, even at is most discouraging. DEI-ing is my no-holds-barred guide to creating real change. I’m all about busting AI bias and building DEI that sticks, not just some feel-good fluff.
This next one hit me like a freight train. James Baldwin’s words are as powerful now as they were back then. I’ve read it twice, and every time, it hits me in a new way. His perspective on race, his life in Harlem, and that unforgettable moment when he talks about his chains falling off—I felt that in my soul.
Baldwin doesn’t just talk about race; he lives it, breathes it, and gives you the truth straight up. This book is everything we need to hear, now more than ever.
'A seminal meditation on race by one of our greatest writers' Barack Obama
'We, the black and the white, deeply need each other here if we are really to become a nation'
James Baldwin's impassioned plea to 'end the racial nightmare' in America was a bestseller when it appeared in 1963, galvanising a nation and giving voice to the emerging civil rights movement. Told in the form of two intensely personal 'letters', The Fire Next Time is at once a powerful evocation of Baldwin's early life in Harlem and an excoriating condemnation of the terrible legacy of racial injustice.
Peter Guralnick has been called "a national resource" by critic Nat Hentoff for work that has argued passionately and persuasively for the vitality of this country’s intertwined black and white musical traditions. His books include the prize-winning two-volume biography of Elvis Presley, Last Train to Memphis and Careless Love; Searching for Robert Johnson; Sweet Soul Music; and Dream Boogie: The Triumph of Sam Cooke. His 2015 biography, Sam Phillips: The Man Who Invented Rock ‘n’ Roll, was a finalist for the Plutarch Award for Best Biography of the Year, awarded by the Biographers International Organization. His most recent book is Looking to Get Lost: Adventures in Music and Writing.
Chuck Berry: The Autobiography is a primary clue to the Inner Chuck, if not the Facts of Chuck, an indisputable masterpiece, witty, elegant, and revealing, and (or perhaps but) ultimately elusive. Unlike so many music (and other) autobiographies, every word of this one was written by its author in a web of elegant, intricate connections that are both coded and transparent. Very much like the songs.
One of the original rock and rollers tells his own story, discussing his childhood in St. Louis, his first musical efforts and his subsequent stardom, and many of the controversial detours he has taken along the way
One of my fondest childhood memories is the holiday parties that my parents threw. Lying in bed I could hear roars of laughter crash the silence and gently ebb as the grownups shared stories and made merry. Later in life, I came to realize how different that kind of drinking is from the frat-boy binging of college and the anxious bracers at singles’ bars. As an adult, I became a Catholic theologian, got married, and had a family of my own. My wife Alexandra and I have relished an evening cocktail together in order to unwind and catch up on each other’s day (Alexandra has homeschooled all six of our children, which is itself a compelling reason to drink daily).
Philip Greene is probably the world’s greatest living cocktail historian (how cool is that?). I am personally grateful to him for correcting and guiding my own work. Greene has written several excellent cocktail books. In To Have and Have Another, he canvases Hemingway’s personal preferences as well as the drinks featured in his writings. I hope that Greene one day does something similar with Evelyn Waugh and his novels, though it may fill several volumes.
Ernest Hemingway is nearly as famous for his drinking as he is for his writing. Throughout his collected works, Papa's sensuous explorations of the delights of imbibing engaged both his characters and his readers.
In To Have and Have Another: A Hemingway Cocktail Companion, Philip Greene, cocktail historian, spirits consultant, and cofounder of the Museum of the American Cocktail, offers us a view of Papa through the lens Papa himself preferred—the bottom of a glass.
A bartender’s manual for Hemingway enthusiasts, this revised and expanded volume offers a unique take on Hemingway’s oeuvre that privileges the tastes, smells, and colors…
I’m a novelist whose debut, City of a Thousand Gates, follows the lives of over thirty characters as they collide and intersect in modern-day Jerusalem and the West Bank. In order to develop the skills and techniques necessary to make such a large cast of characters feel cohesive—and have their storylines intersect plausibly—I read obsessively from the novel-in-stories form. As I found, many of these books existed in a grey area between the novel and the short story. Personally, I consider grey areas to be the most exciting to explore. By examining how fiction writers created brilliantly interconnected short stories, I was inspired to create an ambitious, sweeping novel with a diverse cast of characters.
Hemingway can be a challenge for me—reading him, I sometimes feel I’m standing in front of a closed-door—so I rolled my eyes a bit when a mentor of mine suggested that this short story collection might help me with my own work. But boy, did I stand corrected. Through short stories and fragmentary vignettes, Hemingway paints a deeply interior portrait of a man trying to return from war. It directly inspired me to include short, emotionally intense interstitial chapters to break up the longer, meatier chapters of my novel.
A Vintage Classics edition of the early collection of short fiction that first established Ernest Hemingway's reputation, including several of his most loved stories
Ernest Hemingway, winner of the Nobel Prize in Literature in 1954, did more to change the style of fiction in English than any other writer of his time with his economical prose and terse, declarative sentences that conceal more than they reveal. In Our Time, published in 1925, was the collection that first drew the world's attention to Hemingway. Besides revealing his versatility as a writer and throwing fascinating light on the themes of his major…
As a historical fiction writer, every time I learn about an amazing woman, I instinctively want to write about her, to understand her life and bring her – often forgotten – story to a wider audience. It’s a wonderful way to live vicariously, and it’s a privilege to spend time in these women’s worlds for a brief period. There’s a Sylvia Plath quote that strongly resonates with me, beginning: ‘I can never be all the people I want and live all the lives I want…’. Reading and writing historical fiction allows me a glimpse into the worlds of different people living different lives in different eras, and for that I’m extremely grateful.
I knew very little about Ernest Hemingway before I read the book, so didn’t approach it as a fan of him wanting to know more.
The book came highly recommended, and I was intrigued by the women that surrounded this controversial figure. Mrs Hemingway covers parts of the lives of each of his four wives, each so differently and wonderfully told. We see Hadley, Fife, Martha, and Mary in relation to Hemingway, but there’s no doubt that this novel is all about them, their thoughts and emotions. It’s brilliantly written and masterfully conveys a sense of the time period too.
In the dazzling summer of 1926, Ernest Hemingway and his wife Hadley travel from their home in Paris to a villa in the south of France. They swim, play bridge and drink gin. But wherever they go they are accompanied by the glamorous and irrepressible Fife. Fife is Hadley's best friend. She is also Ernest's lover.
Hadley is the first Mrs. Hemingway, but neither she nor Fife will be the last. Over the ensuing decades, Ernest's literary career will blaze a trail, but his marriages will be ignited by passion and deceit. Four extraordinary women will learn what it means…
Social history has always been my passion: unless you know how people thought, felt and lived, even down to how they dressed and ate, it is often impossible to understand why they acted as they did. And no period is as fascinating to me as the inter-war years; after WW1, the greatest conflict the world had ever seen, the upcoming generations determined to break barriers, discard the last vestiges of what they saw as hidebound custom, to invent new, freer ways of writing, painting, dancing - and to have fun. And for most of this post-war generation, there was nowhere like Paris.
This elegantly written biography helped me to know my subject.
It was especially vivid on what it was like to be the child of an Edwardian hostess, the minimal effect of WW1 on the day-to-day life of Great Britain and the effect of this on later life. It is a model of what a biography should be: thoughtful, clear, interesting, and perceptive.
From Wikipedia: Nancy Clara Cunard (10 March 1896 – 17 March 1965) was a writer, heiress and political activist. She was born into the British upper class but strongly rejected her family's values, devoting much of her life to fighting racism and fascism. She became a muse to some of the 20th century's most distinguished writers and artists, including Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound and Louis Aragon, who were among her lovers, Ernest Hemingway, James Joyce, Constantin Brâncuşi, Langston Hughes, Man Ray, and William Carlos Williams. MI5 documents reveal that she was involved with Indian socialist leader…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
It’s one thing to advocate for simple, clear writing—and another to do it consistently. For the most inspiring demonstration of these principles look to Ernest Hemingway. Read even one of his short stories, or any of his novels or reportage, for in-action proof of how convincing we can be by using the most basic English: short everyday words derived from English’s early Anglo-Saxon history, and unadorned, straightforward sentences. Note how the most profound ideas, emotions, and subtle interactions can be communicated with spare language, nearly absent of descriptive words. How to generate this kind of impact with the writing most of us do every day is a central goal of my own book. TIP: a helpful online resource for simplifying copy is found at…Hemingway.com.
The fourth in the series of new annotated editions of Ernest Hemingway’s work, edited by the author’s grandson Seán and introduced by his son Patrick, this “illuminating” (The Washington Post) collection includes the best of the well-known classics as well as unpublished stories, early drafts, and notes that “offer insight into the mind and methods of one of the greatest practitioners of the story form” (Kirkus Reviews).
Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image.…
Early in my career I landed a job as a magazine editor. Shazam! I could publish my own articles! But I discovered that I actually had no idea how to write anything interesting, English major though I’d been. So I began to figure out what makes writing work. Over decades as a journalist, corporate communicator, and consultant, I did learn. I also saw colleagues miss their best opportunities, even screw up their lives, by writing badly—unpersuasively. And a mission was born: to share the tools and techniques of powerful communication. I’ve created dozens of workshops for businesspeople and professionals, taught graduate students, and now happily author books jammed with practical advice.
Where does persuasive writing start? Whether you’re writing fiction, journalism, or a business message, good sentences are the key. Write good sentences and you write well in all fields. Bad sentences doom your writing. This tight 76-page book shows how to achieve simple, clear sentences, and at the same time build in power and even drama. Euchner moves on to cover paragraphs: how to find the focus of each and create logical, one-idea units. This is the book I wish I’d been given somewhere along the line in school, or later—it would have saved me a lot of trial-and-error! Like Euchner, I believe you need not study grammar rules to write well—that route has always put me to sleep.
Ernest Hemingway one remarked that the ultimate challenge of writing is to produce "one true sentence." If you can write one great sentence, you can write two, three, and more great sentences. If you can write many great sentences, line after line, you can master any writing project from a school paper to a published book.
So: Can you craft “one true sentence,” again and again?
Sentences and Paragraphs, by Charles Euchner, is the completely updated best-selling and most authoritative book available on the essential two units of writing. Building on the foundation of The Golden Rule of Writing, Charles…
