Fans pick 76 books like Grandfather Tang's Story

As a boy, Joseph D’Agnese grew up absolutely convinced that he was terrible at two school subjects: math and science. Lo and behold—he ended up making a career writing about both! For more than seven years, he edited a children’s math magazine for Scholastic, and was rewarded for his work by multiple Educational Press Association Awards. His children's book about the Fibonacci Sequence, Blockhead: The Life of Fibonacci, is available in five languages worldwide, and as a classroom DVD. Blockhead is an Honor Book for the Mathical Book Prize—the first-ever prize for math-themed children's books. Joe’s work in science journalism has been featured twice in the prestigious annual anthology, Best American Science Writing.

As a boy, Joseph D’Agnese grew up absolutely convinced that he was terrible at two school subjects: math and science. Lo and behold—he ended up making a career writing about both! For more than seven years, he edited a children’s math magazine for Scholastic, and was rewarded for his work by multiple Educational Press Association Awards. His children's book about the Fibonacci Sequence, Blockhead: The Life of Fibonacci, is available in five languages worldwide, and as a classroom DVD. Blockhead is an Honor Book for the Mathical Book Prize—the first-ever prize for math-themed children's books. Joe’s work in science journalism has been featured twice in the prestigious annual anthology, Best American Science Writing.

One of the questions that I’m constantly asked by other authors is how do you make characters memorable in a genre that has done it all? My criteria are twofold–the characters need to be flawed and relatable; no one can truly relate to Superman. Secondly, I believe there is strength in a group. When I write with a diverse group of characters with their own personalities, the characters tell the story for me. I find that if I can emphasize and start having fun like I’m part of the group, I become enthralled with the novel. I am passionate about characters and letting them breathe and feel real.

I started writing maths books because I wanted to share my love of the subject with people who had never really engaged with it at school. I soon discovered that the hardest part is getting somebody to start reading the book in the first place. Why read a book about maths unless you’re already into maths? Over the years I’ve found that the best way of engaging adults in maths is by linking it to things they are interested in – ‘the maths of everyday life,’ if you will. When you add to that a combination of stories, humour, and surprises, I’ve found it’s possible to reveal the joys of mathematics to a much wider audience.

I’ve been told I live under a rock. I don’t know much about popular media, I can’t name any actors, and when I catch onto a trend, it’s usually five to six years after said trend has died out. People alert me of my lack of knowledge like it’s a bad thing, but I think if they could see all the books they’re missing out on, they’d feel otherwise. There are hundreds of thousands of fantastic stories that are neither glamorous nor gritty enough to make it to the forefront of the internet, and every time I find one, it changes my life. Living under a rock: 10/10 would recommend.

I have been fascinated by the richness of fairy tales since I was a child. The fantasy writing offers endless possibilities to nourish my mind’s eye and pearls of wisdom that I can transfer to real life. I remember from childhood that I cried reading the Little Mermaid by Hans Christian Andersen. This childhood memory never left me. Fantasy writing is interwoven with the realm of nature and beings other than humans that offer a tapestry for the tradition of storytelling and nature writing, which I found a fascinating field to explore. I hope you can find the same in the books on this list.

I was born in a stable close to the Himalayas in India. The family farm was buzzing with animals and one of the most wonderful was a wild monkey called Oma who adopted our family and insisted on living with us. This is where the magic in my life began. My Grandmother was the storyteller in my family, so even after we emigrated to England when I was only 18 months old, our house was filled with magical stories, many with roots in India. So when I became a children’s author it was this magic that I wanted to bring to my stories and it was this magic that drew me to reading.

I’ve been obsessed with fantasy since my grandmother bought me the entire Dorothy and the Land of Oz series as a kid. I love discovering new types of fantasy characters, spins on characters, new lore in genres, and mythology woven in creative ways. For my fantasy group, I’ve researched many interpretations of fae, witches, elves, vampires, and shapeshifters. I’m always looking to add to my list, and I love finding Indie authors new to their niche. I feel so privileged to interview many authors like these and Jennifer L. Armentrout (squeal) for my podcast, The Finding the Magic Book Podcast. I hope you love these books as much as I did.

Science fantasy uniquely combines elements of science fiction (advanced technology, futuristic settings) with those of fantasy (magic, mythological creatures, and supernatural elements). This fusion creates rich and versatile storytelling that often comes with a deep sense of mystery beyond what science fiction or fantasy achieves on their own.

This blend also requires greater “buy-in” from the reader to believe in the world we’re being presented. As readers, we often accept dwarves in fantasy with little to no explanation. We do the same with spaceships in science fiction. But dwarves in spaceships require truly creative storytelling to achieve a much higher buy-in threshold. The author who can pull this off has my attention.  

Since I was a child, I’ve loved stories of people who live, unseen, among or close to us. I prefer the spelling “Faerie.” Fairies are pretty, butterfly-like creatures that fly around gardens. “Faeries” suggest, to my mind, the word “fear.” They can be both benevolent and malevolent, but are primarily other. In my novel, Beautiful, and the follow up that’s in progress, faeries feature as characters both in their own realm and ours. They can cause a lot of trouble for humans, but also be well-intentioned. These books feature faeries that play similarly ambiguous roles.