100 books like Go, Mutants!

It’s hard to beat Scalzi for nailing the execution of a high concept.

Redshirts could have so easily been nothing but a gimmick, but Scalzi really gets into the guts of the horror and humor of being a character written for the sole purpose of dying. I picked up the book with a cynical eye, expecting to hate it, but it drew me in.

Scalzi went so much further with the concept, shined a light on every corner of the idea, that he managed to create a deconstruction and reconstruction of the same trope at the same time. 

Liking Terry Pratchett is a bit like liking pizza: not terribly remarkable.

Pratchett is a master storyteller who commands not only tropes but the idea behind them with such skill that I can read one of his books and never realize I’m getting the most profound lesson of my life. I could have recommended any of his books, and more to the point, any of his City Watch books, but I single out this particular book for a reason. I’m a humanist, like Pratchett, and this book explores his humanism most effectively.

And it’s also an amazing mystery and incredible comedy. 

Like a lot of folks, I found out about this book when the movie version came out, Who Framed Roger Rabbit.

The world-building in the movie was so compelling and unique that I decided to pick up the book. And I’m so glad that I did. The plot in the book is much more complicated, and the social satire is even sharper. One of my all-time favorite noir mysteries.

I’m cheating a little with this one since this is technically three books but go with me. Slaves of the Volcano God, Bride of the Slime Monster, and Revenge of the Fluffy Bunnies are some of those series that used to be thick on the ground but now are harder to find.

They’re adventure novels that play with the tropes of B-movies, and not only are they hilarious, but they made a young Justin like B-movies more. Playing with tropes can get exhausting, but when it’s done with genuine love, as it is here, it makes for an airy joy of a series.

Shrek! was a book before it was ever a wildly successful film franchise, but the book bears almost no resemblance to the movies.

Yes, William Steig’s ogre is both vile and reviled, and he has a donkey for a friend, but the story itself is very straightforward, detailing Shrek’s rampage across the countryside on his way to meet a “stunningly ugly princess” with whom he can live “horribly ever after.”

Steig had been a celebrated New Yorker cartoonist for almost four decades when he produced his first children’s book in 1968. He wrote and drew Shrek! when he was in his early 80s. He breaks the cardinal rule of using simple language, but makes up for it with fun-to-read-aloud choices in vocabulary and sentence structure, such as “The irascible dragon was preparing to separate Shrek from his noggin.”

There is nothing more fun than a rag-tag group of kids living in a tree house and battling monsters, zombies, and whatever else bleeds into their dimension.

Max Brallier does an amazing job of tapping into a middle grader’s pituitary. What he squeezes out is a thrilling and hilarious roller-coaster of an adventure. Just writing this makes me want to take the ride all over again. And I didn’t even mention the art yet either.

Douglas Holgate draws monsters so cool, that they are often drool inducing. Seriously. Do a Google search if you don’t believe me.

This book is so fun! The child explains how to play, entertain, feed, and draw for your grandpa.

My personal favorite is when grandpa says, “naptime,” and we see that napping is what grandpa needs, obviously not the child. This story gives the young child the autonomy to be in charge, but most importantly… connect with their grandpa.

How often have I heard, “Oh, Q. W. Aardvark’s fantasy is awesome, but you really need to read all 8,326 books in the series to get it”! How about no? Fortunately, I learned the secret of Pratchett’s Discworld series: each novel is freestanding.

I like this book because it’s like a cynical, bitter uncle who secretly has a teddy bear—despite the outward grime and gloom of the setting, there’s a hilarious wit, punning, and barrage of pop references underlying the story that gives it a heart. It’s fantasy for those who don’t think they like it.

We have both been huge fans of Adelle Waldman since she came out with her whip-smart romantic satire, The Love Affairs of Nathaniel P, around a decade ago. Her follow-up, our last pick, was stunning to us, not only because it's so good but because it's inspiring to see how a writer doesn't have to get cornered in by the "brand" she unwittingly establishes when she publishes her debut.

This book is set a world away from the Brooklyn coffee shops and house parties that the Nathaniel P. literary hipsters frequent; it all takes place in a big box store in upstate New York called Town Square, which may as well be Target. 

It makes you chuckle, think, and feel, largely due to its well-researched content. Waldman immersed herself in the world in which her new book is set, taking a job at Target while she was writing it.… show more.

Since I was ten, my parents insisted I watch every major party-political convention. So, it was no surprise that now as an adult political junkie, I devoured every page of this book. I loved the what-ifs the book translated to in today’s political picture.

I marveled at how author Dorsey deftly took the unquestioning tool of the powerful special interests incumbent Florida Governor and transformed him into a candidate with a conscience three weeks before the next election. I gave a standing ovation to Dorsey, who used zippy dialog and a fast-paced plot to hysterically make mincemeat of the hypocritical, holier-than-thou morals of an alley cat displayed by state party officials.