Here are 100 books that Germans Into Nazis fans have personally recommended if you like
Germans Into Nazis.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I discovered my passion for the First World War when researching my great-grandfather’s service history in the cavalry. I also write historical fiction with several of my books being set during the First World War and have spent thousands of hours over the past twenty years researching different aspects of this period, both from the point of view of the V.A.D.s, wounded soldiers, medical staff treating them, as well as grieving families. The stories I’ve come across never fail to haunt me and I can’t imagine I’ll ever tire of wanting to discover more about the people who survived these experiences, or stop needing to write books about them.
I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.
It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.
I was a law school graduate heading for my first job when, unable to think of anything better to do with my last afternoon in London, I wandered through the First World War galleries of the Imperial War Museum. I was hypnotized by a slide show of Great War propaganda posters, stunned by their clever viciousness in getting men to volunteer and wives and girlfriends to pressure them. Increasingly fascinated, I started reading about the war and its aftermath. After several years of this, I quit my job at a law firm and went back to school to become a professor. And here I am.
David Reynolds is simply one of the smartest and most original historians operating today. Do we imagine that no one thought much about the poems of Wilfred Owen until the 1960s? Do we think about how important the fiftieth anniversary of the Somme was for the politics of Ireland? This book is packed full of perceptive and original insights about the Great War’s very long legacy.
One of the most violent conflicts in the history of civilization, World War I has been strangely forgotten in American culture. It has become a ghostly war fought in a haze of memory, often seen merely as a distant preamble to World War II. In The Long Shadow critically acclaimed historian David Reynolds seeks to broaden our vision by assessing the impact of the Great War across the twentieth century. He shows how events in that turbulent century-particularly World War II, the Cold War, and the collapse of Communism-shaped and reshaped attitudes to 1914-18.
I am a Professor of modern European history at the University of San Francisco. I have written or co-edited three major books and many articles and reviews, as well as serving as a correspondent for a German newspaper. My areas of expertise are intellectual, political, military, and cultural history. I also work on the history of espionage and served as a consultant to the CIA on my last book about student radicals in Germany.
I am a huge fan of everything Paul Fussell (1924-2012) published. He was a colorful character in real life and earned his chops as a literary critic of modern war when he landed in France with the 103rd Infantry division in 1944, was wounded fighting in Alsace, and was awarded the Bronze Star and Purple Heart.
I couldn't put down his book. I find most important the universal way he describes the gap between the way common soldiers experience battlefields, in contrast to how the war is portrayed to the general public by observers at home, propagandists, and the like who interpret the war from a safe distance. I was always impressed by the sharp manner of his writing. He traces the pulverization of pre-1914 Victorian values as they collided with the sheer force and brutality of modern steel and gas technology.
I loved surveying the direct and profane language…
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the…
I was a law school graduate heading for my first job when, unable to think of anything better to do with my last afternoon in London, I wandered through the First World War galleries of the Imperial War Museum. I was hypnotized by a slide show of Great War propaganda posters, stunned by their clever viciousness in getting men to volunteer and wives and girlfriends to pressure them. Increasingly fascinated, I started reading about the war and its aftermath. After several years of this, I quit my job at a law firm and went back to school to become a professor. And here I am.
Weber is another outstanding and original historian. Here he takes apart all the myths that have accumulated around Hitler’s military service in the First World War, showing that Hitler was a mediocre soldier with a relatively safe job who got medals because the officers knew who he was. Weber also shows how crucial a (legendary) version of Hitler’s war service was to his rise to power.
Hitler claimed that his years as a soldier in the First World War were the most formative years of his life. However, for the six decades since his death in the ruins of Berlin, Hitler's time as a soldier on the Western Front has, remarkably, remained a blank spot. Until now, all that we knew about Hitler's life in these years and the regiment in which he served came from his own account in Mein Kampf and the equally mythical accounts of his comrades.
Hitler's First War for the first time looks at what really happened to Private Hitler and…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
This may be the book that started it all. Mosse has many books that try to explain the rise of the Nazis in Germany who Mosse and his parents fled in the 1930s. Here Mosse describes how Nazis used the war dead from the First World War in an explicit attempt to harness the nationalism of Germans to support Nazi politics. Winter disagrees with Mosse and developed arguments that are probably more accepted by historians today but, for me, that doesn’t take away from the power of Mosse’s argument. Even though I don’t always agree with Mosse’s analysis, I can’t help but be engrossed by his writing, his passion, and his ability to describe how the war dead could be used as political weapons.
Millions were killed and maimed in the senseless brutality of the First World War, but once the armistice was signed the realities were cleansed of their horror by the nature of the burial and commemoration of the dead. In the interwar period, war monuments and cemeteries provided the public with places of worship and martyrs for the civic religion of nationalism. The cult of the fallen soldier blossomed in Germany and other European countries, and people seemed to build war into their lives as a necessary and glorious event - a proof of manhood and loyalty to the flag. Ultimately…
While growing up in a Vermont town in the lower Champlain Valley, I became fascinated with the wealth of nearby historic sites dating from the French and Indian War and the American Revolution. Within easy reach of our family station wagon were Fort Ticonderoga and more. I became especially intrigued by German mercenaries hired by the British to fight the American colonists. My interest led me to become a history major at the University of Vermont, and eventually to Germany as a correspondent for The Associated Press. I worked and lived in Germany from 1987-1997, covering the toppling of Communism, the birth of a new Germany, the rise of neo-Nazi violence, and other themes.
For an understanding of how Munich became the birthplace of the Nazi movement, I highly recommend David Clay Large’s narrative nonfiction work Where Ghosts Walked: Munich’s Road To The Third Reich. At center stage in Large’s book is Munich itself, a beautiful city that before World War I was known as “Athens On The Isar” because of all of the writers, musicians, and artists it attracted. Large tells of the 1918 revolution that toppled Bavaria’s monarchy, of the Munich Soviet Republic that briefly took its place, of Bavarians’ embrace of right-wing extremism that followed the communists’ bloody ouster, and the giddy enthusiasm showered upon a mustered-out World War I corporal named Adolf Hitler as he spewed anti-Semitic and anti-democratic venom at rallies.
Munich was the birthplace of Nazism and became the chief cultural shrine of the Third Reich. In exploring the question of why Nazism flourished in the 'Athens of the Isar', David Clay Large has written a compelling account of the cultural roots of the Nazi movement, allowing us to see that the conventional explanations for the movement's rise are not enough. Large's account begins in Munich's 'golden age', four decades before World War I, when the city's artists and writers produced some of the outstanding work of the modernist spirit. He sees a dark side to the city, a protofascist…
I have been studying this period of German history for more than 40 years and teaching it at Manchester since 1991. I have no family connections to Germany, but I went on a school exchange to Hannover when I was 14 and became fascinated by the country and its history. I chose to do my PhD on this period because it seemed less researched than the Weimar and Nazi eras which followed. Contesting the German Empirewas an attempt to show how historians’ views of Imperial Germany have changed over time, and to give a flavor of their arguments. Reading it will save you from having to digest 500 books yourself!
Essay collections are usually rather variable in quality, but this volume on the multiple ways in which modernity was staged, debated, and contested in Germany between the 1890s and the 1930s, is consistently good. The individual essays are all rich in interesting detail, yet it is the collectively written introduction that is likely to find the widest readership, offering not only a succinct summary of ways in which global discussions about the concept of modernity can help us to understand the course of German history, but also some pointers on how the German case can contribute to global historical discussion.
What was German modernity? What did the years between 1880 and 1930 mean for Germany's navigation through a period of global capitalism, imperial expansion, and technological transformation?
German Modernities From Wilhelm to Weimar brings together leading historians of the Imperial and Weimar periods from across North America to readdress the question of German modernities. Acutely attentive to Germany's eventual turn towards National Socialism and the related historiographical arguments about 'modernity', this volume explores the variety of social, intellectual, political, and imperial projects pursued by those living in Germany in the Wilhelmine and Weimar years who were yet uncertain about what…
While growing up in a Vermont town in the lower Champlain Valley, I became fascinated with the wealth of nearby historic sites dating from the French and Indian War and the American Revolution. Within easy reach of our family station wagon were Fort Ticonderoga and more. I became especially intrigued by German mercenaries hired by the British to fight the American colonists. My interest led me to become a history major at the University of Vermont, and eventually to Germany as a correspondent for The Associated Press. I worked and lived in Germany from 1987-1997, covering the toppling of Communism, the birth of a new Germany, the rise of neo-Nazi violence, and other themes.
There is no better scholarly work about the birth and death of Germany’s first democracy than The Coming of the Third Reich, by British historian Richard J. Evans. Evans uses a wealth of archival material to create a masterful narrative of the intrigue, revolts, economic forces, and political chaos that marked the Weimar era. The Coming Of The Third Reich is the first book in a three-volume series, which covers Germany from the end of World War I to the downfall of the Nazi regime.
Richard J. Evans' The Coming of the Third Reich: How the Nazis Destroyed Democracy and Seized Power in Germany explores how the First World War, the Weimar Republic and the Great Depression paved the way for Nazi rule.
They started as little more than a gang of extremists and thugs, yet in a few years the Nazis had turned Germany into a one-party state and led one of Europe's most advanced nations into moral, physical and cultural ruin and despair.
In this consummate and compelling history, the first book in his acclaimed trilogy on the rise and fall of Nazi…
While growing up in a Vermont town in the lower Champlain Valley, I became fascinated with the wealth of nearby historic sites dating from the French and Indian War and the American Revolution. Within easy reach of our family station wagon were Fort Ticonderoga and more. I became especially intrigued by German mercenaries hired by the British to fight the American colonists. My interest led me to become a history major at the University of Vermont, and eventually to Germany as a correspondent for The Associated Press. I worked and lived in Germany from 1987-1997, covering the toppling of Communism, the birth of a new Germany, the rise of neo-Nazi violence, and other themes.
Alfred Döblin, one of the most consequential German authors of all time, is best known for his gritty, modernist Weimar-era novel Berlin Alexanderplatz. Often overlooked are two works of historical fiction by Döblin, A People Betrayed,and Karl and Rosa. Set in Berlin during the November 1918 proletarian revolution, these two books are epic in scope, employing both real and fictional characters to tell of the violent beginnings of the Weimar era, a foreshadowing of the political and social fissures that would plague Germany’s first postwar democracy and ultimately set the stage for Hitler’s rise to power.
November 1918. The First World War is over, the battle is lost a and everywhere there is talk of revolution. Leaders of the German military have formed an uneasy alliance with the socialists who control the government and have proclaimed a new German republic, but throughout Berlin rival groups stage rallies and organize strikes. In A People Betrayed, the first volume of the epic November 1918: A German Revolution, Alfred Doblin takes us into the public and private dramas of these turbulent days, introducing us to a remarkable cast of fictional and historical characters, and bringing them to life in…
I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.
Written in just four weeks, this book pulsates with fury and is all the more poignant when you know its young Jewish author died after his ship was sunk in the war.
Otto Silbermann is a Jewish businessman on the run as his world collapses around him, and he slowly realises his homeland is enemy territory. It’s chilling and devastatingly real.
Berlin, November 1938. With storm troopers battering against his door, Otto Silberman must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.
Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.
Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at…
