Here are 100 books that Final Lullaby fans have personally recommended if you like
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I practised risk, resilience, and protection of infrastructure systems for 35 years. Mid-career, I became frustrated that we could deliver highly successful projects yet didn't deliver their ultimate purpose. This difference is particularly pronounced in war zones and the developing world, where most of my work has been. My research at the University challenged what I knew: it was as if someone had taken my heuristic understanding and cast the components like a pack of cards into the wind. I have shared some highlights in my journey to gather the cards. I hope you like them.
There are some excellent books on risk like Bernstein's Against the Gods. The majority are insipid reads and over-simplistic. This little book stands out for its simple, clear, condensed overview of risk in theory and practice. It doesn't try to simplify to the point of complicating the subject; it presents the inherent complexities without drama. I made it required reading for my risk & resilience students and employees. It offers a sense of how risk changes with interpretation and how the perception can itself influence the occurrence and impact. If this idea of risk perceptions and how it influences decision-making strikes a chord with you, you might wish to explore more of Baruch Fischhoff's work—it is utterly fascinating and will forever change how you buy vehicle insurance and salmon.
We find risks everywhere-from genetically modified crops, medical malpractice, and stem-cell therapy to intimacy, online predators, identity theft, inflation, and robbery. They arise from our own acts and they are imposed on us. In this Very Short Introduction, Baruch Fischhoff and John Kadvany draw on the sciences and humanities to explore and explain the many kinds of risk. Using simple conceptual frameworks from decision theory and behavioural research, they examine the science and practice of creating measures of risk, showing how scientists address risks by combining historical records, scientific theories, probability, and expert judgment.Risk: A Very Short Introduction describes what…
As a pirate fantasy author myself, I have a profound love for the sea and the summer winds that these stories encapsulate. Growing up on the east coast, my favorite summers were spent on the Jersey Shore, digging for buried treasure on the beach, or searching for mermaids beneath the waves. These books capture in their pages the magic, heart, and mystery I associate with the sea. I believe fantasy worlds that tell the truth of the human experience are the most impactful, and strive to emulate that in my own work, as well as the books I read.
This self-published beauty is the perfect soft, sweet pirate read to warm anyone’s heart. The main romance is to die for, and the descriptions within feel almost painted. Ryckman is a well-paced storyteller, and this debut novel from her reads almost like a fairytale. But best of all, it features plenty of piratey goodness and tons of adventure.
There's a time to hide, a time to run, and a time to fight. Dain Alloway was only nine years old when he began a new life with his father, sailing aboard The Maiden. Eight years later, the aristocratic city-boy turned merchant-sailor feels like he lives with one foot on land, and one foot in the sea. Life floats smoothly by until the night he wakes to find a mysterious woman in his cabin. The events that unfold after her appearance transform Dain's world. Now, hunted by empty-faced demons, he finds himself thrown into a dangerous web of intrigue and…
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
Completing a trifecta with Deep Blues and Sound of the City, Honkers and Shouters is a definitive examination of the evolution of rural blues into urban rhythm-and-blues, the “big beat” that made African-American-based popular music into one of America’s greatest, and most lucrative, cultural exports.
Shaw, a former music executive, focuses on how the music found its way from the artists to the ears and wallets of the consumers. It was a tough, exploitative business that provided a way for entrepreneurs excluded from more traditional careers by race or ethnicity to find their fortune, if often at the expense of the artists themselves. The rough saga of lives in the music business makes us appreciate the magical results even more. Listen while you read.
[From front flap] What did rhythm and blues have that gave it its impact and appeal? Who were the people who made it happen - the artists, producers, and audience - black and white alike - who dug its earthy realism and driving, dynamic sound? Here, for the first time, is the spectacular, foot-tapping, hand-clapping story...
As an avid reader since childhood, I’ve always hunted for books that deliver the most epic emotional experiences. Stories that you can’t put down even when your eyelids ache for sleep or the page is blurred with tears. The ones where fiction becomes reality and the room around you disappears with every page. Cupid’s Compass was inspired by these all-consuming novels and I expect my future works will follow the same mission: to evoke laughter, tears, and the ever-expansive qualities of humanity.
With ever-increasing stakes, The Saltwater Heir is by far the best self-published fantasy book I’ve ever read.
The story follows a lost princess, war-torn kingdoms, and a love interest fated to die. It has the perfect balance of banter and sass, slow-burn romance, hilariously relatable sibling dynamics, and gut-wrenching plot twists to keep you on the edge of your seat. I laughed a lot; I sobbed even more.
I would recommend this book to readers who enjoy having their hearts captured in an emotional vise of stress, hope, and heartbreak.
Princess Soren of Nyx is no stranger to loss after a decade-long war with the neighboring kingdom of Atlas. But with her best friend slowly succumbing to a cruel Atlas poison, she hatches a reckless plan: kidnap the enemy prince from the battlefield and use his life to barter for the antidote.
But when that prince calls her by a different name...the name of his sister, whose death began the war ten years ago...everything changes.
Stolen away to Atlas, trapped behind enemy lines, Soren must navigate a kingdom she knows nothing about, surrounded by a family she doesn't remember, and…
As a poet, my main gift is related to my first ambition, to be a musician. I like to talk, I like to listen, I like the sounds of words and I like to hear(for example) what Emily Dickinson and William Butler Yeats have to say.
When Brooks says “ballade” or “blues” she speaks with the authority of one who can hear—can allude to music without needing to copy it.
Composing the sounds beforethe record-keeping act of merely writing the words. She doesn’t need the added music of actual song: she embodies the music in the sentence-sounds. (And the harmonies and discords and rhythms of speech.)
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
When I started playing rock guitar in the ‘60s I had no idea that it was built on the innovations of African-American blues and Gospel artists. Sound of the City traces how those innovations evolved into the dominant strains of ‘50s rock & roll, including artists like Bill Haley, New Orleans dance music, Memphis rockabilly, Chicago R&B, and vocal (“doo-wop”) groups.
Gillette creates an extraordinarily detailed and very readable account of the music and musicians as well as a booming, often corrupt, and highly segregated music industry within a turbulent American social landscape. If you want to learn about American music in all its variety, this book is a must. Like Deep Blues, read it within reach of a music streaming service.
This comprehensive study of the rise of rock and roll from 1954 to 1971 has now been expanded with close to 100 illustrations as well as a new introduction, recommended listening section, and bibliography.
I’ve been a working blues musician for almost half a century, a blues harmonica teacher for much of that time. Twenty-five years ago I first began offering university-level courses on the blues literary tradition. My experience as a Harlem busker back in the 1980s and a touring performer in the 1990s as part of the duo Satan & Adam critically shaped my approach, anchoring me in the wisdom, humor, and deep-groove aesthetics of partner, Mississippi native Sterling “Mr. Satan” Magee. The blues is or the blues are? It’s complicated! I try to honor that multiplicity and the people who put it there.
I’ve been assigningThe World Don’t Owe Me Nothing in Southern Studies classes at Ole Miss for the past twenty years; the incarcerated students in my blues lit class at Parchman said this was their favorite book.
Honeyboy, born in 1915, grew up in the bad old Mississippi Delta, back when cottonfield sharecropping, lynching, and prison farms were the givens. The blues were his way out. He learned his trade, rambled widely, took his pleasures where he found them.
“I had three ways of making it,” he writes. “Women, my guitar, and the dice.” He knew all the great bluesmen, and gigged with most of them: Charley Patton, Robert Johnson, Little Walter. An unforgettable Delta blues autobiography.
This vivid oral snapshot of an America that planted the blues is full of rhythmic grace. From the son of a sharecropper to an itinerant bluesman, Honeyboy’s stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.
Since childhood, I have been fascinated by the culture and stories of my place, the Mississippi Delta. I began my education in the beauty shop, where my mother “fixed” hair six days a week. I continued my education in the pool hall when I was 13 or 14, listening to the braggarts and fools who pontificated about every subject under the sun. I escaped to Memphis in the late 60s and became a hippie, drinking in the experience of Memphis’ electric streets. These experiences informed my thinking and helped me become a writer and filmmaker.
The story of American music is laid out in a fascinating series of stories by musicologist and former New York Times music critic Robert Palmer. Palmer used interviews with Muddy Waters and many other bluesmen to explain how this music traveled from Africa to the American South and then up to Chicago, Detroit, and other northern cities.
It is an in-depth look at the stories and myths of the South and the people who made their escape from the brutal cotton fields and racial segregation of the times. This book is a must for anyone wanting to know the beginnings and significance of American music.
Blues is the cornerstone of American popular music, the bedrock of rock and roll. In this extraordinary musical and social history, Robert Palmer traces the odyssey of the blues from its rural beginnings, to the steamy bars of Chicago's South Side, to international popularity, recognition, and imitation. Palmer tells the story of the blues through the lives of its greatest practitioners: Robert Johnson, who sang of being pursued by the hounds of hell; Muddy Waters, who electrified Delta blues and gave the music its rock beat; Robert Lockwood and Sonny Boy Williamson, who launched the King Biscuit Time radio show…
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
Howard was a top Los Angeles session guitarist (one of the fabled Wrecking Crew), jazz stylist, and brilliant visionary who combined his skills to create the Guitar Institute of Technology, an innovative, intensive program that trained thousands of professionals and transformed guitar education.
The Guitar Compendium is the result of Howard’s decades of research into learning theory and information flow applied to the guitar. It’s not a standard guitar method (and not designed for raw beginners), but rather a collection of practical, thought-provoking solutions to the universal challenges of learning and playing the instrument, from developing technique to breaking through creative roadblocks. If you’re an aspiring, curious, and perhaps frustrated guitarist, The Praxis System is a unique source of wisdom and inspiration from one of the greatest.
This is the first instructional book of its kind, taking a strikingly new and refreshing approach to learning guitar, carefully designed to guarantee efficient practice with rewarding results. Whether your playing falls under one of the more traditional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, The Praxis System has what you need. The name of the system (Praxis" comes from the Greek word meaning "practice" and "to do") accurately reflects its general orientation. Play it first, getting sound and satisfaction…
Storytelling has been a passion of mine since fifth grade. I’ve always loved the way authors can put you inside of a world and introduce you to a cast of characters who feel as real as the people around you. The characters you meet inside these books become a part of you, and the best way to connect a reader to these charming and brave characters is to let them tell their story. Tell it from all of their perspectives and let the reader come to know and love each of them. Why read a book and only love one character when you could find an entire found family within those pages?
Pirates! I absolutely love a good pirate book, and this one by Vanessa delivered. We follow the story of Declan, a broody and mysterious captain, and Aoife, an heir who flees her kingdom. This book fulfilled all my enemies to lovers wants and told a very engaging story with a plot full of twists that kept you turning the page. Not to mention the world building was fantastic! It’s a new release and I’ve already pre-ordered the sequel. The best part of this book was supporting Vanessa Rasanen who is also an indie author.