Here are 90 books that Father Found fans have personally recommended if you like
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One of the things I love most about fiction is the way it allows you to “be” different people—to experience, think, feel, and behave from inside a particular temperament, worldview, or experience. My very favorite is adding the complexity of multiple perspectives to that magic trick so that you get to live inside two or more people who may be at complete odds with each other. Reading good fiction is an exercise in empathy, and reading good fiction from multiple viewpoints is empathy supercharged. I’ve loved that immersion since I was a little kid who believed there was nothing better than a novel.
This novel is an immersive read with heaps of empathy for all its characters but especially for the two sisters whose perspectives are at the center of the story: the twin who disappears to live a secret life, passing as white, and the twin left behind.
We don’t get the perspective of Stella, the vanished twin, until 14 years after her disappearance, 150 pages into the book. By then, I was fully absorbed in the grief and unanswered questions of the people she’d abandoned, eager to finally know where she’d been all this time and to understand her complex motivations and the emotional and mental toll of relinquishing—and hiding—her racial identity, her community, her sister, and her past. I picked this book up and didn’t put it down until it was done.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.
Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own…
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
I love this book because it is very well written, blending prose and poetry to tell a very compelling and personal story about a young man struggling with a reason for living amid a confusing personal tragedy.
Jaime happens to be my cousin, so of course, I love it for that reason. But that aside, since Jaime is also biracial, this book is a must-read for exploring identity and its emotional implications.
Sixteen-year-old Jayson Porter wants to believe things will get better. But the harsh realities of his life never seem to change. Living in the inland-Florida projects with his abusive mother, he tries unsuccessfully to fit in at his predominately white school, while struggling to maintain even a thread of a relationship with his drug-addicted father. As the pressure mounts, there's only one thing Jayson feels he has control over--the choice of whether to live or die.
In this powerful, gripping novel, Coretta Scott King Award-winning author Jaime Adoff explores the harsh reality of a teenager's life, giving hope even in…
I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
Birdie and Cole are sisters with biracial parents on the brink of danger during the turbulent 1960s.
Despite their attempts to cling to each other, their parent’s involvement with a violent anti-establishment group will eventually separate them: Cole with her dark-skinned father and Birdie with her white mother.
The girls' desperate attempt to remain together and later find each other is heartbreaking and encouraging. This book made me cry.
From the author of New People and Colored Television, the extraordinary national bestseller that launched Danzy Senna’s literary career
“Superbly illustrates the emotional toll that politics and race take … Haunting.” —The New York Times Book Review
Birdie and Cole are the daughters of a black father and a white mother, intellectuals and activists in the Civil Rights Movement in 1970s Boston. The sisters are so close that they speak their own language, yet Birdie, with her light skin and straight hair, is often mistaken for white, while Cole is dark enough to fit in with the other kids at…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Another example of early African American fiction, The Garies and their Friends is the second novel published by a Black American. Following the lives of an interracial couple moving from Savannah to Philadelphia, their middle-class Black friends, and the racism they face, The Garies is one of the first texts to examine free Black life in depth. Writing an anti-racist novel, Webb criticizes the legal structures and extra-legal white supremacist violence that prohibit Black safety and success in the ‘free’ North.
In this novel set in antebellum America, the Garies -- a white southerner, his mulatto slave-turned-wife, and their two children-have moved to Philadelphia from Georgia. Originally published in London in 1857, and never before available in paperback, The Gages and Their Friends was the second novel published by an African American and the first to chronicle the experience of free blacks in the pre-Civil War northeast. The novel anticipates themes that were to become important in later African American fiction, including miscegenation and "passing", and tells the story of the Garies and their friends, the Ellises, a "highly respectable and…
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Not all Jews are white. Again, there are a number of wonderful books by African American Jews that remind us of this fact, and how often we use the word “Jewish” to refer only to Jews of European descent. Azoulay insists on confronting this unthinking racism head-on by reflecting on her experiences as a Black woman who struggled to feel at home in the Jewish community. Too often “Black-Jewish relations” as a phrase defines two discrete communities. This book reminds us that this distortion of the truth both erases Jews of color and lets white Jews avoid taking responsibility for challenging social systems that privilege whiteness.
How do adult children of interracial parents-where one parent is Jewish and one is Black-think about personal identity? This question is at the heart of Katya Gibel Azoulay's Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities. Beginning with…
I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Half Mexican baseball athlete, Danny is trying to find his place between cultural identities. The writing is straight forward and the relationships and slang are real. This book deals with friendships, family, cultural identity, and dreams. An identifiable story for readers trying to find their place in a diverse world. I loved it!
Newbery Award-winning and New York Times bestselling author Matt de la Peña's Mexican WhiteBoy is a story of friendship, acceptance, and the struggle to find your identity in a world of definitions.
Danny is tall and skinny. Even though he’s not built, his arms are long enough to give his pitch a power so fierce any college scout would sign him on the spot. Ninety-five mile an hour fastball, but the boy’s not even on a team. Every time he gets up on the mound, he loses it.
But at his private school, they don’t expect much else from him.…
I am a historian of the American West and a professor at the University of Southern California. I also direct the Huntington-USC Institute on California and the West. I love the way very smart and ambitious family histories illuminate the fascinating (or sometimes mundane) lives of people in the past and, at the same time, use those stories to help us understand bigger-picture issues, eras, and all the turbulence of American life. That little-girl-in-the-well book I wrote is the first time I’ve attempted family history. It was so hard to try to get it right but, at the same time, exhilarating to think that maybe I did.
Novelist as genealogist, genealogist as novelist. A fiercely loyal portrait of a range of amazing women whose lives feel as if they were fictional, but they were and are not. A tender portrait of several generations of smart and loving mothers, wives, and daughters whose California is not the place of wealth and glamor but rather of making do, getting by, and loving your people and landscapes.
“Straight’s memoir is a lyric social history of her multiracial clan in Riverside that explores the bonds of love and survival that bind them, with a particular emphasis on the women’s stories . . . The aftereffect of all these disparate stories juxtaposed in a single epic is remarkable. Its resonance lingers for days after reading.” —San Francisco Chronicle
In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women. In inland Southern California, near the desert and…
In my previous role as a teacher, I often encountered teens who never, ever read outside of school – and hated having to read in school. Finding YA retellings of the classics became an indispensable tool for me in terms of not only linking the past with the present for the young adults in my classes, but also in terms of helping them see themselves in fiction, finding representation there, and discovering their own importance. It opened up whole worlds for all of us, and offered a pathway to a love of reading that I hope they will never forget!
I’m one of those rare English teachers who was never much of a fan of Austen, but Pride is such an incredibly powerful YA read that it had me looking back at the original with fresh eyes when I finished it. A contemporary, diverse retelling of Pride and Prejudice, it tackles issues of race, culture, heritage, and gentrification head-on, all set against the familiar backdrop of first love. Brilliantly showcasing the power and importance of not only the YA genre, but also the original novel which inspired it, I found Pride to be a massively thought-provoking and hugely important twist on the classic. (If I had my way, I’d make it required reading alongside its predecessor!)
In a timely update of Jane Austen's Pride and Prejudice, National Book Award finalist Ibi Zoboi skillfully balances cultural identity, class, and gentrification against the heady magic of first love in her vibrant reimagining of this beloved classic. A smart, funny, gorgeous retelling starring all characters of color.
Zuri Benitez has pride. Brooklyn pride, family pride, and pride in her Afro-Latino roots. But pride might not be enough to save her rapidly gentrifying neighborhood from becoming unrecognizable.
When the wealthy Darcy family moves in across the street, Zuri wants nothing to do with their two teenage sons, even as her…
I teach the histories of early modern Europe and European worlds at Macquarie University in Sydney, Australia. I developed a fascination for the period and, especially, for the Italian Renaissance as an undergraduate before going on to complete a PhD at Northwestern University in the United States. I love the contradictions and tensions of the period: a society and culture in transition from what we call medieval understandings and worldviews to what we see as more modern ones. These are some of the books that helped to fuel my passion for Renaissance Italian history and to answer some of my questions about what life was really like in Renaissance Italy.
Alessandro de’ Medici was the first member of his famous family to rule the city of Florence as a titled prince. He was also, possibly, the first person of African descent to rule a European state.
Illegitimately born, his father was a Medici duke, and his mother may have been an enslaved African. In this highly readable book, Catherine Fletcher uses meticulous archival research to present the most detailed account of the life of Alessandro yet produced.
The book examines the glittering excesses of court life in sixteenth-century Florence and Rome, and the intrigues and jealousies behind this façade, while recovering the life of a previously obscure figure. Examining a time and place I know well, I found this an engaging story, well told.
'Nothing in sixteenth-century history is more astonishing than the career of Alessandro de' Medici' (Hilary Mantel).
*Selected as a Book of the Year 2016 in The Evening Standard*
In The Black Prince of Florence, a dramatic tale of assassination, spies and betrayal, the first retelling of Alessandro's life in two-hundred years opens a window onto the opulent, cut-throat world of Renaissance Italy.
The year is 1531. After years of brutal war and political intrigue, the bastard son of a Medici Duke and a `half-negro' maidservant rides into Florence. Within a year, he rules the city as its Prince. Backed by…
