Here are 86 books that Dying to Know fans have personally recommended if you like
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I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
The 1949 Geneva Conventions are often viewed as a progressive and self-evident response to the horrors of the Second World War, but this book shows that their development was a highly contested and deeply politicized process.
I greatly appreciated the depth and rigor of the author’s research. By examining archival sources from ten countries and in multiple languages, van Dijk shows that the drafters of this landmark development in international humanitarian law had competing priorities and interests. The decisions and compromises they made in the 1940s shaped the future of warfare in profound ways.
In addition to teaching me about history, this book helped me to understand the consequences for civilians caught in today’s global conflicts.
The 1949 Geneva Conventions are the most important rules for armed conflict ever formulated. To this day they continue to shape contemporary debates about regulating warfare, but their history is often misunderstood.
For most observers, the drafters behind these treaties were primarily motivated by liberal humanitarian principles and the shock of the atrocities of the Second World War. This book tells a different story, showing how the final text of the Conventions, far from being an unabashedly liberal blueprint, was the outcome of a series of political struggles among the drafters. It also concerned a great deal more than simply…
My friend Lou Cannon, the great reporter and Reagan biographer, once told me, “if you want to really learn about a subject, write a book about it.” As a political journalist and author of several books about current and past politics, wanted to learn more about the Founding Fathers, and as a map buff I tried to understand how they understood a continent most of which was not accurately mapped and how they envisioned the geographic limits and reach of a new republic more extensive in size than most nations in Europe. The book is my attempt to share what I learned with readers, and to invite them to read more about these extraordinary leaders.
It is an interesting fact that Hamilton and Gallatin, who served as Treasury Secretary during most of the republic’s first quarter-century, were immigrants from commercially more active locales, Hamilton from the sugar island of St. Croix, Gallatin from the stony Calvinist banking center of Geneva, Switzerland.
As congressman from the Pennsylvania frontier, Gallatin opposed Hamilton’s national debt and Bank of the United States, that gave the infant republic circulating money and workable finance. But as Jefferson and Madison’s secretary of the Treasury Gallatin maintained the bulk of Hamilton’s system and managed—with help from fellow immigrants John Jacob Astor and Stephen Girard—to finance the War of 1812.
In 1776 the United States government started out on a shoestring and quickly went bankrupt fighting its War of Independence against Britain. At the war's end, the national government owed tremendous sums to foreign creditors and its own citizens. But lacking the power to tax, it had no means to repay them. The Founders and Finance is the first book to tell the story of how foreign-born financial specialists-immigrants-solved the fiscal crisis and set the United States on a path to long-term economic success.
Pulitzer Prize-winning author Thomas K. McCraw analyzes the skills and worldliness of Alexander Hamilton (from the…
I have been fascinated by the Second World War since I was a child. I grew up with tales of London and Coventry in wartime, stories of family separation, rationing, and air raids. The stories that really gripped me included the streams of refugees passing my grandmother’s house in the suburbs of Coventry after that city was bombed, and the night my aunts and (infant) father spent waiting to be rescued from a bombed house in south London. As a historian I wanted to know more about stories like this, and about the ways that wars shape lives, and my books have returned again and again to the civilian experience of war.
This isn’t an easy read, but it’s an important one. A diary by an anonymous female journalist trapped in Berlin as bombs fall and the Red Army closes in, it describes in graphic detail her struggle for survival between April and June 1945. Berlin’s women had difficult choices to make in this period, and the author records unflinchingly her decision to choose the ‘protection’ of one Russian soldier over repeated rape by multiple others. It is one of the few books that tell us about war from the perspective of civilian women, immersing us in their world and recording the impact of political leaders’ delusions of grandeur and glory on individual lives. I didn’t find this an easy book to pick up, but found it even harder to put down.
This is a devastating book. It is matter-of-fact, makes no attempt to score political points, does not attempt to solicit sympathy for its protagonist and yet is among the most chilling indictments of war I have ever read. Everybody, in particular every woman ought to read it' - Arundhati Roy
'One of the most important personal accounts ever written about the effects of war and defeat' - Antony Beevor
Between April 20th and June 22nd 1945 the anonymous author of A Woman in Berlin wrote about life within the falling city as it was sacked by the Russian Army. Fending…
I’ve been an actor and a writer all my life. After many years performing in theatre and television in both Australia and the UK, I turned my hand to prose and revelled in the creative freedom. Thirty years and sixteen novels later I’m still revelling. As both actor and writer, the mix of fact and fiction has always intrigued me and I love travelling my characters through historical times of great impact, particularly upon Australia. In 2015 I was honoured to be made a Member of the Order of Australia for my service to the performing arts as an actor and to literature as an author.
There is one major reason I include Grand Days in my list of "best" books and her name is Edith Campbell Berry. Some might suggest that as Edith happens to be an Australian character and Frank Moorhouse an Australian author I’m favouring the pair, being Australian myself. But this is definitely not so. To me, Edith Campbell Berry is one of the most beautifully conceived heroines in literary fiction. And when I make this sweeping statement I include every great leading lady you can think of.
From the moment I met Edith on the train from Paris to Geneva where she was to take up her position with the newly-created League of Nations in the 1920s, I was captivated. She is wickedly naïve, worldly innocent, outrageously proper and every other contradiction imaginable. She continued to bewitch me in Frank Moorhouse’s companion Edith novels, Dark Palace and Cold Light, but…
This novel's backdrop is the ill-fated League of Nations, the peace-keeping organization set up after World War I to ensure the world never had to go to war again. The central character is Edith Berry, a spirited young woman full of good intentions.
Like many novelists – all the way back to F. Scott Fitzgerald -- writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”
This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.
When the disarmingly charming and ruthlessly domineering Geneva Holloway lets her star temperament get out of hand, Jimmy Hoy, a writer for the "Geneva Holloway Show," joins with the show's other writers in plotting the perfect revenge
It’s often said that humor can’t be translated. I’m a translator of more than thirty books, and I know that’s wrong! However, publishers rarely consider funny books for translation. I’ve made this list to point out to you all that sometruly great books that are really funny have broken through the wall protecting English-language readers from the wit and humor of the rest of the world. I’m also a literature professor, and I’m keen to get people to understand that literature does not have to be boring. If Charles Dickens, Evelyn Waugh, Kurt Vonnegut, or David Sedaris make you laugh, then so will Voltaire, Pekic, Hašek, Voinovich, and Gary!
Irresistible! Romain Gary had hoodwinked the literary world by publishing prize-winning successful novels under the false identity of Émile Ajar and was paranoid about being found out. So he wrote a confession by “Émile Ajar” to show that he hatedRomain Gary (“Uncle Bogey” in this novel) and was borderline crazy as well. Written in contorted, loopy, and killingly funny bad French, it was a challenge to get into English—but I just loved doing it! What’s more, the deception worked: nobody dared accuse Gary of being Ajar ever again. An unclassifiable masterpiece of simulated mental breakdown; a language game of an extravagant and rarefied kind.
By the early 1970s, Romain Gary had established himself as one of France's most popular and prolific novelists, journalists, and memoirists. Feeling that he had been typecast as "Romain Gary," however, he wrote his next novel under the pseudonym Emile Ajar. His second novel written as Ajar, Life Before Us, was an instant runaway success, winning the Prix Goncourt and becoming the best-selling French novel of the twentieth century.
The Prix Goncourt made people all the keener to identify the real "Emile Ajar," and stressed by the furor he had created, Gary fled to Geneva. There, Pseudo, a hoax confession…
I love to read. I always have. I also love to write mysteries that, hopefully, keep my reader guessing until the end of the book. I look for books that not only provide me with a mystery to solve but also inform me of situations and/or places I would otherwise never learn about. I have found all the books on my list to fill that need. They are just an example of the many I have found and read.
A friend recommended this book to me, the beginning of an eight-book series. I enjoyed it immensely.
I felt as though I was traveling with the main character, Maia, on her journey, full of mystery and romance, to Rio de Janeiro in Brazil. The historical aspect of the story in 1800s Paris led to my fascination with the creation and building of the famous Christo statue. I have since done additional reading about Christ the Redeemer.
The Seven Sisters is a sweeping epic tale of love and loss by the international number one bestseller Lucinda Riley.
Maia D'Apliese and her five sisters gather together at their childhood home - a fabulous, secluded castle situated on the shores of Lake Geneva - having been told that their beloved adoptive father, the elusive billionaire they call Pa Salt, has died.
Each of them is handed a tantalising clue to their true heritage - a clue which takes Maia across the world to a crumbling mansion in Rio de Janeiro in Brazil . . .
I’m an award-winning children’s author of more than 100 books, including many biographies. I first fell in love with biographies when I was a child and read about young blind and deaf Helen Keller. Blind and deaf? I couldn’t imagine. Yet, page by page, as I stepped into little Helen’s world, I felt as if I experienced her struggles, triumphs, and tragedies right along with her. I discovered that in spite of her great challenges, she succeeded. That’s why I love biographies and why I write them. I hope my biographies open a door into someone else’s world that can remind readers that they can succeed too, in spite of obstacles in front of them. I try to write the sort of picture books I love—funny, whimsical, captivating, and unforgettable.
Everyone’s heard of Frankenstein, but a lot of people may not know that this legendary monster was created by a woman named Mary Shelley. In this fascinating picture book biography, Fulton doesn’t cover Mary Shelley’s entire life from beginning to end. Instead, she hones in on the most fascinating part—Lake Geneva, a stormy night, and a ghost-story challenge—that prompted Shelley to explore her imagination and write what has become one of the most famous monster stories of all time-- Frankenstein.
A 2018 New York Times/New York Public Library Best Illustrated Children's Books
On the bicentennial of Frankenstein, join Mary Shelley on the night she created the most frightening monster the world has ever seen.
On a stormy night two hundred years ago, a young woman sat in a dark house and dreamed of her life as a writer. She longed to follow the path her own mother, Mary Wollstonecraft, had started down, but young Mary Shelley had yet to be inspired.
As the night wore on, Mary grew more anxious. The next day was the deadline that her friend, the…
I grew up on a farm in Northern Ireland. Ulster was always an inspiration, for both my painting and my writing. My first novel, The Misremembered Man, became a bestseller worldwide, and I followed it with several more works of fiction. I attribute their success to the magic of rural Ireland, and the wonderful characters who peopled my childhood. My formative years, unhappy and fearful though they were, serve as a repository of emotion and stimulation, which I draw upon frequently in my writing. Having the courage to change and grow in difficult circumstances is a common theme. Since all my novels are character-driven, my book choices broadly reflect this strength in the authors I have chosen.
Yes, another novel set largely in a hotel. This time it’s in Switzerland and overlooks Lake Geneva, spreading, in the wonderful words of Anita Brookner, "like an anaesthetic towards the invisible further shore." Edith Hope is a writer of romantic fiction. She arrives at the "stolid and dignified" Hotel du Lac in late autumn. This is not a holiday for Edith. Her friends and family have insisted she go away for a few weeks to ponder a ‘social indiscretion’. She was due to marry Geoffrey, a boring man she didn’t love, and deserted him on the day of the wedding. Her heart had gone out to David, a married man.
Brookner had an enviable gift for describing people and their peculiarities. Those whom Edith Hope meets at the hotel are largely from the aristocracy, and each and every one is eccentric in the extreme. Edith describes her fellow guests to…
BOOKER PRIZE WINNER • When romance writer Edith Hope’s life begins to resemble the plots of her own novels, she flees to Switzerland, where the quiet luxury of the Hotel du Lac promises to restore her to her senses.
But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive.
Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.
It’s impossible to talk about action-adventure thrillers without recommending something by Graham Greene. It could have been any one of his great novels, but I’ve settled on this book as one of his shortest and most easily accessible stories.
It’s quirky without being obscure, full of atmosphere and intrigue, and wonderfully witty in its portrayal of its central characters. For sheer panache, this book is hard to beat.
'Manages to say more about love, hate, happiness, grief, immortality, greed and the disgustingly rich than most contemporary English novels three times the length' The Times
Doctor Fischer despises the human race. A millionaire with a taste for sadism, he spends his time and money planning notorious parties, entertainments designed to expose the shallowness and greed of his craven hangers-on. Black comedy and painful satire combine in a totally compelling novel.
