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Drawn Testimony.
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I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I saw my first raven near Mount Rainier. The bird looked me in the eye, hopped to the left, sized me up, and continued his business. The advancing Russian army drove Bernd Heinrich and his family into the forest near Hahnheide, Germany, where they lived in a small hut for five years.
There, he began his lifelong quest to connect with insects (especially bees), owls, trees, antelope (he runs ultramarathons), geese...and ravens. The mind of the Raven is a deep, scientific meditation on the intersection between being human and raven. It concludes that “ultimately [our differences are] less a matter of consciousness than of culture” (342).
I wonder how culture has dulled my imagination, a struggle Heinrich clearly has fought more successfully than I have.
Heinrich involves us in his quest to get inside the mind of the raven. But as animals can only be spied on by getting quite close, Heinrich adopts ravens, thereby becoming a "raven father," as well as observing them in their natural habitat. He studies their daily routines, and in the process, paints a vivid picture of the ravens' world. At the heart of this book are Heinrich's love and respect for these complex and engaging creatures, and through his keen observation and analysis, we become their intimates too.
Heinrich's passion for ravens has led him around the world in…
By ten years old, I had lived in four countries and endured the repercussions of revolution, exile, military coup d’état, and emigration. That explains my life-long passion for history. I pursued a Ph.D. in Latin American history to make sense of the forces that shaped my and my family’s lives. My seven previous books explored diverse topics in Caribbean history within its broader Atlantic context. Momentous domestic and global events, starting with the COVID-19 pandemic and an explosion of racial and political violence in the U.S. pushed me to broaden my scholarly attention and become a Creators Syndicate’s weekly columnist, and publish a collection of columns with the title When the World Turned Upside Down.
American readers and news watchers are deeply segregated: those on the left reading and watching news produced by liberals, and those on the right consuming words and images from conservative authors and broadcasts. And then there is Washington Post columnist George Will, a conservative, who reads voraciously across the political spectrum and offers commentary that reasonable Americans must recognize as honest and insightful. American Happiness and Its Discontents is a collection of thoroughly researched, thought-provoking, exquisitely-written columns written by Will from 2008 to 2020. He offers insightful commentary on a wide range of political, social, and cultural topics and tackles subjects deemed taboo by the left such as the wave of nonsense that has flooded higher education.
George F. Will has been one of this country's leading columnists since 1974. He won the Pulitzer Prize for it in 1977. The Wall Street Journal once called him "perhaps the most powerful journalist in America." In this new collection, he examines a remarkably unsettling thirteen years in our nation's experience, from 2008 to 2020. Included are a number of columns about court cases, mostly from the Supreme Court, that illuminate why the composition of the federal judiciary has become such a contentious subject.
Other topics addressed include the American Revolutionary War, historical figures from Frederick Douglass to JFK, as…
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Although not nearly as well-known as Richard Adams’ Watership Down (an epic tale, with voyages and battles on the scale of Homer’s Odyssey), this book was published decades earlier and could be seen as a quiet precursor to that far more violent story.
The gardeners among you will immediately recognize both the fear and the excitement that the animals feel when contemplating unfamiliar humans. My wife and I, who have moved dozens of times in our long careers, often quote a line from Little Georgie: “New folks coming, oh my!”
It has been a while since Folks lived in the Big House, and an even longer time has passed since there has been a garden at the House. All the animals of the Hill are very excited about the new Folks moving in, and they wonder how things are going to change. It’s only a matter of time before the animals of the Hill find out just who is moving in, and they may be a little bit surprised when they do.
Poems irritated me as a child. They seemed parodies of counting, chants of rhythm, and repetition. I included them in my moratorium against reading fiction. On the other hand, I respected the alphabet, a kind of poem of pure form. It was orderly for no good reason and didn't mean anything. So I concluded that poems were meaningless forms that had their uses, but were not serious. I changed my mind, but it took a while—studying math and science, theology, and then philosophy and literature. I'm now a professor who studies and teaches modern literature and philosophy. I got my Ph.D. from Harvard, became a professor at Stanford, and teach at the University of Dallas.
A photograph gives me the form of the bird, but it remains up to me to see the bird as a bird. And that can be difficult. What do we see when we see a bird?
The Peregrine, J. A. Baker’s masterpiece of descriptive prose, provides an answer, an answer that is as much about how we see as it is about what we see when we see birds. Sometimes we pull ourselves into the sight of others and the world emerges as more than its light. We see by being seen.
Baker achieves this kind of seeing both in his efforts to see a pair of peregrines and in his description of this achievement.
David Attenborough reads J. A. Baker's extraordinary classic of British nature writing.
The nation's greatest voice, David Attenborough, reads J. A. Baker's extraordinary classic of British nature writing, The Peregrine.
J. A. Baker's classic of British nature writing was first published in 1967. Greeted with acclaim, it went on to win the Duff Cooper Prize, the pre-eminent literary prize of the time. Luminaries such as Ted Hughes, Barry Lopez and Andrew Motion have cited it as one of the most important books in twentieth-century nature writing.
Despite the association of peregrines with the wild, outer reaches of the British Isles,…
I am a creature of habitat. I can’t help but connect with my environment in every possible way. It’s physical, emotional. I spent the first 23 years of my life in Mexico City. Leaving was heart-wrenching, but the promise to fulfill a dream drew me to Los Angeles. During the next four decades I became a student of Los Angeles and the Latino community that populates it. I agree with Randy Newman: I love L.A.
If You Lived Here You’d Be Famous By Nowis a debut novel by Via Bleidner, a young writer who reports her experiences living in the L.A./San Fernando Valley enclave of Calabasas, attending the Calabasas High School. Calabasas, for those who have missed this essential chapter of contemporary lunacy, is home to the Kardashians. Bleidner writes about the world she has inhabited as a reporter. She participates, but she also is able to maintain a certain writer's detachment describing the shenanigans the natives engage in: lip surgery, social media, and dog celebrities. But there is humor in this slice of the L.A. experience. Bleidner not only describes, but also tries to understand and reflect.
If You Lived Here You'd Be Famous by Now is an insider's collection of funny and warmhearted stories about coming of age in the Los Angeles suburb famed for birthing the Kardashian-Jenners and the Bling Ring.
For Via Bleidner, transferring to Calabasas High from the private Catholic school she's attended since second grade is a culture shock, not to mention absolutely lonely. Suddenly thrust into an unfamiliar world of celebrities, affluenza, and McMansions, Via takes a page from Cameron Crowe and pretends she's on a journalism assignment, taking notes on her classmates and jotting down bits of overheard gossip.
I’m secretly eight years old inside. I love fascinating animal and science stuff, especially cool, weird, and gross facts. Readers of my children’s books see this passion in action. My best-selling and award-winning nonfiction animal books have sold more than 3 million copies worldwide since 2000. I focus particularly on reaching reluctant, struggling, and English-language-learning readers by packing my books with lots of action and high-interest topics to keep them turning pages. I’m recommending these top-five narrative nonfiction animal books for adults because these authors have influenced my research and thinking—and because they’re terrific stories!
Are you ready to change the way you see the world forever? Reading Peter Wohlleben’s three-book Mysteries of Nature series will do just that.
This second volume focuses on animal emotions and making connections with human behavior. Until fairly recently, most serious scientists focused only on observable behavior and didn’t try to imagine or determine what animals’ actions tell us about their feelings.
However, all animal lovers can benefit, as I did, from questioning our assumptions, better understanding our similarities, and becoming more aware of how much there is to learn about the inner life of animals. Get ready for some surprises!
Can horses feel shame? Do deer grieve? Why do roosters deceive hens?
We tend to assume that we are the only living things able to experience feelings but have you ever wondered what's going on in an animal's head? From the leafy forest floor to the inside of a bee hive, The Inner Life of Animals opens up the animal kingdom like never before. We hear the stories of a grateful humpback whale, of a hedgehog who has nightmares, and of a magpie who commits adultery; we meet bees that plan for the future, pigs who learn their own names…
I’m a political theorist at Syracuse University’s Maxwell School of Citizenship and Public Affairs. I spent the first fifteen years or so of my career working on the Scottish and French Enlightenments (Adam Smith, David Hume, Jean-Jacques Rousseau, Montesquieu, Voltaire), but in recent years I’ve been drawn more and more to the American founding. In addition to Fears of a Setting Sun, I’m also the author of The Constitution’s Penman: Gouverneur Morris and the Creation of America’s Basic Charter, which explores the constitutional vision of the immensely colorful individual who—unbeknownst to most Americans—wrote the US Constitution.
Joseph Ellis is probably the most popular historian of the founding period, and for good reason: he has few rivals as a storyteller. As with Wood, Ellis has written at least a dozen books that could be included in my list, butFounding Brothers is probably his most well-known, as well as my personal favorite. I assign small bits of it in my American political thought course as a supplement to the primary texts, and students often comment on how much they enjoy reading it.
In this landmark work of history, the National Book Award—winning author of American Sphinx explores how a group of greatly gifted but deeply flawed individuals–Hamilton, Burr, Jefferson, Franklin, Washington, Adams, and Madison–confronted the overwhelming challenges before them to set the course for our nation.
The United States was more a fragile hope than a reality in 1790. During the decade that followed, the Founding Fathers–re-examined here as Founding Brothers–combined the ideals of the Declaration of Independence with the content of the Constitution to create the practical workings of our government. Through an analysis of six fascinating episodes–Hamilton and Burr’s deadly…
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This is a revelatory, timely book that details the afterlives of the numerous discarded and recycled objects from around the world. It gave me great insights into where stuff goes once we decide that these are things that we no longer need or want and who are the people and the places who find value in what we leave behind.
From the author of Junkyard Planet, "an anthem to decluttering, recycling, making better quality goods and living a simpler life with less stuff." -Associated Press
Downsizing. Decluttering. Discarding. Sooner or later, all of us are faced with things we no longer need or want. But when we drop our old clothes and other items off at a local donation center, where do they go? Sometimes across the country-or even halfway across the world-to people and places who find value in what we leave behind.
In Secondhand, journalist Adam Minter takes us on an unexpected adventure into the often-hidden, multibillion-dollar industry…
I’ve always been fascinated with crime and crime fiction. From my early obsession with the novels of Raymond Chandler to my embarrassingly late discovery of Agatha Christie. I directed epsiodes of Sherlock Holmes with Jeremy Brett for Masterpiece theatre, which was a dream come true. But it frustrates me when television dramas tread roughshod over forensic science, making absurd claims for what can be done, when the truth, as mundane as it often can be, is so much more fascinating. To this end I have just graduated with an Mlitt from the University of Dundee in Crime Fiction and Forensic Investigation. I hope this will lend my books an air of authenticity and dramatic drive.
On a slightly lighter note, although still involved in the solving of murder, this book is written by a forensic botanist.
It’s about how dirt, seeds, and grasses can be utilised in solving crime. An unusual and unique career and all the more fascinating because of it. He talks about his frustration with dealing with some police officers who don’t appreciate how important this science can be.
It’s a brilliant demonstration of how simple, old botanical observations are still relevant and can be crucial in solving a murder in an age of DNA and digital analysis. All of this explained in language that we can all understand.
Dr Mark Spencer is a forensic botanist - in other words, he helps police with cases where plants can unlock clues to solve crimes, from murder and rape to arson and burglary.
Murder Most Florid is an enthralling, first-person account that follows Mark's unconventional and unique career, one that takes him to woodlands, wasteland and roadsides, as well as police labs, to examine the botanical evidence of serious crimes. From unearthing a decomposing victim from brambles to dissecting the vegetation of a shallow grave, Mark's botanical knowledge can be crucial to securing a conviction.
After teaching high school English for thirty-one years, I retired and began my second career in writing. I have published five novels and one collection of poetry. When I met Jane Tucker in 1974, she became a good friend, fellow church member, and my dental hygienist. I had no idea she had worked as a welder on Liberty Ships during World War II when she was only sixteen years old. After I learned this in 2012, I began my journey into learning all about the Rosies during World War II and writing my fourth novel Becoming Jestina. Jane’s story is an amazing one, and I still talk to her regularly.
Since I taught school for thirty-one years, this book was especially fascinating to me because it involved two young teachers spending their summer in 1943 working on a production line at a San Diego bomber plant. It enlightened me significantly on how difficult it often was for women during that time to be accepted in what was usually an exclusively male world of work.
In 1943 two spirited young teachers decided to do their part for the war effort by spending their summer vacation working the swing shift on a B-24 production line at a San Diego bomber plant. Entering a male-dominated realm of welding torches and bomb bays, they learned to use tools that they had never seen before, live with aluminum shavings in their hair, and get along with supervisors and coworkers from all walks of life.
They also learned that wearing their factory slacks on the street caused men to treat them in a way for which their "dignified schoolteacher-hood" hadn't…
