43 books like Daughter of the Reef

In this book, David Lewis—a physician, anthropologist, and world sailor—traveled around the Pacific, consulting with respected navigators from many islands about their understandings and the natural cues on which they relied for inter-island voyaging. Lewis reinforced many of Gladwin’s points and also made me acutely aware of regional variation.

Along the way, he commented that canoes in the “Polynesian Outliers” (islands inhabited by Polynesian people but located in territory commonly identified as “Melanesia” or “Micronesia”) are built with an interchangeable bow and stern. That was not true on Anuta, the Polynesian Outlier on which I had conducted my doctoral research, and I thought the discrepancy was worth a brief comment in a professional journal. I began writing, and by the time I was done, I had a first draft of my book on Anutan seafaring.

A small lifeboat is spotted off the coast of Chile in 1821, below the gunnels skeletal men cling to a pile of human bones. Nathaniel Philbrick opens his National Book Award-winning story with an almost incomprehensibly brutal scene and rarely takes a breath for the remaining 300-odd pages. Considered to be the inspiration for Herman Melville's Moby Dick, In the Heart of the Sea: The Tragedy of the Whaleship Essex is the true story of a ship stove in by a whale in the middle of the Pacific Ocean, and the harrowing survival of some of its crew. 

We know Sterling Hayden mostly as a Hollywood movie actor – at least 40 film roles. Hollywood was his income, sailing was his love. At 6 ‘4” he was bigger than most in his life’s accomplishments. I think of him first as a maverick adventurer and a proponent of personal freedom, then second as an actor, and finally as a terrific author, that being his true legacy and one I would be glad to emulate. He lived a more than a full life and in his final days settled in Sausalito, CA and in 1976 wrote Voyage. He lived much of his life on ships and sailed around the world twice and more, so he knew about what he wrote in Voyage.

The paperback version that I treasure in my library is 700 pages of fine print and each page a detailed education about a ship, her crew,… show more.

A true story of love, loss, and survival at sea. The author’s book cover pretty much tells the true story. There you see two lovers, their heads bowed, and below their profiles the wreckage of a dismasted sailboat, a solitary female figure searching the now calm but empty horizon—the aftermath of pounding rain, gigantic seas, and 140-knot winds. One critic wrote, "this book is life-affirming, a saga of human survival, a tale of loss and victory, proof of the resilience of the human spirit." I totally agree. Be ready to shed a tear or two and maybe read all night. Hollywood made a movie of this book, so it must be a good read.

For the uninitiated sailor, the definition of terms at the back matter is excellent, and learn what happens to a 44’ sailboat in a hurricane. It ain’t pretty, but it is inspiring.

We have focused our recommendations on Melville’s (and other people’s) takes on Polynesian islands, but Melville also wrote about another crucial Pacific archipelago, the Galápagos Islands. His collection of sketches, “The Encantadas,” explores a very different world from Nukuhiva, Maui, or Tahiti, one nearly empty of human inhabitants, given over to birds, tortoises, iguanas, and insects. Yet here as elsewhere, Melville finds plenty to satisfy his “itch for things remote.” And here as elsewhere he meditates on human nature: the misfits, petty tyrants, and exiles who might find a home in such a forbidding place. If you think of Melville as an entertaining chronicler of the Pacific world, you will find much in that vein here—but also philosophy, history, and a sort of melancholy romance.

Ben Finney was a surfer, sailor, and anthropologist who spent his career at the University of Hawai‘i and was a founder of the Polynesian Voyaging Society (PVS). The PVS built Hōkūle‘a, a double-hulled sailing canoe modeled on a traditional Hawaiian design but constructed of modern materials.

Finney, then, was part of a team that sailed from Hawai‘i to Tahiti in 1976 without instruments under the leadership of Pius “Mau” Piailug, a renowned navigator from the Micronesian island of Satawal. This book is Finney’s account of that journey and its many challenges.

Hōkūle‘a and the PVS’s experience helped inspire me to write my volume on Anutan seamanship, and Finney wrote the foreword. Later, in 2007, he joined me in a study of Taumako voyaging.

The book gives a wonderful insight into the mind of a very talented artist. What is ‘normal’ or ‘different’ to a normal person does not influence how the artist looks at the world and behaves. He does not need to conform to the regular mindset. In fact, the fundamental point is that there is no ‘normal.’ There are only different points of view.

I loved this book and was so inspired by the central character that I used it as the basis for a character in one of my own books.

Look, if you have read this far about South Seas books—admit it—you would not mind going there, at least on the page and probably on the beach. I spent 26 years in the islands, and I can tell you that this book is the best travel guide for both the body and the imagination. I once reviewed all the available island handbooks for a newspaper column, after which I discarded all the rest.

For each island nation and territory, Stanley provides impeccably researched info on their history, government, economy, people, climate, geography, flora, and fauna, along with up-to-date tips on accommodations, services, events, and cautions.  An encyclopedia of South Seas skivvy unmatched by its competitors.  

I’d never have guessed I’d be so beguiled by a book about moss. Or, more precisely, about Alma Whittaker, a bryologist observing moss.

I enjoyed this book's ‘differentness’. It’s an episodic story, unusually structured, with various life-like trailings-off of plotlines, characters, and marriage, but no less gripping for that.

Researching natural sciences in the nineteenth century is skilfully described, but it’s Alma who lingers in the mind. Its sentences, I thought, are beautiful too.

This is an unusual take on perhaps the best-known mutiny of them all: the mutiny on HMS Bounty. While most books on the topic focus on the conditions around the mutiny or the state of the relationship between Captain Bligh and the mutineers, especially Fletcher Christian, Denning takes the view of a cultural anthropologist and explores the language and theatrical performances of those involved and situates these against the historical context and the way that context – and therefore the accounts of the mutiny – shifted across time.