15 books like Mr Bligh's Bad Language

If ever there was a mutiny that road roughshod over the romantic assumptions that mutineers were the ‘better angels’ of these events, then the mutiny on the Batavia is it. In 1628 the largest ship owned by the Dutch East India Company during the Golden Age of the Netherlands is shipwrecked and taken over by Jeronimus Cornelisz and his gang of mutineers. They then establish a dystopian world on a deserted island and systematically murder many of those who survive before the last survivors are rescued. You need a strong stomach to read this, but it is an important warning for idealists and romantics.

This is a multi-volume work that poses several questions surrounding the events of 1857. First, while the British called it a ‘mutiny’, the rebels were clear that their ‘rebellion’ was as much to do with freeing the country from the British colonial power as it was to do with concerns about cultural taboos surrounding the use of animal fat in weapon cartridges. Second, the voices of the rebels/mutineers, for the first time, outnumber those of the colonial power. So often in mutinies we only hear the voices of the authorities, here we are surrounded by their opponents.

This is the best collection for readers whose interests lie in the recent naval tradition of mutinies. It covers mutinies across the globe and includes some of the classic examples, such as the 1905 Battleship Potemkin, the 1931 Invergordon Royal Navy mutiny, and the 1944 Port Chicago mutiny. The first speaks to the importance of conditions on board ship, the second directly reflects the current wave of strikes in the UK, caused by the same phenomena: pay. The last is in a different category altogether and reminds us that mutinies are seldom isolated from their environment, indeed, the Port Chicago mutiny played a key role in the early post-war struggle for civil rights in the USA.

The Christmas ‘Truce’ of December 1914 is both well-known and widely mythologized. What Crocker does is take the conventional account that insists on a sanitized and good-natured holiday break between warring nations, and subjects that narrative to a critical approach. This exposes a whole gamut of alternative understandings, including the way that the military establishments on both sides struggled to contain the dissent and fought hard to represent it, not as a mutiny, but as a mutual agreement between two chivalrous armies. 

My first exposure to the 1789 mutiny on H.M.S. Bounty was watching the 1935 Best Picture Oscar winner, Mutiny on the Bounty, in which a sadistic Captain William Bligh had sailors keel-hauled at the drop of a naval hat. Later film versions make Bligh socially awkward, lacking first-mate Fletcher Christian’s easy rapport with officers and men. What if none of the dramatizations have it right?

I was interested in Caroline Alexander’s emphasis on how Bligh struggled against class prejudice. I hadn’t realized that so many men wanted to stay with Bligh that there wasn’t room for them all in the cutter in which he was cast adrift, nor that he navigated 3,618 miles of ocean on starvation rations to get them back to safety. Reading this book, I felt Bligh has been maligned by every dramatization of the mutiny.  

In 1789 Lieutenant Fletcher Christian and 18 mutineers turned on the “insufferable” Captain Bligh of the HMS Bounty and set him and 18 loyal crew members adrift in the South Pacific.

The story has loomed so large in popular imagination it has inspired at least 14 books and five films. But the late British journalist, historian, and diver Alexander McKee brought the disparate elements of the story together in perhaps its most accurate, entertaining, and coherent form–way back in 1962.

There’s always more than one side to a story and McKee interrogates them ruthlessly. The journalist in me applauds his efforts to comb through historical records, personal journals, and every piece of flotsam and jetsam he finds to present one of the most compelling true, sea stories ever written.

Not one of villains and heroes, but of the burdens of leadership and the fraying bonds of loyalty within one of… show more.

I read this book before we embarked on a two-year mission to Tonga, and it created in me a picture of the South Pacific that proved to be somewhat misleading – largely because I didn’t pay enough attention to the fact that it was set in the 1700s and on Tahiti, which is quite different from Tonga.

Nevertheless, it was worth reading. First, because it is still a thrilling story, even after so many years. And second, because little did I know that some months later I would travel on rickety rusty fishing boats to visit remote islands at roughly the same location where the mutiny on the Bounty had occurred about 200 years before me.

The version I read was published in 1980 (by Sir John D Barrow), but I recommend this version as it makes the topic more accessible. It is a piece of South Pacific history that… show more.

The Australian historian Greg Dening was one of the great creative thinkers of the late twentieth century, and his influence is everywhere in the modern history and anthropology of the Pacific. Dening, who died in 2008, was especially fascinated by ambiguous interactions and encounters between people from different worlds. One of his earliest books, Islands and Beaches, focuses on the period in the Marquesas when Europeans first arrived, bringing God, guns, germs, and a whole host of other complications. At once sparklingly and scholarly, it tells the vivid story of this tragic and consequential period in Polynesian history.

I read this story while doing research for my own books about how life on islands like Tahiti used to be hundreds of years ago, prior to any contact with the Western World. The sea was master and anyone lucky enough to be cast ashore after a hurricane was blessed by the Gods—even a princess from a different coral island. Clare Coleman did years of research to write a series of three fascinating books that take you to the days before South Pacific discovery—of voyaging outrigger canoes, native taboos, pagan rituals, exotic dancing, and romance. The book is as good as any description of what Jacques Rousseau referred to as the culture of the ‘Noble Savage’.

This first of Coleman’s Ancient Tahiti series, continues with Sister of the Sun and Child of the Dawn, is perfect reading for anyone that loves island history, native lore, and adventure.

The book gives a wonderful insight into the mind of a very talented artist. What is ‘normal’ or ‘different’ to a normal person does not influence how the artist looks at the world and behaves. He does not need to conform to the regular mindset. In fact, the fundamental point is that there is no ‘normal.’ There are only different points of view.

I loved this book and was so inspired by the central character that I used it as the basis for a character in one of my own books.