Fans pick 100 books like Cosmography in the Age of Discovery and the Scientific Revolution

I have been pursuing nuclear and particle physics as a career for nearly half a century, mostly in Western countries and Japan. As a professor of physics and engineering physics, I always strive to bring conceptual clarity to what I teach for application-oriented and abstract physics, even when I cannot bring the same level of connection to physical reality in my research. I am deeply concerned that physicists have gone astray in their mathematical quest to develop a glamorous picture of the building blocks of matter and the basic interactions among them. This book is an outgrowth of my search to understand the limits of human knowledge to unravel nature’s mysteries. 

I have been pursuing nuclear and particle physics as a career for nearly half a century, mostly in Western countries and Japan. As a professor of physics and engineering physics, I always strive to bring conceptual clarity to what I teach for application-oriented and abstract physics, even when I cannot bring the same level of connection to physical reality in my research. I am deeply concerned that physicists have gone astray in their mathematical quest to develop a glamorous picture of the building blocks of matter and the basic interactions among them. This book is an outgrowth of my search to understand the limits of human knowledge to unravel nature’s mysteries. 

I have been pursuing nuclear and particle physics as a career for nearly half a century, mostly in Western countries and Japan. As a professor of physics and engineering physics, I always strive to bring conceptual clarity to what I teach for application-oriented and abstract physics, even when I cannot bring the same level of connection to physical reality in my research. I am deeply concerned that physicists have gone astray in their mathematical quest to develop a glamorous picture of the building blocks of matter and the basic interactions among them. This book is an outgrowth of my search to understand the limits of human knowledge to unravel nature’s mysteries. 

I have been pursuing nuclear and particle physics as a career for nearly half a century, mostly in Western countries and Japan. As a professor of physics and engineering physics, I always strive to bring conceptual clarity to what I teach for application-oriented and abstract physics, even when I cannot bring the same level of connection to physical reality in my research. I am deeply concerned that physicists have gone astray in their mathematical quest to develop a glamorous picture of the building blocks of matter and the basic interactions among them. This book is an outgrowth of my search to understand the limits of human knowledge to unravel nature’s mysteries. 

I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.

I was once an academic philosopher, but I found it too glamorous and well-paid so I became a novelist and private intellectual mentor instead. I wrote You Are Here because I love what science knows, but an interest in how science knows drew me into the philosophy of science, where a puzzle lurks. Scientists claim that the essence of their craft is captured in a 17th Century formula, “the scientific method”... and in a 20th Century litmus test, “falsifiability.” Philosophers claim that these two ideas are (a) both nonsense and (b) in any case mutually contradictory. So what’s going on? 

I have always been a fan of history. As a journalist by education and an investigator by trade, I love to carefully research my settings and weave original fictional plots through actual history in a seamless manner that both entertains and informs the reader. I also appreciate the need for compelling characters, page-turning plots, conflict, and tension to keep readers engaged. I have a long-term fascination with piracy, privateering, and exploration during the early age of sail. I am also attracted to Elizabethan England and the Renaissance period with its ideological struggles. I really love a good sea story, and who doesn’t? Enjoy my reading list!   

In my writing, food is a means to explore culture and understand the world. I’ve been described as a ‘culinary detective’. I collect and create eclectic, evocative recipes from around the globe so I can travel from my kitchen when I'm back home in London. The Nutmeg Trail follows my multi-award-winning books, Fire Islands and Samarkand.

I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and a contributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.

I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and a contributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.