Here are 100 books that Brown Girls fans have personally recommended if you like
Brown Girls.
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I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
This is the first book I ever read by a Latina author. I was nineteen years old and a student at a small private liberal arts college in Connecticut. My professor assigned it to my American Literature class. I thought she’d made a mistake because some of the words in the book were in Spanish. I didn’t know you could do that—write in English but have some words in Spanish peppered throughout the dialogue and text. I was stunned.
I remember reading about Esperanza and her experiences in her Mexican neighborhood in Chicago, meeting characters on Mango Street, and falling in love with both the story and Cisneros’ playful, vulnerable, poetic writing style. After reading this book, I knew I also wanted to be a writer.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
Justin Torres’s exquisite novel will make you want to beam and bawl and fight in all the best ways.
It tells the story of a clear-eyed, tender-hearted boy navigating a world where true safety is hard to find. As he comes of age in rural New York State in the 1980s, messages about masculinity, race, sexuality, and the expectations of family swirl around him, often violently, punctuating the world of inquisitive play he and his two older brothers create together.
We witness as Torres’s narrator fights for a vision of his own freedom, a complex fight that resists tidy endings, offering echoing truths instead.
Three brothers tear their way through childhood - smashing tomatoes all over each other, building kites from rubbish, hiding when their parents do battle, tiptoeing around the house as their mother sleeps off her graveyard shift. Paps and Ma are from Brooklyn - he's Puerto Rican, she's white. Barely out of childhood themselves, their love is a serious, dangerous thing. Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins…
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
Kincaid’s voice and style, bracing and autobiographical, almost obsessive, rocked my world.
Hearing the insistence of her voice helped me discover my own voice and to embrace it. I love the compulsive presence in her work and the "I," whose power of personality, sensibility, and voice rushes through me.
An adored only child, Annie has until recently lived a peaceful and content life. She is inseparable from her beautiful mother, a powerful and influential presence, who sits at the very centre of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's shadow.
When she turns twelve, however, Annie's life changes, in ways that are often mysterious to her. She begins to question the cultural assumptions of her island world; at school she makes rebellious friends and frequently challenges authority; and most frighteningly, her mother, seeing Annie as a 'young lady', ceases to be the…
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
Another powerful debut on border-crossing, this novel begins with a frame-chapter or a prologue of sorts called “The Trip” that shows a group of Moroccans fleeing to Spain for a better life on a ramshackle boat. The following subsections, “Before” and “After,” zoom into the lives of the characters introduced in the opening chapter to highlight the socio-economic reasons leading them to risk their lives by crossing the Mediterranean Sea illegally, and their gritty fate once the boat fails them, as they’re stranded in Spain or deported to Morocco. Some critics have called the novel a collection of interconnected stories, although the book’s “prologue” is hardly a standalone story; it aligns the novel instead with an alternative structural aesthetic, one that recalls the frame narratives of oral storytelling traditions like The Thousand and One Nights, an obvious influence on the book.
“A dream of a debut, by turns troubling and glorious, angry and wise.” —Junot Diaz
Hope and Other Dangerous Pursuits, the debut of Pulitzer Prize and National Book Award finalist Laila Lalami, evokes the grit and enduring grace that is modern Morocco. The book begins as four Moroccans illegally cross the Strait of Gibraltar in an inflatable boat headed for Spain.What has driven them to risk their lives? And will the rewards prove to be worth the danger?
There’s Murad, a gentle, unemployed man who’s been reduced to hustling tourists around Tangier; Halima, who’s fleeing her drunken husband and the…
I want to live in a future where all life can thrive. Toward that end, I spend my days teaching and writing about how we can solve the problems we face in our communities and world and build such a future. No surprise then that I read extensively about solutions to problems, looking for those that are visionary while being practical and which truly strive to do the most good and least harm for everyone. As a systems thinker, I’m always looking for books that recognize how interconnected our political, economic, production, food, legal, energy, and other systems are and that offer ideas that will have the fewest unintended negative consequences.
This book is more than twenty years old, but wow, is it relevant today! At a time when immigration has become such a polarizing issue, this book is a journey into the stories of immigrants in Queens, NY.
I laughed, I cried, I celebrated, I mourned, and I learned so very much. This book invited me into the lives of people whose stories transformed me, making me a better, more open, more aware person.
A kaleidoscopic view of new immigrants and refugees living in Queens, New Yorkthe most ethnically diverse locality in the United States. For three years, Warren Lehrer and Judith Sloan traveled the world by trekking the streets of their home borough. This book (and its companion audio CD) documents the people they encountered along the way. First person narratives are illuminated by strikingly direct photographic portraits of the subjects alongside the objects of their worlds. Lehrer's postmodern, Talmudic design juxtaposes the multiple perspectives of these new Americans, now thrown together as neighbors, classmates, coworkers, enemies, and friends. They reflect on the…
In 1968, my white Jewish American mother married my Indian American Hindu father. I grew up in Connecticut and often felt othered in my mostly white Christian community. I also felt different than many of my extended family members, feeling not quite Jewish or Indian “enough.” These issues and questions I had and still have about my identity have fueled my writing ever since. I write about characters navigating multiple identities asking questions about racism, prejudice, and xenophobia often for the first time. The books on this list are books I wished I could have had around to keep me company during my youth.
Ruth Behar writes for both adults and children and is a multi-award-winning writer and a Cuban-American Anthropologist. She’s also Jewish with Ashkenazi and Sephardic roots. Based on the author’s real experiences, we follow ten-year-old Ruthie and her family who are recent Jewish-Cuban immigrants trying to make a new home in 1960s Queens, NY after Castro comes to power. Just as Ruthie is adjusting to school and making new friends, a devastating car accident puts her in a body cast for a year. It’s a beautiful, heartbreaking, and inspiring story. I particularly loved her friendship with recent Indian immigrant, Ramu, who has to endure a terrible family tragedy as well. There are some heavy themes here, but Ruthie’s innocent, bright, and brave voice brings the reader along in a hopeful way. There’s some great food (like guava pastries, flan, and samosas) mentioned here, too.
"A book for anyone mending from childhood wounds."-Sandra Cisneros, author of The House on Mango Street
In this unforgettable multicultural coming-of-age narrative-based on the author's childhood in the 1960s-a young Cuban-Jewish immigrant girl is adjusting to her new life in New York City when her American dream is suddenly derailed. Ruthie's plight will intrigue readers, and her powerful story of strength and resilience, full of color, light, and poignancy, will stay with them for a long time.
Ruthie Mizrahi and her family recently emigrated from Castro's Cuba to New York City. Just when…
I'm a woman of four and seventy years who thankfully doesn’t yet resemble that person to those who haven’t met me. I'm a mother of two who both have their own businesses in the fields of their natural talents, I've been Deputy Treasurer to the State of Kansas, written 22 books but think younger than I did at 20, and am enjoying the best sex life to date! Life is precious and should not be limited to us based on our age, but on our interests, knowledge, and what we have to offer. Writing about that which I've experienced and the recorded history of family are my passions and hopefully for my readers as well.
I personally enjoyed this book for the courage found by the Heroine in a world where women were considered 2nd class citizens, but she, through strength of character and love of a sister she loses due to illness and no monies to save her, gives her that impetus to forge ahead through unconventional, but effective ways and new friends of wealth in America. It could be called a Cinderella story with illegal immigrants as heroines.
A book of 1902, about a young woman who had been abused by her father to the point that a nun suggested she find refuge elsewhere. From Italy, she proceeds to save enough money to book passage with a ship for both herself and her younger sister who is already ill from similar abuse. She looks forward to Ellis Island, knowing she then will be on the safe harbor of America, until she learns that…
Ellis Island, 1902: Two women band together to hold America to its promise: "Give me your tired, your poor ... your huddled masses yearning to breathe free..." A young Italian woman arrives on the shores of America, her sights set on a better life. That same day, a young American woman reports to her first day of work at the immigration center. But Ellis Island isn't a refuge for Francesca or Alma, not when ships depart every day with those who are refused entry to the country and when corruption ripples through every corridor. While Francesca resorts to desperate measures…
I grew up thinking I liked reading about NYC more than I’d like living there. It was too hectic and loud for a bookworm like me, I thought, too dirty and dangerous. Then my husband was accepted to Cornell’s MD/PhD program, and we moved to Manhattan. Immediately, I found that while the city is as dirty as I’d feared (and it smells), its advantages far outweigh the rest. I can’t get enough of the parks, museums, food, diversity, or the history, much of which drives The Light of Luna Park. So, without further ado, here are my five favorite books that take place in New York from the 1800s to today.
I can’t resist a good dual timeline, and A Fall of Marigoldsdelivers. The primary timeline centers on an Ellis Island nurse who’s adopted the hospital as her refuge after escaping the notorious Triangle Shirtwaist Fire; the secondary, a woman who loses her husband on 9/11. There are thematic parallels—loss, grief, healing, love—as well as striking similarities between the two events, but it is a scarf that ties the two characters directly together.
I was only three years old on 9/11, so I don’t have my own memories of it. Even to me, Meissner conveys the tragedy so intimately that I think I came away with a better understanding of its horrors. But don’t be scared away: This book is about new beginnings more than it is about destruction.
A beautiful scarf connects two women touched by tragedy in this compelling, emotional novel from the author of As Bright as Heaven and The Last Year of the War.
September 1911. On Ellis Island in New York Harbor, nurse Clara Wood cannot face returning to Manhattan, where the man she loved fell to his death in the Triangle Shirtwaist Fire. Then, while caring for a fevered immigrant whose own loss mirrors hers, she becomes intrigued by a name embroidered onto the scarf he carries...and finds herself caught in a dilemma that compels her to confront the truth about the assumptions…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.
In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how…
Two things are true about me: I’m fascinated by the early twentieth century and I'm a diehard feminist. My grandfather nurtured my love of the 1920s and 1930s by introducing me to Dorothy Parker, John O’Hara, Ella Fitzgerald, and The New Yorker. My mother, a petite woman who can wield a welder like few others, encouraged the development of my feminist sensibilities. These two parts came together when my father offhandedly mentioned that his grandmother had an unplanned pregnancy during the Great Depression. As I researched reproductive issues through the years, my fascination for the topic grew. Each of the books here takes a different view of how to deal with an unwanted pregnancy.
No graphic novel has ever blown me away like Unterzakhn(which means “underthings” in Yiddish). The story takes place in the early 1900s on the Lower East Side of New York, and the black-and-white bold strokes illustrate the bleakness of the lives of the new immigrants. Twin sisters find themselves taking roaringly divergent paths: one works in a whorehouse before becoming a star of the stage; the other assists the “lady-doctor,” from whom she learns about birth control and abortion. With strong feminist themes, I found it impossible not to root for both sisters. This is the only graphic novel whose ending made me cry.
A mesmerizing, heartbreaking graphic novel of immigrant life on New York’s Lower East Side at the turn of the twentieth century, as seen through the eyes of twin sisters whose lives take radically and tragically different paths.
For six-year-old Esther and Fanya, the teeming streets of New York’s Lower East Side circa 1910 are both a fascinating playground and a place where life’s lessons are learned quickly and often cruelly. In drawings that capture both the tumult and the telling details of that street life, Unterzakhn (Yiddish for “Underthings”) tells the story of these sisters: as wide-eyed little girls absorbing…
