Here are 100 books that Lucky Broken Girl fans have personally recommended if you like
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In 1968, my white Jewish American mother married my Indian American Hindu father. I grew up in Connecticut and often felt othered in my mostly white Christian community. I also felt different than many of my extended family members, feeling not quite Jewish or Indian “enough.” These issues and questions I had and still have about my identity have fueled my writing ever since. I write about characters navigating multiple identities asking questions about racism, prejudice, and xenophobia often for the first time. The books on this list are books I wished I could have had around to keep me company during my youth.
This picture book has grabbed me over the years, being a fan of both Hanukkah and dosas. My childhood home and my home now has always been filled with traditional Indian and Jewish foods. I loved the holiday food fusion here and how festive the family is as they blend their traditions together. The story isn’t so much about how and why they blend their cultures the way they do—they just do. It centers around a boy and his very active little sister who ends up saving the holiday with her extra energy. The illustrations by Sarkar are so sweet they just make you want to jump in the book and be part of their dosa-filled Hanukkah celebration.
In this sweet and humorous picture book, a multi-cultural family (Mum's Indian; Dad's Jewish) celebrate Hanukkah while incorporating traditional Indian food. Instead of latkes, this family celebrates Hanukkah with tasty Indian dosas. To her brother's chagrin, little Sadie won't stop climbing on everything both at home and at the Indian grocery store, even while preparing the dosas. As the family puts the finishing touches on their holiday preparations, they accidentally get locked out of the house. Sadie and her climbing skills just may be exactly what is needed to save the day.
I am a rabbi and educator who lives in the midst of a large Jewish community and a large Muslim community. But up until about 10 or so years ago, I had no Muslim friends. My wife and I set out to change that. (She formed the Sisterhood of Salaam Shalom and I benefited as a plus one.) I am also the author of nearly 100 books, a growing number of which are for children and some focus on the relationship between Muslims and Jews.
There are so few young adult novels that demonstrate positive relationships between Muslim kids and Jewish kids. This one succeeds masterfully.
The main characters in the story come from very different backgrounds and seem to share little in common. Their friendship grows slowly, and eventually they learn to trust one another. This story shows both the risks and rewards of such a friendship. With taking risks, there can be no reward.
A timely, accessible, and beautifully written story exploring themes of food, friendship, family and what it means to belong, featuring sixth graders Sara, a Pakistani American, and Elizabeth, a white, Jewish girl taking a South Asian cooking class taught by Sara’s mom.
Sixth graders Sara and Elizabeth could not be more different. Sara is at a new school that is completely unlike the small Islamic school she used to attend. Elizabeth has her own problems: her British mum has been struggling with depression.
The girls meet in an after-school South Asian cooking class, which Elizabeth takes because her mom has…
In 1968, my white Jewish American mother married my Indian American Hindu father. I grew up in Connecticut and often felt othered in my mostly white Christian community. I also felt different than many of my extended family members, feeling not quite Jewish or Indian “enough.” These issues and questions I had and still have about my identity have fueled my writing ever since. I write about characters navigating multiple identities asking questions about racism, prejudice, and xenophobia often for the first time. The books on this list are books I wished I could have had around to keep me company during my youth.
Just the title alone makes me excited because if I had a Bat Mitzvah (I didn’t), this is what I might have wanted to call it! It’s a heartfelt and funny middle-grade novel about a girl named Tara Feinstein with a white Jewish father and an Indian American mother who is preparing for her upcoming Bat Mitzvah. I like the way the themes of intersectionality are layered with classic middle-school concerns--friends, crushes, parental pressure, and how she figures out who she is in the midst of so many things changing all at once. The questions Tara is asking, how to be part of both sides of her family and still stay true to who she is, deeply resonated with me, but I think many middle-schoolers regardless of their background would connect in different ways. Part of the value of the book is that it is so widely relatable and yet…
During the fall leading up to her bat mitzvah, Tara (Hindi for "star") Feinstein has a lot more than her Torah portion on her mind. Between Hebrew school and study sessions with the rabbi, there doesn't seem to be enough time to hang out with her best friend Ben-o-who might also be her boyfriend-and her other best friend, Rebecca, who's getting a little too cozy with the snotty Sheila Rosenberg. Not to mention working on her robotics project with the class clown, Ryan Berger, or figuring out what to do with a priceless heirloom sari that she accidentally ruined. Amid…
As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
This is one of those books I am just WAITING to give my niece and nephews when they’re old enough to read it. It is such a great guide for how to have conversations born out of curiosity rather than fear.
I also think the formatting of the story and illustrations is inventive, fun, and informative. I consider this graphic memoir a must-read for anyone interested in dipping a toe in the genre.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS
LONGLISTED FOR THE PEN/OPEN BOOK AWARD
'Hilarious and heart-rending' Celeste Ng
'Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love' Time
How brown is too brown?
Can Indians be racist?
What does real love between really different people look like?
Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything - and as tensions from the…
I want to live in a future where all life can thrive. Toward that end, I spend my days teaching and writing about how we can solve the problems we face in our communities and world and build such a future. No surprise then that I read extensively about solutions to problems, looking for those that are visionary while being practical and which truly strive to do the most good and least harm for everyone. As a systems thinker, I’m always looking for books that recognize how interconnected our political, economic, production, food, legal, energy, and other systems are and that offer ideas that will have the fewest unintended negative consequences.
This book is more than twenty years old, but wow, is it relevant today! At a time when immigration has become such a polarizing issue, this book is a journey into the stories of immigrants in Queens, NY.
I laughed, I cried, I celebrated, I mourned, and I learned so very much. This book invited me into the lives of people whose stories transformed me, making me a better, more open, more aware person.
A kaleidoscopic view of new immigrants and refugees living in Queens, New Yorkthe most ethnically diverse locality in the United States. For three years, Warren Lehrer and Judith Sloan traveled the world by trekking the streets of their home borough. This book (and its companion audio CD) documents the people they encountered along the way. First person narratives are illuminated by strikingly direct photographic portraits of the subjects alongside the objects of their worlds. Lehrer's postmodern, Talmudic design juxtaposes the multiple perspectives of these new Americans, now thrown together as neighbors, classmates, coworkers, enemies, and friends. They reflect on the…
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
Drawing on history, literature, and a wealth of primary sources, World of Our Fathers paints a comprehensive portrait of the first major wave of Eastern European Jews to come to America—and specifically, New York—following the assassination of Alexander II.
In this massive but deeply engaging work of art, Howe does nothing less than recreate a lost time, place, and culture. With chapters covering immigration, ghetto life, labor politics, and the Yiddish theater, among others, this is essential reading for American Jews—and anyone else interested in their story.
A new 30th Anniversary paperback edition of an award-winning classic. Winner of the National Book Award, 1976 World of Our Fathers traces the story of Eastern Europe's Jews to America over four decades. Beginning in the 1880s, it offers a rich portrayal of the East European Jewish experience in New York, and shows how the immigrant generation tried to maintain their Yiddish culture while becoming American. It is essential reading for those interested in understanding why these forebears to many of today's American Jews made the decision to leave their homelands, the challenges these new Jewish Americans faced, and how…
A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
I’ve been fascinated by cities ever since I was a teenager without a driver’s license on Long Island and my parents let me take the train into Manhattan (“Just be back by midnight!”). In college, I studied architecture and urbanism and learned how cities churned and changed. Today, having written about places like New Orleans, San Francisco, Mumbai and Berlin for publications including Harper’s and The New York Times Magazine, as well as in my books, I know I’ll be walking, riding, and eating my way through cities forever. And reading through them, too!
This book takes something so in-your-face yet so often ignored about New York and other 21st-century global metropolises—their polyglot nature—and makes it the focus. I know when I arrive in a major city, the cacophony of myriad languages stands out on that first subway, bus, and tram ride. But soon enough, it all becomes background noise.
By foregrounding this phenomenon, arguing that it’s peaking today as global migration swells, and telling the stories of several tenacious language communities in New York’s outer boroughs, Perlin reads NYC through the alphabets that cover its bodega awnings.
Half of all 7,000-plus human languages may disappear over the next century and - because many have never been recorded - when they're gone, it will be forever. Ross Perlin, a linguist and co-director of the Endangered Language Alliance, is racing against time to map little-known languages across the most linguistically diverse city in history: contemporary New York.
In Language City, Perlin recounts the unique history of immigration that shaped the city, and follows six remarkable yet ordinary speakers of endangered languages deep into their communities to learn how they are maintaining and reviving their languages against overwhelming odds. Perlin…
They say that we begin by imitating what we love and find our personal themes in the process, and that’s certainly been true for me. I grew up reading horror and fantasy and now I write realistic fiction with something deeper and darker always throbbing under the surface. My subjects can be contemporary, like Nightmare, with Angel or The Spirit Box, but I’ve had some of my biggest critical successes with historical fiction. I’ve had parallel career paths in books and TV, each often crossing with the other, but it’s in the novels and short stories that you’ll find me uniquely invested.
Sarah Hall is a phenomenal writer and this is the novel that got me hooked. The Electric Michaelangelo of the title is tattoo artist Cy Parks, a man whose heart, art, and the love of his life are all inextricably entangled. The narrative charts his journey from a Morecambe childhood to a tattoo booth on Coney Island and back again, and it’s another take on the kind of Sideshow Gothic that I love. Hall writes accessible award-worthy novels in prose that’s stripped of any pretentiousness. After reading this and then her debut novel HaweswaterI just order whatever she publishes, sight unseen.
On the windswept front of Morecambe Bay, Cy Parks spends his childhood years first in a guest house for consumptives run by his mother and then as apprentice to alcoholic tattoo-artist Eliot Riley. Thirsty for new experiences, he departs for America and finds himself in the riotous world of the Coney Island boardwalk, where he sets up his own business as 'The Electric Michelangelo'. In this carnival environment of roller-coasters and freak-shows, Cy becomes enamoured with Grace, a mysterious immigrant and circus performer who commissions him to cover her entire body in tattooed eyes.
