Here are 83 books that Broken Horses fans have personally recommended if you like
Broken Horses.
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I want to tackle the profound challenges some new mothers face. Who’s read a funny book about postpartum depression? Probably no one! My novel fills the gap. I suffered from postpartum in silence, afraid of the stigma it might bring. I hope this relatable story normalizes postpartum, sparks conversations, and drives change. I also wanted to write something with a Latina in the starring role. People of Latino descent suffer from many hurtful and inaccurate stereotypes. Increasing positively portrayed Latinos in fiction is personal for me. I’m exceedingly proud of my Latino roots and hope it comes through in my writing.
Bernadette can be difficult to like, but that's partly why I love her character. She's unapologetically authentic with sharp edges and a serious dislike of Seattle. Rather than grimace at her put-downs of my hometown, I laughed because she included inside jokes only Seattlites would understand, and there was a granule of truth in all of it.
I'm intensely interested in the challenges and rewards of motherhood. Portraying it as something emotionally draining and frustrating, utterly consuming and ultimately wonderful, Maria Semple captured what many of us experience using Bernadette as her medium.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do!
I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.
I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
I started singing and playing guitar in garage bands in high school, about the same time that I began thinking of myself as a serious writer, so for me the two endeavors have always gone hand in hand. Over the decades, I’ve continued to write creatively—while teaching thousands of students along the way—and also to play in a number of bands that have specialized in everything from country-folk to raucous punk. Like many writer-musicians, I love reading good stories about the challenges and joys of people joining together, and falling apart, as they attempt to transcend ordinary life through the power of music.
Taylor Jenkins Reid is not the first or only person to adapt the nonfiction oral history format into a work of fiction, but she does it with the most panache.
Loosely based on the mid-seventies romance between Stevie Nicks and Lindsay Buckingham, Daisy Jones & the Six offers a nonstop procession of drama and conflict, but there’s a tender heart beating at its center and a heartbreaking reveal at the end.
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
Brit Bennett writes with a steady hand as she immerses us into the minds and lives of three people. Nadia and Aubrey are haunted to womanhood by maternal abandonment. They are friends as well as rivals for the affection of the same man. Luke would have made a mother out of Nadia had they chosen to parent, and he eventually makes a wife and mother of Aubrey. His mother is the first lady of the church that plays a prominent role in their lives. The mothers in Bennett's exceptional novel are hurt and betrayed by callous men and by each other. I rooted for each of them to persevere, but like many of my favorite novels, this is not a happily ever after for everyone type of story.
From the Sunday Times bestselling author of The Vanishing Half.
The Mothers is a dazzling debut about young love, a big secret in a small community and the moments that haunt us most.
All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.
It's the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes…
After years as a London-based music journalist for publications such as Melody Maker, Q, and The Guardian, I turned to ghostwriting rock autobiographies and discovered how much more satisfying it is to tell someone’s full, unadulterated life story rather than to feed on carefully cultivated scraps gleaned from half-hour interviews. I never imagined anybody would be as lewdly transparent as my first memoir subject, Nikki Sixx, but many others have run him close—not least Judas Priest singer Rob Halford, in 2020’s appositely named Confess. Its follow-up, Biblical, is imminent. Does it go the extra mile? I don’t think it will disappoint…
Autobiographies by genuine A-listers can prove disappointing experiences, as the superstars in question tread delicately lest they puncture their carefully cultivated public images. Not so Sir Elton John, who in Meworked closely with Guardianwriter Alexis Petridis to deliver a racy, rambunctious, scurrilous account of his serial misdoings. Everyone had always known that Elton John was doing crazy shit. Nobody had grasped that he was doing quite as much as this.
In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.
The Sunday Times bestseller with a new chapter bringing the story up to date.
'The rock memoir of the decade' - Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' - Sunday Times ______________
Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed…
My name is David Seow, I’ve been a huge entertainment fan since I was a child and met Jack Lord when he came to Singapore. I’ve been fascinated by celebrities and what drove them to succeed. Since then, I’ve amassed a collection of over 400 celebrity autographs. My passion for the entertainment scene and celebrities led me to work as a freelance entertainment journalist and a sitcom scriptwriter. For the past 26 years, I have followed my other passion of writing children’s picture books, and I have published 48 books to date, some of which I’ve gifted to some of my favourite celebrities.
I was lucky enough to meet Taylor, so I dove into this book with gusto. It’s an easy and highly engaging read. I love how the author emphasizes the importance of Taylor’s values: hard work, perseverance, and love of a supportive family. What I found particularly appealing was the adorable description of how an 11-year-old Taylor had the gumption to hand out CDS of her music to record execs in Nashville! Five years later, she released her first album and it was a hit!
I love how this talented young lady has used her life experiences—both good and bad—to build a bridge to success. This is a well-researched, inspirational, and enjoyable read.
#1 NATIONAL BESTSELLER • Celebrate global superstar Taylor Swift with this collectible Little Golden Book, which tells her inspiring life story alongside gorgeous original illustrations!
“A must-have for any Taylor Swift collection.”—Rolling Stone
Taylor never lets anything hold her back from creating music she loves.
With full-color illustrations on every page, Taylor Swift: A Little Golden Book Biography brings her story to life—from her childhood living on a Christmas tree farm, where she discovered her passion for songwriting, to her early days on Nashville’s Music Row and her rise as one of the biggest stars in pop music. When you’re…
My research and writing about music, particularly country and other Southern genres, began with the "Louisiana Hayride", a radio barn dance in the post-World War II era that launched both Hank Williams and Elvis Presley to prominence. From there, I turned to the long-running PBS music showcase Austin City Limits, which now names a huge music festival as well. In both projects, understanding music encompassed larger contexts of region, media, and meaning, all of which bear on understanding Dolly Parton as a musician and songwriter; as Appalachian; as a recording, TV, and movie star; and as a global cultural icon. I’ve never known life without Dolly Parton in it. Of this, I’m glad.
Marissa centers on three contemporary songwriters, Kacey Musgraves; Maren Morris; and Mickey Guyton, to illuminate the experiences of country women more broadly during the twenty-first century. Facing closed doors and narrowed constraints, this trio carved channels for music business success, using new-century tools to reach audiences and ears. The industry-old guard was left to catch up.
The backdrop for their stories is the well-documented nosedive for women on country radio airwaves since 2000, but terrestrial radio matters less for this younger generation. Dolly’s own path-clearing journey inspired these artists. At one notable intersection of their stories and hers, Dolly’s surprise appearance onstage during an all-women performance at the Newport Folk Festival drew a reaction from musicians and the crowd alike. One close observer remembered it was like they had seen “f-ing Snow White.”
In country music, the men might dominate the radio waves. But it’s women—like Maren Morris, Mickey Guyton, and Kacey Musgraves—who are making history.
This is the full and unbridled story of the past twenty years of country music seen through the lens of these trailblazers’ careers—their paths to stardom and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place—as told by award-winning Nashville journalist Marissa R. Moss.
For the women of country music, 1999 was an entirely different universe—a brief blip in time, when women like Shania…
Since childhood, I've been in love with musicians, the world they live in, and the fruits of their labor. I spent years listening to my parent's record collection, which covered everything from pop, rock, and country, to jazz and classical. Today, music continues to stir my passion like nothing else. Though an industry career was never in the cards for me personally, I've frequently hovered around its periphery. My goal was to write a band story, one that strayed from common tropes to explore, through humor and heartbreak, the many joys and pitfalls of life in this mercurial and often nonsensical industry. The result was my trilogy, Idol Pursuits. Enjoy.
In many ways, my trilogy is an open love letter to the many female singers and musicians I've admired ever since I was young. While extensively referencing numerous artists as befitting the context of my story, it pained me I had to leave out many noteworthy examples for practical purposes. Women Who Rock goes a long way towards making up the difference. This powerhouse book represents a compendium of extraordinary ladies who have contributed to the evolution of pop music in our culture, but who rarely get as much credit as they deserve collectively. The assembled stories force you to sit up and take notice of their impressive accomplishments.
From Bessie Smith and The Supremes to Joan Baez, Madonna, Beyonce, Amy Winehouse, Dolly Parton, Sleater-Kinney, Taylor Swift, and scores more, women have played an essential and undeniable role in the evolution of popular music including blues, rock and roll, country, folk, glam rock, punk, and hip hop. Today, in a world traditionally dominated by male artists, women have a stronger influence on popular music than ever before. Yet, not since the late nineteen-nineties has there been a major work that acknowledges and pays tribute to the female artists who have contributed to, defined, and continue to make inroads in…
I’m a writer, forever tap-tap-tapping away on my computer, looking to create that lyrical rhythm on the page that I feel in my heart. I’m also usually singing, whether it’s made up ditties to my dogs, 80s indie pop, or Broadway showtimes. Bottom line, I’m a storyteller, and nothing thrills me as much as a great tale well told, either on the page, on the stage, or around a table. Here are a few stories I’ve loved along the way that include a nod to Broadway, another love of mine long before I was hired to write the book for Legally Blonde the Musical.
What can I say, I love blondes. I also adore Kristin Chenoweth, though I realize I’m not the only one. She’s so damned adorable and heroically gifted, and her life is as interesting as her talent.
I love her honesty and you can feel her life on the page. Kristin is a force of nature and a damn good storyteller herself.
A lively, laugh-out-loud journey from Oklahoma beauty queen to show biz sensation.
“Life’s too short. I’m not.”
You might know her as a Tony Award–winning Broadway star who originated the role of Galinda the Good Witch in the smash musical Wicked. Or you may recognize her from her starring roles on TV—The West Wing, Pushing Daisies, and Sesame Street. At four foot eleven, Kristin Chenoweth is an immense talent in a petite but powerful package. Through a combination of talent, hard work, and (she’s quick to add) the grace of God, Kristin took Broadway and Hollywood by storm. But of…
Richard Niles was born in Hollywood but grew up in London where his 50-year professional career as a composer, arranger, record producer led to work with some of the most acclaimed artists of our time, including Paul McCartney, Ray Charles, James Brown, Tina Turner, Cher and jazz icon Pat Metheny. He has worked on 20 Gold and 28 Platinum records. He has published many books on music including The Pat Metheny Interviews, The Invisible Artist, From Dreaming to Gigging, Piano Grooves, Songwriting – The 11-Point Plan, Adventures in Arranging, Adventures in Jazz Composition, What is Melody?, and How to be an Employable Musician. Dr. Niles' PhD is from Brunel University and he has lectured internationally.
Frank Sinatra did not become the most influential artist in popular music because of the scandals that surrounded much of his life. It was his singing. It was ‘The Voice’.
One of my favorite authors about music, Will Friedwald, concentrates on the dedication it took to create that voice, revealing Sinatra’s craft and artistic conception that made him a masterful storyteller and an innovative vocalist. If you read one book about Sinatra, this should be it!
Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with "The Voice" himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is…
