100 books like Break It Down

Madame Bovary is the story of a woman who endlessly struggles to escape the banalities of her provincial life.

This novel makes you feel like you’re in the head of its main characters: first Charles Bovary, then Emma, his second wife and the novel’s eponymous hero. It is so realistic that upon its release, the author was taken to court for public offense against morality.

Still very modern, Emma’s drama is, to me, the discrepancy between illusions and reality. Her quest for happiness outside of her own condition and her inability to be satisfied with what she has are themes that, I believe, still resonate today.

Impulse and happenstance set the syllabus of my reading, and so it was that, shortly after reading Lydia Davis’s Madame Bovary, I chanced to see a notice for her rendering into English, from the Dutch, a selection of the very short stories written by the late A. L. Snijders. He wrote plainly, eschewing elegance and complications of form and syntax in favor of simple sentences that laid out, in workmanlike prose, his casual, wry observations of, and on, his fellow Dutchmen, Dutch women, and also Dutch animals, of whom he was fond. Here is no Modernist heroic ambition, no Postmodernist archness, no posturing, or overbearing intellectual or moral superiority. He wrote thousands of his peculiar miniatures, we are told by Davis in her foreword on the writer and on the problems of translation in general.

Those she chose for Night Train rise above anecdote or sketch, despite their Dutch… show more.

Why does an intelligent young woman who is ambitious to occupy a place of her own in the world collaborate with men, in this instance, a husband, in constructing a life that is “perfectly organized unto death?” The story, you say, is a familiar one. What makes Ernaux’s different and painful to read is her narrator’s awareness of her gradual surrender (that of Ernaux herself) to patriarchal expectations, regardless of how strenuously she would deny them, delay their satisfaction, struggle to follow her passion (for teaching and writing), and, in ever-increasing panic, remind herself that even Virginia Woolf baked pies. By what deception does she come to accept that her existence is a purposeful one, knowing that it has been arranged by others?

This abnegation to the reductive role of womb and breast is all the stranger in this book (part novel, part memoir, part sociological study) because only in… show more.

I suspect that I was led to take The Malady of Death from my shelf by a subconscious directive. I admit that I am afraid of this book, its relentless probing, afraid I will never understand it however much I struggle. Confounded by it twenty-five years ago, I put it aside until my consciousness could mature. (Ha!) The fault must be mine, since her style, language, and structure are as limpid as Ernaux’s or Davis’s, although Duras’s prose carries a poetical charge deliberately absent in the other two writers. I begin to think that the trouble lies in my sex, that as a man, an Other to women, I can’t possibly know what Duras’s narrator is being made to gradually reveal not with the leer of a striptease artist but with the solemnity of a priestess presiding over ancient feminine mysteries.

Would feminists accuse me of being obtuse and,… show more.

The Practice and Science of Drawing is one of the few books worth reading every page of. I thumbed through it for years before finally reading it. The author breaks down drawing into two major categories, that of line and that of mass, and how they are distinct from one another, yet how they are intertwined in their ability to render form. An awareness of both concepts is crucial to a full education of the artist.

I’m a writing mentor and coach, and this book has helped so many of my novelists understand and implement dramatic story structure. If you are trying to write fiction, screenplays, or memoir, and you haven’t read this, prepare to have your mind blown open. I have one word for you: misbelief. Go read the book and you’ll soon understand why it’s a game-changer. Note: Lisa doesn’t mention memoir but when I interviewed her on my podcast, she assured me the concepts work beautifully and have been successfully applied. 

Exploring an earth-centric view of business for the future, envisioning regenerative systems where fashion can support, rather than deplete our planet’s finite resources, this book challenges the concept of growth and offers real alternatives.

This book feels challenging, but is rooted in common sense, it may seem out there and unrealistic, but being about Earth it actually makes it feel not just possible but eminently doable.

An endlessly fascinating and extensive compendium of reproductions of photographs, diagrams, charts, maps, paintings – bizarre, sublime, caustic, illuminating – from the ancients to the modern era. Each image retains something of its historical context, yet they are arrayed with a compelling visual logic by a brilliant visual editor.

The author explains the importance of abstraction in logic, demonstrating its three main components: paths made of long chains of logic, packages made of a collection of concepts structured into a new compound unit, and pivots to build bridges to previously disconnected places.

Eugenia Cheng does an excellent job of abstracting principles of logic to better understand challenging real-world societal issues such as affirmative action and cancer screening. I found it quite compelling to understand how and why she came to her positions on various issues, through her axiom that "avoiding false negatives is more important than avoiding false positives." I appreciated the expertise by which she weaved numerous hard topics, in both mathematics and social justice, into a coherent and compelling narrative.

This is the book that got me thinking about thought experiments. It really opened up my eyes to a whole new way of thinking – mainly by introducing me to the wonderfully playful, indeed modern style of writing that Galileo used to present his groundbreaking scientific theories – way back in seventeenth-century Italy!

Sorenson is a philosophy professor and goes on a bit, but his book was also groundbreaking in a way. My own books owe him a debt and for scholarly types, he also suggests a general theory "of" thought experiments: meaning what they are, how they work, and what is good - and bad - about them.