Fans pick 100 books like Bonjour, Sophie

Balzac wrote some 90 novels in a fury of creativity, dying at only 51. I haven’t read all 90 or even close to them, but of those I have, this book is by far my favorite. (I’m not alone. It was Henry James’ favorite, as well.) 

Set in a seamy boarding house in Paris around 1820, it’s the story of a father’s love for his two social-climbing daughters who let their father see them rarely and then only for his money. I’ve never read anything like this depiction of a father’s love, desperate and ever-hopeful—a man who lives in reduced circumstances so he can save every penny to give his ungrateful daughters.  

When Bill (William John) Cunningham (1929-2016), son of an Irish Catholic family from Boston, moved to New York at the tender age of 19 in 1948, it became the life-defining step in his career as probably the most famous fashion photographer in the metropolis. He had been interested in fashion from an early age and sold his first hats. After returning from military service in Korea in 1953, he began photographing fashion and writing articles for Women's Wear Daily and the Chicago Tribune.

It is no exaggeration to say that Cunningham's fashion sense and photography quickly shaped a new style of fashion journalism. His "street style" brought fashion, no matter how expensive or luxurious, into the world of everyday life. Cunningham made fashion interesting again only through his point of view and photographs. The quiet, always curious and meticulous Cunningham also became known for his commitment to the gay… show more.

At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris – how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris. 

Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, ‘who could, in our culturally unanchored world, imagine life without this city?’    

Regent’s of Paris takes place in a struggling small town automobile dealership during the week preceding a Memorial Day sale.

It’s Glengarry Glen Ross without shoving the reader into a tar pit of despair. I like books that don’t make readers need a shower and antidepressants at the end, at the same time addressing uncomfortable truths. This one delivers with a measure of cynicism.

There’s cynicism in my own work too. I view a cynic as a blend of idealism and sentiment: idealistic enough to see the world as it should be and sentimental enough to recall the exact moment of his/her/their disillusionment.

Paris has an incredibly vibrant food scene, and some of that energy is generated by a shapeshifting community of expat chefs and foodies. Hugh Corcoran, a Belfast born writer and cook, spent the most part of the last decade living and working in France, in Paris and beyond.

This lovely book is a collection of vignettes from his travels, simply and honestly written, remembering people he met along the way and the meals they shared. Each story ends with a recipe, including some French classics like roast chicken, gratin dauphinois, or carottes râpées.

If the book’s tone is gentle, it’s actually an urgent call to action, as the epigraph confirms: “Friends and neighbors, wet your mouths, for after death you won’t touch another drop.”

I discovered this fascinating and extraordinary story when I was researching tales about travelling with animals for Beastly Journeys. Unlike the other four books in my list, this one has the animal as the central character. And what an animal! Zarafa was captured as a calf in what is now Ethiopia in a plan to cement relationships between the Ottoman Viceroy of Egypt and Charles V of France. The year was 1826 and a giraffe had never before been seen in France. Zarafa did the first part of her journey strapped to the back on a camel, and then – surely more comfortably – down the Nile and across the Mediterranean on a brigantine.

A hole was cut in the deck which allowed Zarafa to travel with her body in the hold, while her head and neck enjoyed the human company on deck. From Marseille she was walked, with… show more.

This is the second of four books of the collected interviews of famous authors from the Paris Review. Hemingway, Moore, Porter, Ellison, and Huxley are among the fourteen included in this book. Other books in the series include Forster, Faulkner, Warren, Bellow, Welty, Dinesen, Steinbeck, and many others. You may be amazed at how different successful writers are in their thinking about writing and success in their careers. In my studies in over a hundred workshops and many lectures and seminars, I was fortunate to meet and know teachers and students who knew, or studied, with many of these authors. Experiences that make me think you’d value most of Plimpton’s work in this series.

This book has the stunning feature of omitting the letter E entirely. It’s also a fascinating story. I confess I read it at least in part to see whether the author has slipped up anywhere or whether he had recourse to clumsy constructions, but he was a writer of too much skill and ingenuity for that!

How Parisians survived Nazi Occupation—to what extent they resisted or collaborated—has been debated for decades but Sebba looks through a new lens: What did Parisiennes, specifically, do during these years? She was just in time to interview some key women who, having survived concentration camps, went on to live defiantly long lives. Others wouldn’t speak, still traumatised by their experiences. But Sebba has plenty to work with, and the pace at which she pulls it all together propels this book’s sense of importance. One can’t help but feel relieved that these stories have now been told. Some of it is shameful, sure, but you ultimately remember the tales of until-now-unsung heroines, whose fierce love for their city, above even their own welfare, makes them well deserving of a place in Paris history.

This is historical for people who usually roll their eyes at unrealistic regency historicals.

Our firecracker Manuela wants a debauched summer before she gets married off, and Duchess Cora is who she wants. But besides the sumptuous 1889 Paris setting we get a beautiful love story that fits in its time but also eschews it. I love this whole series and can’t wait for the next one.