Here are 100 books that Better Angels fans have personally recommended if you like
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I am passionate about Juneteenth as a way to celebrate black and African voices, but without it always having to do with the Civil Rights movement or with slavery. Black and African voices deserve to be heard, but they also deserve to write about what they’re passionate about and what they love rather than being constantly pigeonholed into writing about the Civil Rights movement or slavery. I decided to pick books that celebrate black and African voices that still have conflict and an impact on the reader but don’t veer into the often overused black pain trope.
Blackened Roots is an excellent collection of bloody, messy, intrigue. Often, we don’t get to see zombies from the lens of people of color (ex. Michonne from The Walking Dead) so this collection is worth its weight in gold. It has so many different perspectives on the classic horror monster that I certainly think should be read as a thriller on Juneteenth.
The stories are all very well-written by indie and traditionally published authors alike, so it’s very diverse and I really enjoyed the voices of each author. One doesn’t have to be a horror fan to enjoy it (though I’m certain it helps!) as there is also plenty of humor, dark and otherwise, to have fun with too.
Mocha Memoirs Press and Nightlight Podcast are proud to present Blackened Roots: An Anthology of the Undead - a groundbreaking anthology celebrating nontraditional zombie stories from the African diaspora. The anthology is co-edited by Stoker-nominated and award-winning editor and writer Nicole Givens Kurtz and 2022 World Fantasy Award(R) Winner and 2022 Ignyte(R) Winner, producer, and editor Tonia Ransom at NIGHTLIGHT.
Blackened Roots is a unique collection and will be a must-have for zombie lovers. Blackened Roots takes the zombie mythos back to its roots. Drawing from a variety of cultural backgrounds, Blackened Roots imagines a world of horror and wonder…
I am passionate about Juneteenth as a way to celebrate black and African voices, but without it always having to do with the Civil Rights movement or with slavery. Black and African voices deserve to be heard, but they also deserve to write about what they’re passionate about and what they love rather than being constantly pigeonholed into writing about the Civil Rights movement or slavery. I decided to pick books that celebrate black and African voices that still have conflict and an impact on the reader but don’t veer into the often overused black pain trope.
I liked this book because it’s off the beaten path. It’s amazing to me that the author at some point mentioned she’s never seen the Firefly series, yet this book really does evoke that kind of story in a good way. It has to do with a fun, colorful bunch of crooks on a rickety ship that take on a new member who turns out to land them in a world of trouble.
I really loved the voice of the main lead, given that she’s a tough lady, but she also has vulnerable sides too. The crew all have well-defined roles and personalities and the plot is enjoyable. It also has elements from harem and josei manga/anime, which is right up my alley.
Reese Eddings has enough to do keeping her rattletrap merchant vessel, the TMS Earthrise, profitable enough to pay food for herself and her micro-crew. So when a mysterious benefactor from her past shows up demanding she rescue a man from slavers, her first reaction is to say “NO!” And then to remember that she sort of promised to repay the loan. But she doesn’t remember signing up to tangle with pirates and slavers over a space elf prince....
Book 1 of the Her Instruments trilogy is a space operatic adventure set in the Peltedverse, and kicks off your adventure into…
I am passionate about Juneteenth as a way to celebrate black and African voices, but without it always having to do with the Civil Rights movement or with slavery. Black and African voices deserve to be heard, but they also deserve to write about what they’re passionate about and what they love rather than being constantly pigeonholed into writing about the Civil Rights movement or slavery. I decided to pick books that celebrate black and African voices that still have conflict and an impact on the reader but don’t veer into the often overused black pain trope.
Muscadine Wine is a love letter to the South and to romance. It’s a collection of stories that really show the charm and complications of living in the South. Someone once called it supernatural soul and I think that’s a great way to describe it.
I’ve lived in Georgia my whole life, so it was really nice to see landmarks and other things that I know even though this is set in decades past, as plenty of things endure through time. It also has some great folklore to it, which is one of Milton J. Davis’ specialties in his books.
Lightning bugs on a summer evening. A lazy river filled from a spring rain. The taste of honeysuckles. The aroma of wild grapes ripe on the vine. A collection of fantasy and contemporary fiction stories set in Southwest Georgia based on the experiences of author Milton J. Davis, Muscadine Wine is a personal homage to the land and Black people of South Georgia.
I am passionate about Juneteenth as a way to celebrate black and African voices, but without it always having to do with the Civil Rights movement or with slavery. Black and African voices deserve to be heard, but they also deserve to write about what they’re passionate about and what they love rather than being constantly pigeonholed into writing about the Civil Rights movement or slavery. I decided to pick books that celebrate black and African voices that still have conflict and an impact on the reader but don’t veer into the often overused black pain trope.
An excellent fantasy tale with loads of great imagery and a very distinct narrative voice. It blends some of the best kinds of epic and high fantasy together. It also has very intricate and interesting lore to its story and characters that I couldn’t put down.
I loved seeing the creativity in how his world was formed and how it operates. Coleman is really able to paint a picture that’s beautiful and unique.
New York Times Bestselling Author, Andrew Hartley calls it "Vast and thoroughly realized. Rich and sweeping: a true epic!"
Book Description:
We rarely consider the reputation of our age. An ordinary one, for most of us, would suffice. You might be an Empress too concerned with the affairs of State, a soldier focused on your duty, a former rascal trying to find redemption, or even a great warrior too busy with your command to know that there are whispers being spoken in late-night taverns. But what happens when your ordinary age stops being so ordinary? What happens when dark, twisted…
Having grown up visiting lots of historic sites – and hearing my father sing old Civil War tunes (frequently off-key!) on long car trips – I gravitated pretty quickly to studying the Civil War, and its aftermath, when I was in college and then in graduate school. I was particularly interested in the way Americans experienced the Civil War after it was over: the sentimental novels they read; the romantic movies they watched; the reconstructed battlefields they visited. In my work as a professor at Boston University, I try to get students to think about the stories that do, and do not, get told about the Civil War and other events from the past. I suppose the question that always piqued my interest was why people might find the often wildly inaccurate versions of the past so appealing.
In this brief and powerful book, esteemed historian Annette Gordon-Reed focuses on “Juneteenth”, the day (June 19, 1865) when enslaved workers in Texas were declared free by the Union Army following the conclusion of the Civil War. For Gordon-Reed, a black Texas woman, Juneteenth, recently declared a federal holiday, offers a starting point for pondering the legacy of slavery and emancipation for Afro-Texans and for thinking more broadly about the tension between history and myth. In the course of all this, Gordon-Reed tells her own personal story about navigating the often fraught terrain of her state’s legacy of racial exploitation.
Interweaving American history, dramatic family chronicle and searing episodes of memoir, On Juneteenth recounts the origins of the holiday that celebrates the emancipation of those who had been enslaved in the United States. A descendant of enslaved people brought to Texas in the 1850s, Annette Gordon-Reed, explores the legacies of the holiday.
From the earliest presence of black people in Texas-in the 1500s, well before enslaved Africans arrived in Jamestown-to the day in Galveston on 19 June 1865, when General Gordon Granger announced the end of slavery, Gordon-Reed's insightful and inspiring essays present the saga of a "frontier" peopled by…
Steven Rogers is a retired professor from Harvard Business School (HBS) where he created a new course titled, “Black Business Leaders and Entrepreneurship.” He has written more HBS case studies with Black protagonists than anyone in the world. He is an HBS and Williams College alum. He majored in Black history. He has taught at the Kellogg School of Management at Northwestern University, and West Point U.S. Military Academy. He has published 3 books including Entrepreneurial Finance (4 editions), Successful Black Entrepreneurs, and A Letter to my White Friends and Colleagues: What You Can Do Now to Help the Black Community.
After interviewing me for my new book in May 2021, the editor of a suburban newspaper in Chicago asked me to write an Op Ed piece about the new federal holiday, Juneteenth. It is the day of recognition and celebration of the ending of slavery in the last confederate state of Texas in 1865. My Op Ed piece titled, “My Bittersweet Feelings About Juneteenth,” was written to inform and educate adult readers about June 19, 1865. That was the day Union Troops arrived in Galveston, Texas, and began informing Black enslaved people that they were officially emancipated.
The Juneteenth Storyis a well-researched and beautifully written historical depiction of the same event. But the targeted audience of readers are children. It is the size of a large typical children’s coloring book filled with pretty colors and appealing graphic art. My 40-year-old daughter, Akilah, gave it to me as a Father’s…
With colorful illustrations and a timeline, this introductory history of Juneteenth for kids details the evolution of the holiday commemorating the date the enslaved people of Texas first learned of their freedom.
On June 19, 1865—more than two years after President Lincoln’s Emancipation Proclamation—the enslaved people of Texas first learned of their freedom. That day became a day of remembrance and celebration that changed and grew from year to year.
Learn about the events that led to emancipation and why it took so long for the enslaved people in Texas to hear the news. The first Juneteenth began as “Jubilee…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
In 1980, the novelist Vassily Aksyonov, whose hipster characters loved rock’n’roll and all things American, fell afoul of the Soviet state; stripped of his Soviet citizenship while in the United States, he decided to stay.
His memoir chronicles his efforts to make sense of a country that often failed to match his idealized preconceptions. Like Ilf and Petrov, whose travelogue was one of his points of reference, Aksyonov undertook a road trip from New York to California and back.
He was sometimes overawed by American technology, critical of American cultural vacuity, and able to laugh at his own disorientation. His first thought when he saw rats in Washington, DC, was that they must be pets, maybe gerbils.
The Russian author offers an affectionate chronicle of life in the United States, with discussions of such topics as the European charm of Washington, D.C., and the American immigration bureaucracy
I moved to Kyiv to report for The Independentin 1990 and fell in love with Ukraine. The beauty of Kyiv and its golden-domed cathedrals amazed me as did the vibrant culture of civic engagement that emerged. It’s not often that you witness a declaration of independence and see a new country appear on the world map. I admire the bravery of Ukrainians who have fought for both and value the warm friendships that I made. I was Ukraine’s first accredited foreign correspondent. Before that I reported for The Guardian (Budapest) and later, for the BBC (London and Kyiv). I live in Toronto and still closely follow developments in Ukraine.
I chose Death and the Penguin for its unique, intriguing plot and also because it captures so beautifully the sinister, bizarre, shadowy undercurrent of life in Ukraine in the 1990s. At times back then, I remember wondering whether the deaths of some people that I knew were really accidents, as reported, or murders. It is precisely this state of not knowing that Kurkov handles so beautifully. Viktor, the main character in the novel, begins his newspaper job innocently enough, writing obituaries of prominent Ukrainians, still alive. One by one they begin to die. I’ll leave you to read the book to find out what happens next.
All that stands between one man and murder by the mafia is a penguin.
Viktor is an aspiring writer in Ukraine with only Misha, his pet penguin, for company. Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap…
Green tracers in the sky over Baghdad. My first political memory is the start of the Gulf War in 1991. I remember writing angry essays criticizing the US decision to invade Iraq in 2003 for my high-school assignments. I have always been interested in US foreign policy and in how presidents make decisions. During my PhD, as I was working on a chapter on the origins of the Cuban Missile Crisis, I discovered the extent and–frankly–the madness of some of the plots the CIA and the White House concocted against Fidel Castro. More recently, the US government’s use of assassination and “targeted killings” have become the focus of my research.
Spies, lies, love, coups, what more do you want? In the book we encounter Marie Mitchell, now under threat of assassination, but previously a CIA spy who had fallen in love with–and collaborated in the downfall of–Thomas Sankara.
For Marie, the transition to the CIA is a way of escaping the stifling and misogynistic FBI of the 1980s. For the CIA, a black, attractive woman is ideal to snoop in and undermine a charismatic leader. The book, told by Marie as a letter to her children, moves back and forward between her spying missions and her (self)exile in Martinique.
It is fast-paced, realistic, and able to portray the daring aspects, the bureaucratic obstacles, and the moral compromises of spying for the CIA.
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
