Here are 100 books that In Search of Melancholy Baby fans have personally recommended if you like
In Search of Melancholy Baby.
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As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.
The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.
In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.
His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
In 1929, George Counts, a professor at Columbia Teachers College who was sympathetic to Soviet experiments in education, bought a new Ford, shipped it to Moscow, and braved 10,000 kilometers of mostly unpaved roads to see the Soviet Union, then undertaking a massive industrialization drive.
I was aware that the Soviet highway system was underdeveloped but was nonetheless shocked to learn details like the fact that the Soviet Union had no gas pumps; Counts poured pails of gas into his car through a funnel. His road trip helped me better understand Americans’ optimism about the Soviet project and Soviet visitors’ love of American technology.
Lang:- eng, Pages 243. Reprinted in 2015 with the help of original edition published long back[1930]. This book is in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, there may be some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We expect that you will understand our compulsion in these books. We found this book important for the readers…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
The humorists Ilya Ilf and Evgeny Petrov’s American travelogue remains a delight to read. Unlike other Soviet visitors, the coauthors, famous for their satirical novel The Twelve Chairs, leavened their criticism of American vulgarity, inequality, racism, and greed with a large helping of self-deprecating wit.
Their account of eating enchiladas, which they described as cut with gunpowder and topped with nitroglycerin, made me laugh out loud. This book offers a surprising view of Depression-era American and Soviet attitudes toward it.
Odnoetazhnya Amerika (One-Storied America) First published in the U.S.S.R. 1936. Little Golden America. First published in England in 1944. Translated from the Russian by Charles Malamuth This is one of the most popular books ever published in the Soviet Union. It remains popular in Russia today. We Americans cannot figure out what makes it so popular. It is a good book, interesting and well written, but does not contain anything so outstanding as to make it the most popular book ever written. Yet almost every Russian seems to have read or to be familiar with “Little Golden America”.It describes the…
As an American who writes about the history of the Soviet Union, I am constantly trying to understand people separated from me by identity, ideology, language—and time. Applying strategies for empathizing across political, cultural, and linguistic boundaries is, in many ways, the basic task of historical research. At a moment of intense political polarization, the task has become more necessary than ever. My most recent book examines this process by retracing the American journey of two Soviet travelers. Their willingness to laugh at themselves allowed them, at least sometimes, to set aside their presuppositions and see the alien land of the capitalists and the world of socialism anew.
This book allows readers to see the United States through the eyes of six visitors from the Russian Empire and the Soviet Union. A big part of the collection's appeal is that the authors were not neutral observers but committed socialists. Armed with preconceptions about capitalism, they offer provocative perspectives on nineteenth- and early twentieth-century America.
The book includes work by three authors little-known in English translation (Grigory Machet, Vladimir Korolenko, and Vladimir Bogoraz) and travelogues by three famous writers, the novelist Maxim Gorky, who visited in 1906, and the Soviet poets Vladimir Mayakovsky and Sergei Esenin, who visited in the 1920s.
To view the familiar from a different perspective is always enlightening. This engaging collection of travel accounts by Russian writers who visited America around the turn of the century offers fresh insights into both the American experience and the Russian mind. The documents, most of which appear in English for the first time, and interwoven with explanatory comments by Olga Peters Hasty and Susanne Fusso. The anthology begins in 1874 with young Machtet, who enthusiastically describes his journey across the prairie to a tiny utopian community in Kansas. Next Vladimir Korolenko gives his impressions of the stockyards of Chicago, and…
I moved to Kyiv to report for The Independentin 1990 and fell in love with Ukraine. The beauty of Kyiv and its golden-domed cathedrals amazed me as did the vibrant culture of civic engagement that emerged. It’s not often that you witness a declaration of independence and see a new country appear on the world map. I admire the bravery of Ukrainians who have fought for both and value the warm friendships that I made. I was Ukraine’s first accredited foreign correspondent. Before that I reported for The Guardian (Budapest) and later, for the BBC (London and Kyiv). I live in Toronto and still closely follow developments in Ukraine.
I chose Death and the Penguin for its unique, intriguing plot and also because it captures so beautifully the sinister, bizarre, shadowy undercurrent of life in Ukraine in the 1990s. At times back then, I remember wondering whether the deaths of some people that I knew were really accidents, as reported, or murders. It is precisely this state of not knowing that Kurkov handles so beautifully. Viktor, the main character in the novel, begins his newspaper job innocently enough, writing obituaries of prominent Ukrainians, still alive. One by one they begin to die. I’ll leave you to read the book to find out what happens next.
All that stands between one man and murder by the mafia is a penguin.
Viktor is an aspiring writer in Ukraine with only Misha, his pet penguin, for company. Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap…
Lisa Dickey is an author and book collaborator who’s helped write 20+ nonfiction books, including 10 New York Times Best Sellers. She’s also a Russophile from way back: her first post-college job was working as a nanny at the U.S. embassy in Moscow during the last days of the Soviet Union. Lisa began her writing career in St. Petersburg in the mid-1990s, writing for the Moscow Times and USA Today, and she’s the author of Bears in the Streets: Three Journeys Across a Changing Russia.
I’m recommending this because if have any interest in Russia but haven’t yet read it, you simply must. No, really, listen: You must. David Remnick writes like Muhammad Ali boxed: with grace, power, and an unfair amount of skill. This is a deeply researched, carefully crafted, incredibly absorbing account of the final days of the Soviet Union. Never mind the “tomb” title; the book is filled with colorful characters and delicious slices of life, all captured during a time of historic upheaval.
Winner of the Pulitzer Prize One of the Best Books of the Year: The New York Times
From the editor of The New Yorker: a riveting account of the collapse of the Soviet Union, which has become the standard book on the subject. Lenin’s Tomb combines the global vision of the best historical scholarship with the immediacy of eyewitness journalism. Remnick takes us through the tumultuous 75-year period of Communist rule leading up to the collapse and gives us the voices of those who lived through it, from democratic activists to Party members, from anti-Semites to Holocaust survivors, from Gorbachev…
Lisa Dickey is an author and book collaborator who’s helped write 20+ nonfiction books, including 10 New York Times Best Sellers. She’s also a Russophile from way back: her first post-college job was working as a nanny at the U.S. embassy in Moscow during the last days of the Soviet Union. Lisa began her writing career in St. Petersburg in the mid-1990s, writing for the Moscow Times and USA Today, and she’s the author of Bears in the Streets: Three Journeys Across a Changing Russia.
Stephan Orth has a lot of nerve. The author of Couchsurfing in Iran, he decides to take his talents to Russia, stopping in places no tourist would dare to go and getting to know actual Russian people. And then he writes a funny, insightful, mind-bendingly entertaining book about them. Who does this guy think he is? Do yourself a favor: Read his book and find out. Stephan is a fabulous tour guide of the real Russia and its people.
"Journalist Orth delivers a jaunty description of his travels...[that] armchair travelers will enjoy." -Publishers Weekly
"Funny, insightful, and mind-bendingly entertaining. Stephan Orth is a fearless and fabulous tour guide to the real Russia and its people." -Lisa Dickey, author of Bears in the Streets: Three Journeys across a Changing Russia
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
I am passionate about Juneteenth as a way to celebrate black and African voices, but without it always having to do with the Civil Rights movement or with slavery. Black and African voices deserve to be heard, but they also deserve to write about what they’re passionate about and what they love rather than being constantly pigeonholed into writing about the Civil Rights movement or slavery. I decided to pick books that celebrate black and African voices that still have conflict and an impact on the reader but don’t veer into the often overused black pain trope.
This book is a fantastic story that’s a throwback to noir and espionage. I loved the vibrant voice and the distinct characters, as well as the storyline itself. It has one of my favorite voices in the narration, often witty, vulgar, and insightful. It’s definitely a book of mystery and intrigue with plenty of humor to make it enjoyable, too.
THE PLAN: Scam the Russians out of some loot and drugs; skip town before they know they’ve been fleeced.THE PROBLEM: Your partner pulls a double cross. Your girlfriend is totally useless. The Russians comingfor their property, ahead of schedule. THE SNAG: This guy Max shows up with his Hard Guy attitude and quick fists. Better remember the first rule in GRAY HARBORMAKE SURE THE GUY HOLDING THE GUN IS YOU.
I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment.
A master thriller writer, his characters are invariably fascinating – the ‘good’ ones complex with frailties yet often quietly heroic, the ‘bad’ ones, not just villains but people. His plots take you on a page-turning journey in credible geo-contemporary theatres, combining gripping tensions and insights. I first met him in 1969-70 when he was a television reporter covering the anti-apartheid struggle in Britain.
