Fans pick 100 books like Art from the Ashes

Almost all the survivors of the Holocaust have now died, which makes it more important than ever that we pass on knowledge about this incomparably brutal crime against humanity – and do our best to prevent future genocides.

Survival in Auschwitz is a highly detailed, profoundly disturbing, and, in the end, intensely moving account of Italian chemist Primo Levi’s eleven months in the most notorious of the Nazi death camps, Auschwitz.

If you wish to understand what the Holocaust meant to its victims – and how the prisoners did their heroic best to resist dehumanization, hopelessness, and death – you would do well to start with this important work.  

This book is nonfiction, so it’s about real people rather than fictional characters. I love this book because it gives a descriptive perspective on what was happening and what was going on in Nazi-occupied Germany and Poland during World War II, and the horrors of the concentration camps (mainly Auschwitz) that were built and used to kill everyone the nazis hated for whatever insane reasons they had.

I’ve always had an almost alarming interest in World War II. It was my favorite lesson from the history classes I’ve taken, and this book really put some of the evil things that were done during that time into perspective.

There are several major histories of the Holocaust. Each has strengths and weaknesses, but they offer the reader an in-depth view of the events described in this work. The most influential of these histories is Raul Hilberg's The Destruction the European Jews: Revised and Definitive Edition, a three-volume study has also been condensed into a one-volume college edition. It provides an unequaled insight into how the Holocaust was perpetrated. The work is considered magisterial by many scholars of the  Holocaust. Hilberg used German documentation as his major source. He has been criticized by scholars for what they consider an overreliance on German material as well as his depiction of Jewish leadership as inept in responding to the events of the Holocaust. No one, including those who criticize, has written a better or more enduring work. First published more than a half-century ago, it has stood the test of time.

Even after years of studying the Holocaust, I remain overwhelmed by the enormity of the horrors, and there are still times when I find my faith in humanity wavering and all I can think to ask in anger and confusion is “Why?” I know I’m not alone. Peter Hayes’s masterful book is the result of an entire career centered on asking that very question.  The outcome is an incredibly readable, insightful, and thought-provoking account of the Holocaust that doesn’t shy away from answering the big questions. After reading it, one might still ask “why,” but it won’t be out of frustration, anger, and confusion, but rather out of a desire to keep learning more about one of the greatest catastrophes in the history of humanity.

With its roots in truth, this powerful novel brings us face to face with the insanity of war and how humans deal with the heartbreak of being torn from their homes, horrific deprivation, and betrayal. 

Cleverly structured and beautifully written with tenderly articulated characters, it presents a fresh eye on the Holocaust and its consequences, and had me continually asking myself how I would have endured, and what choices I would have found myself making, in that situation.

In this book Max Silverman focuses on the remembering and understanding of extreme violence and terror, arguing against the tendency to separate different histories from each other along ethno-cultural lines. In countering this tendency, he conceives of the present not as an isolated moment but rather as a composite structure made up of different temporal traces from the past, lying in varying layers of visibility within the present, each of them capable of mediating, and being transformed by, another. Silverman builds a cogent case for the ways in which history, memory and imagination overlap and interact. After reading this book, it is difficult, if not impossible, to mount a defence of memory as authentic, sovereign, and autonomous. 

Berta Geissmar was the Jewish secretary and confidante to legendary German conductor Wilhelm Furtwangler beginning in 1921.

In her memoir, published in 1944, Geissmar describes how the Nazi hierarchy interfered in the world of classical music, purging orchestras of Jewish musicians and banning works by Jewish composers. Although Furtwangler at first refused to do the bidding of the Nazis, he was eventually sidelined. And Geissmar soon became a Nazi target.

They blamed her for the bad publicity that the regime was getting in the classical music world, and seized her passport. Geissmar was eventually allowed to leave the country, and, ended up in London as the secretary of another legendary conductor—Sir Thomas Beecham.

In my many years of teaching the Holocaust, I discovered that many students learn about the Holocaust from films. The problem is that many films are not accurate and in our age of Holocaust denial it is imperative that films be as accurate as possible in their depiction of the SHOAH. Browning’s book is by far the best available guide to films—the good, the bad, and the inaccurate, that depict the Holocaust.

The Unwanted is perhaps the best all-around book explaining the crisis faced by Jewish refugees trying to escape to the United States. Dobbs merges the intimate histories of members of the Jewish community in the small German town of Kippenheim, the work of the US State Department officials in Germany and France, American refugee aid workers, and President Roosevelt. By utilizing both personal and official sources, Dobbs allows all the people he writes about to speak for themselves. It’s beautifully written and heartbreaking, and whatever you think about this history when you start the book, those thoughts will be more nuanced and complicated when you’re finished.

An incredibly powerful book that sheds light on Jewish Resistance in the Netherlands, by two women. Both topics are rare and especially the combination of them. The style of narrative non-fiction is brilliantly chosen. The book is historically informative and accurate, but told with the arts and craft of a novelist. A New York Times bestseller. This is exactly what my platform ‘Sophie’s Women of War’ sheds light on.