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Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
I have always loved the central premise of the book, that a human being might never age, and yet a portrait of him ages as the years go by.
I love the way that Wilde used elegant and lyrical prose, always boosted by a flamboyant irony, in describing the dissolute life of an aesthete while putting it in the context of a philosophical pursuit of beauty and art. Dorian Gray himself is a deeply flawed moral character, and that is key to the success of the novel.
'A triumph of execution ... one of the best narratives of the "double life" of a Victorian gentleman' Peter Ackroyd
Oscar Wilde's alluring novel of decadence and sin was a succes de scandale on publication. It follows Dorian Gray who, enthralled by his own exquisite portrait, exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life, indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his depravity. This definitive edition includes a selection of…
My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.
When I was interviewing for a position at Notre Dame, the campus museum had an exhibit of illustrations for Dante’sInferno, which reinforced to me the fascination of Dante.
When I began teaching the work a few years later, my students were engrossed by its riveting portrayals of moral ugliness. They were also amazed that Dante places even popes in hell. The work has so inspired my students that one of them submitted her final paper in terza rima, the form Dante uses, and another reflected on where precisely in hell she might belong.
This beautifully translated bilingual edition contains extensive, helpful commentary.
“Probably the most finely accomplished and ... most enduring" translation (Los Angeles Times Book Review) of this essential work of world literature—from a renowned scholar and master teacher of Dante and an accomplished poet.
“The Hollanders … act as latter-day Virgils, guiding us through the Italian text that is printed on the facing page.” —The Economist
The epic grandeur of Dante’s masterpiece has inspired readers for 700 years, andhas entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance. Robert…
My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.
I was overwhelmed as I stood before Grünewald’s 16th-century Crucifixion in Colburg, France. At almost nine feet tall, the powerful Crucifixion was at the time the largest ever painted in Europe.
Blood flows from Christ’s side and head, which hangs low into the breast. Some of the thorns have broken off and are projected into the flesh, which is marked with pustules, sores, and lesions. The wounds are visible, the ribs protrude, and the skin and lip colors evoke death. The nails have become instruments of torture.
Hayum’s comprehensive historical investigations underscore the healing mission of Grünewald’s Crucifixion: ugliness can be empathetic; ill patients could identify with Christ’s suffering and pray for healing and redemption.
Andree Hayum approaches Matthias Grunewald's Isenheim Altarpiece, now at the Musee d'Unterlinden in Colmar, as a structural and iconographic entity and restores it to its broader cultural context in the early sixteenth century. She interprets the altarpiece in terms of its hospital context, then explores how this polyptych functions as a system of communication, in relation to contemporary sermons and in response to an emerging print culture. The meaning and motivation behind the direct visual appeal of the Isenheim panels are considered within the liturgy and the sacramental economy.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My fields at the University of Notre Dame, where I teach and do research, are philosophy and literature, and I have often been attracted to broader questions. I found ugliness to be a topic of considerable fascination, also for students, and yet it has almost never been addressed. I wrote the book to discover for myself what ugliness is and what it has to do with beauty.
George Grosz was the first great artist I encountered whose works were both strikingly powerful and deeply ugly. Grosz portrayed the ugliness of the Germans during the period before Hitler’s ascent.
His works are intentionally disordered. Yet the combination of ugly content and dissonant form work together, such that on a higher level, form and content are in harmony.
Grosz painted intemperance, gluttony, lust, and unbridled power as the driving forces of society. He was a master at showing us the ugliness of the ugly. The book offers an excellent combination of images and text, with an appropriate focus on the Weimar years.
I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
Spanning seven years in six hundred pages, Gainham’s Night Falls On The City is a richly detailed depiction of the stress and madness of life in Vienna after the German annexation.
Onstage or off, the novel’s protagonist, Julia Homburg, must always act, and the strain of this performance, under escalating violence and increasingly difficult circumstances, takes a harsh toll. A compelling and memorable story.
Vienna, 1938. Beautiful actress Julia Homburg and her politician husband Franz Wedeker embody all the enlightened brilliance of their native city. But Wedeker is Jewish, and just across the border the tanks of the Nazi Reich are primed for the Anschluss.
When the SS invades and disappearances become routine, Franz must be concealed. With daring ingenuity, Julia conjures a hiding place. In the shadow of oppression, a clear conscience is a luxury few can afford, and Julia finds she must strike a series of hateful bargains with the new order if she and her husband are to survive.
I first learned about life in 1930s Vienna from my grandfather’s memoir: Reminiscences of the Vienna Circle and the Mathematical Colloquium. I was fascinated by the time and place and began to read more about the era, which ultimately served as a setting for myforthcoming novel, The Expert of Subtle Revisions.
Roaming turtles are branded with swastikas and Nazi soldiers burn synagogues to the ground in Veza Canetti’s The Tortoises, which follows Eva and her husband Andreas, who are trapped in the country without departure visas.
Informed by her experience of the time and place (Canetti wrote the novel shortly after she herself left Vienna in 1938), Canetti paints a vivid and terrible picture of life under Nazi occupation. Published posthumously many years after her death, the novel’s road to publication is a story in and of itself.
A renowned writer and his wife live quietly in a beautiful villa outside Vienna, until the triumphant Nazis start subjecting their Jewish "hosts" to ever greater humiliations. Veza Canetti focuses on seemingly ordinary people to epitomize the horror: one flag-happy German kills a sparrow before a group of little children; another, more entrepreneurial Nazi brands tortoises with swastikas to sell as souvenirs commemorating the Anschluss.
A professor of 16th- and 17th-century Spanish literature and culture at Georgetown University with a focus on women’s writing and the mystics, I am also the author of four bio-novels, all of which feature indomitable female protagonists. Whether queens, saints, or not-so-ordinary housemaids, the protagonists of the books I have chosen (and my own) demonstrate the power and vulnerability of women in early modern Europe. Fiction and scholarship overlap in my work, as I am often able to bring my academic research into my fiction. Two of my latest scholarly books areTeresa de Ávila, Lettered Womanand Women Religious and Epistolary Exchange in the Carmelite Reform.
I have been fascinated with
Sisi since I visited the Habsburg Castle in Vienna several years ago. In The
Accidental Empress, Allison Pataki imbues Elisabeth of Bavaria—known as
Sisi—with humanity and intelligence. Engaged to Sisi’s older sister, the
emperor Franz Joseph falls in love with the younger girl instead, making Sisi
an “accidental empress.” However, his choice unleashes a chain of intrigue and
political maneuvering. Pataki’s novel is rich in psychological insight, and her
detailed descriptions of court life and the Austrian landscape transport the
reader to another time and place. Pataki captures beautifully the atmosphere of
luxury and intrigue of the Habsburg court and having been in the Castle, I can
well imagine Sisi gliding through its vast space or dining on its priceless
china.
*NEW YORK TIMES BESTSELLER * Discover the "captivating, absorbing, and beautifully told" (Kathleen Grissom) love story of Sisi, the Austro-Hungarian empress and wife of Emperor Franz Joseph-perfect for fans of the Netflix series The Empress!
The year is 1853, and the Habsburgs are Europe's most powerful ruling family. With his empire stretching from Austria to Russia, from Germany to Italy, Emperor Franz Joseph is young, rich, and ready to marry.
Fifteen-year-old Elisabeth, "Sisi," Duchess of Bavaria, travels to the Habsburg Court with her older sister, who is betrothed to the young emperor. But shortly after her arrival at court, Sisi…
I am the author of the Herringford and Watts mysteries, the Van Buren and DeLuca mysteries, and the Three Quarter Time series of contemporary Viennese-set romances. I am also the author of The London Restoration. My non-fiction includesDream, Plan and Go: A Travel Guide to Inspire Independent Adventure andA Very Merry Holiday Movie Guide. I live in Toronto, Canada.
The second in the Liebermann Papers: a mystery series featuring Freud-student Max Liebermann noted as literature’s first psychoanalytic detective who helps the pragmatic and gruff Detective Inspector Oskar Rheinhardt solve some of fin-de-siecle Vienna’s most dastardly crimes. While since made into a successful PBS series, the book’s atmospheric rendering of the Baroque jewel’s opulence is countered by the stark portrayals of anti-semitism, paranoia, and the primitive, cruel, and rudimentary techniques used to “treat” patients suffering from mental disorders.
In the grip of a Siberian winter in 1902, a serial killer in Vienna embarks upon a bizarre campaign of murder. Vicious mutilation, a penchant for arcane symbols, and a seemingly random choice of victim are his most distinctive peculiarities. Detective Inspector Oskar Rheinhardt summons a young disciple of Freud - his friend Dr. Max Liebermann - to assist him with the case. The investigation draws them into the sphere of Vienna's secret societies - a murky underworld of German literary scholars, race theorists, and scientists inspired by the new evolutionary theories coming out of England. At first, the killer's…
I am the author of the Herringford and Watts mysteries, the Van Buren and DeLuca mysteries, and the Three Quarter Time series of contemporary Viennese-set romances. I am also the author of The London Restoration. My non-fiction includesDream, Plan and Go: A Travel Guide to Inspire Independent Adventure andA Very Merry Holiday Movie Guide. I live in Toronto, Canada.
Recalling Ibbotson’s personal experience of leaving Austria for England before Hitler’s Anschluss, The Morning Gift is a witty and warm marriage of convenience story between a witty and intrepid archaeologist, Quinton Somerville, and a brilliant professor’s daughter Ruth Berger. When Ruth is accidentally left behind in Vienna after her family has emigrated to England, Quin marries Jewish Ruth and protects her from oncoming Nazi occupation: under the condition that they will part ways when both are safely back in London. But Quin and Ruth continue to run into each other again and again and again. A deliciously Austrian-flavoured book. Ibbotson’s Viennese set-sequences and memories are a love letter to her city.
The Morning Gift is a beautiful, classic romance from much loved author, Eva Ibbotson.
Eighteen-year-old Ruth lives in the sparkling city of Vienna with her family, where she delights in its music, energy and natural beauty. She is wildly in love with the brilliant young pianist Heini Radik and can't wait until they are married.
But Ruth's world is turned upside down when the Nazis invade Austria and her family are forced to flee to England, and through a devastating misunderstanding she is left behind. Her only hope to escape Vienna comes from Quin, a young English professor, who unexpectedly…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
When I first read Zweig’s memoir, I initially thought it was pretentious name-dropping, mentioning one prominent fin de siècle Viennese writer or musician after another. Only years later did I warm to his memories describing a world that existed before the cataclysm of World Wars and the ultimate fate of Europe’s Jewish citizens.
In reading other memoirs from the period (such as Ernst Krenek’s–not available in English), it’s possible to see that Zweig was writing from a position of enormous privilege while also reflecting the very essence of cultural life in a world where culture was perhaps its most important characteristic and distinguishing element.
The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.
Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.