Here are 34 books that Anything You Do Say fans have personally recommended if you like
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My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.
It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.
Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.
Eva never really wanted to be a mother; certainly not the mother of a boy named Kevin who murdered seven of his fellow high school students, a cafeteria worker and a teacher who had tried to befriend him. Now, two years after her son's horrific rampage, Eva comes to terms with her role as Kevin's mother in a series of startlingly direct correspondences with her absent husband Franklyn about their son's upbringing. Fearing that her own shortcomings may have shaped what her son has become, she confesses to…
I’m passionate about the theme of mystery/romance novels because they lend so much to the human condition and hit a soft spot, as I’ve liked them since I was a child. When a story is relatable—such as a genuine real-life situation having the potential to become one’s own, that’s where the intrigue kicks in, and I’m knocked into another world as I feel their emotions so poignantly. It’s the perfect escape. Unlike science fiction where reality must be suspended, a classic mystery story—especially ones with a touch of romance—are the ones that really suck me in and won’t let go until the last page is turned.
A story of someone going missing is always something that affects me viscerally. I was drawn into the intrigue of a woman who is apparently happily married one minute, and then blood stains are found on the floor of the couple’s kitchen the next.
I loved this book because it was a who-dun-it with great descriptive scenes. It was well-written and left me hungry for it when I was forced to put it down to do my chores. A taut, gripping saga about real-life people in real settings is always something I find fascinating.
THE ADDICTIVE No.1 BESTSELLER AND INTERNATIONAL PHENOMENON OVER 20 MILLION COPIES SOLD WORLDWIDE THE BOOK THAT DEFINES PSYCHOLOGICAL THRILLER
Who are you? What have we done to each other?
These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary, when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on…
I am the author of a number of psychological thrillers including The Perfect Family and The Wrong Twin. I like this genre because it really makes your blood pump. For the most part, these are ordinary people who get caught in extraordinary situations so it’s easy to relate. Once you start reading a really good thriller you can’t stop, it’s like riding a roller coaster. It feels exhilarating but it’s totally safe. And the really good ones get you thinking. What would I do in that situation? How would I react?
A child is taken. A family is shattered. But this plays out a little differently than most missing child cases. I definitely did not expect that epic twist. It’s well written and you’ll tear through the pages with the song 99 Red Balloons playing in your head the whole time.
Two girls go missing, decades apart. What would you do if one was your daughter?
Eight-year-old Grace is last seen in a sweetshop. Her mother Emma is living a nightmare. But as her loved ones rally around her, cracks begin to emerge. What are the emails sent between her husband and her sister? Why does her mother take so long to join the search? And is there more to the disappearance of her daughter than meets the eye? Meanwhile, ageing widow Maggie Sharples sees a familiar face in the newspaper. A face that jolts her from the pain of her…
Let’s face it—we spend a lot of time at work. Work is a big part of our lives, but sometimes it’s terrible and feels like there is no winning against institutionalized sexism and capitalism. And you really want to win! I love reading about women who are finding ways to overcome massive obstacles at work no matter what gets in their way, whether it’s by destroying an industry with a spreadsheet, breaking a curse, ditching a bad boss, or just finding a way to survive. Because sometimes that’s all you can do—survive it. Stories of women working feel endlessly relatable because we have so many shared experiences, and that’s why what happens at work shows up in my reading and my writing.
I had to read this when it came out because it felt ripped from the headlines. Sarah Lai has left behind her Hollywood dreams of filmmaking for a quieter, simpler life. But a journalist reaches out and drags her past to the forefront by asking questions about Sarah’s experiences working with a celebrated producer. There have been… complaints. From women. A lot of women.
Sound familiar? This is a wholly fictional take on past events, but it also forces the reader to examine the ways in which we might be complicit in holding up systems, and what we can do to break bad patterns.
Engaging, timely, and I couldn’t put it down. Again, women find their voices and stand up for other women around them. That’s a narrative I can’t miss.
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I found this novel incredibly chilling and scarily relevant to today, given its 1965 setting. Inspired by true events, Flint’s spare prose totally transported me to the blistering New York heatwave in which her character, Ruth, is accused of murdering her own children.
I love how complicated Ruth is, how her story asked me to question what makes a ‘good’ mother, and how deeply Flint left me thinking about how women, in general, are judged by the police, the press, and the public.
Haunting, intoxicating and heart-poundingly suspenseful, Little Deaths is a gripping novel about love, morality and obsession, exploring the capacity for good and evil within us all.
It's the summer of 1965, and the streets of Queens, New York shimmer in a heatwave. One July morning, Ruth Malone wakes to find a bedroom window wide open and her two young children missing. After a desperate search, the police make a horrifying discovery.
Noting Ruth's perfectly made-up face and provocative clothing, the empty liquor bottles and love letters that litter her apartment, the detectives leap to convenient conclusions, fuelled by neighbourhood gossip…
I am the author of a number of psychological thrillers including The Perfect Family and The Wrong Twin. I like this genre because it really makes your blood pump. For the most part, these are ordinary people who get caught in extraordinary situations so it’s easy to relate. Once you start reading a really good thriller you can’t stop, it’s like riding a roller coaster. It feels exhilarating but it’s totally safe. And the really good ones get you thinking. What would I do in that situation? How would I react?
Adele Parks was already accomplished at writing entertaining women’s lit well before she turned to psychological thrillers so the style is engaging and accessible. It feels like you’re reading the confessions of an old friend. This book has a great plot too, it has more twists than you can shake a stick at. I consider myself good at figuring out what’s coming, but not with this one. The pace is fast, the storytelling keeps you hooked, and you won’t see the bends in the road until it’s too late.
After years together, the arrival of longed-for daughter Millie sealed everything in place. They’re a happy little family of three.
So what if Simon drinks a bit too much sometimes—Daisy’s used to it. She knows he’s just letting off steam. Until one night at a party things spiral horribly out of control. And their happy little family of three will never be the same again.
In Lies, Lies, Lies, #1 Sunday Times bestselling author Adele Parks explores the darkest corners of a relationship in free fall in a mesmerizing tale of marriage…
I’ve loved Scotland ever since I spent a year studying abroad at the University of Edinburgh. In fact, I loved it so much that I returned to the University a couple of years later to complete my master’s degree in creative writing. Between the rugged dramatic landscapes, the stunning Gothic architecture, and the dark cold weather, Scotland was the perfect place to inspire a young aspiring suspense author such as myself—and the ideal setting for a creepy, atmospheric thriller like my debut novel. Although I’ve since moved back to the U.S., I’m always on the lookout for a Scottish-set thriller to take me back to the country where I left my heart but—blissfully—found my husband.
I was gripped from the first page of this propulsive psychologic thriller set on a windswept Scottish island.
Just thinking about it, I can feel myself being transported back to the dreary, rain-lashed shores of Angus. I can feel the claustrophobia and desperation of Sarah’s dilemma. I found myself chained to the story, my understanding of the characters and their situation yanked to and fro with every new twist and turn. I couldn’t stop reading.
But like the best fiction,The Ice Twinsstayed with me long after I closed the book. It encapsulates some of my favorite literary elements—a dark brooding atmosphere, characters at odds with their own perceptions of reality, and a suggestion of the supernatural.
In the tradition of The Girl on the Train comes the UK bestseller The Ice Twins, a terrifying psychological thriller with a twisting plot worthy of Gillian Flynn.
One of Sarah's daughters died. But can she be sure which one?
A year after one of their identical twin daughters, Lydia, dies in an accident, Angus and Sarah Moorcroft move to the tiny Scottish island Angus inherited from his grandmother, hoping to put together the pieces of their shattered lives.
But when their surviving daughter, Kirstie, claims they have mistaken her identity--that she, in fact, is Lydia--their world comes crashing down…
I’ve always been drawn to complex female characters in both reading and writing. Even in the 21st century, there are so many expectations placed on girls and women to conform to society’s narrow concepts of femininity. As a queer woman who grew up under the UK’s Section 28, I’ve always struggled to fit myself into these pre-assigned boxes, which is why I’m fascinated by those who step so firmly out of them. I teach as well as write and one of the most satisfying things about both is the time I get to spend examining character. I hope you’re as captivated by these difficult women as I am!
I read this gripping psychological noir about a woman escaping her past and falling into a steamy, lethal affair a few years ago, but it’s still vividly seared into my mind.
I found the writing utterly captivating, and I think Lippman is an absolute genius when it comes to plot. This twisty story of love, lies, betrayal, and revenge kept me guessing right until the very end–not to mention reading through the middle of the night!
WINNER OF THE eDUNNIT AWARD FOR BEST CRIME NOVEL NOMINATED FOR THE CWA GOLD DAGGER
'Dark, gleaming. Read it.' GILLIAN FYNN 'Note perfect . . . Not to be missed.' MEGAN ABBOTT
Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other - dangerous, even lethal secrets.
Then someone dies. Was it an accident or part of a plan? By now Adam and Polly are so ensnared in each other's lives and lies that neither one knows how to get away - or even if…
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
Not satisfied with two possibilities, Laura Barnett wrote three! She labels them as such–Versions One (they meet and marry), Two (they don’t meet until years later), and Three (they get together but break up), of Eva the writer and Jim the painter.
The chapters are very short, almost vignette-like, but this is a case where the sum of the parts is greater than the whole. Through a collage-like accretion, I came to adore this love story that spans almost sixty years.
A #1 UK bestseller, The Versions of Us is a dazzling novel about the ways the smallest decisions give shape to our lives, charting a single relationship through three possible futures.
What if you had said yes? Some moments can change your life forever. Have you ever wondered, what if . . .?
A man is walking down a country lane. A woman, cycling toward him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.
Ever since watching Sliding Doors back in the late 90s, I’ve been fascinated by forking narratives. I don’t know if I’ve yet to meet anyone who doesn’t love that “what-if” spark–what if I chose this job over that one? Who would I have met? Who would I have married? Who would I be? That last question, I believe, is the kicker–we all only get to live this one life, so our choices are our choices. Only in the realm of fiction can we really be in someone else’s head, and writing my fifth novel, Lines, and its twinned/entwined plots was doubling the fun.
If you are of a certain age, you may remember Choose Your Own Adventure novels, where you read an enticing setup of a story, and then you are asked to choose–go to page xx for this action or page yy for this other action. These books were often adventure or mystery tales, and they were fairly short.
Well, this author took this concept to new heights–she wrote over 150 different endings. All written in the second person, in this book, you can fall madly in love as well as die tragically, so caveat emptor!
There are hundreds of lives sown inside Pretty Little Mistakes, Heather McElhatton's singularly spectacular, breathtakingly unique novel that has more than 150 possible endings. You may end up in an opulent mansion or homeless down by the river; happily married with your own corporation or alone and pecked to death by ducks in London; a Zen master in Japan or morbidly obese in a trailer park.
Is it destiny or decision that controls our fate? You can't change your past and start over from scratch in real life—but in Pretty Little Mistakes, you can! But be warned, choose wisely.
