Here are 100 books that All Them Cornfields and Ballet in the Evening fans have personally recommended if you like
All Them Cornfields and Ballet in the Evening.
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Francine Hirsch is Vilas Distinguished Achievement Professor of History at the University of Wisconsin-Madison, where she teaches courses on Soviet History, Modern European History, and the History of Human Rights. She spent fifteen years researching and writing about the Soviet Union’s experience in World War II and the role that it played in the Nuremberg Trials. Her recently published Soviet Judgment at Nuremberg was awarded the 2021 Certificate of Merit for a Preeminent Contribution to Creative Scholarship from the American Society of International Law.
This vivid history of the Soviet Union at war by BBC journalist Alexander Werth is worth picking up for the Stalingrad chapters alone. In January 1943, Werth set out by train from Moscow to Stalingrad with a small group of correspondents. His conversations with Russian soldiers, officers, nurses, and railwaymen about the fighting, the Germans, and the Soviet defense of the city are woven into these chapters and make for extremely engaging reading.
In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history.
As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles with vivid detail the hardships of everyday citizens, massive military operations,…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
There are many excellent histories of the Russian Revolution that chronicle the main events, but none convey the complexity of experiences in Tsarist Russia during its final years and the Soviet regime in its initial phase as Mark Steinberg’s short but powerful and original work. This book gives us the bird’s-eye view of developments as they unfold, but also places them under the microscope to give us personal stories and experiences from different wakes of life. Using contemporary journalism and diaries, Steinberg recovers the voices of a range of ethnic groups in various regions of the empire—Jews, Ukrainians, and Central Asians--as well as workers, peasants, women, and members of the intelligentsia. As we witness their lives being thrown into upheaval by rapid political and economic transformation in the first years of the 20th century, followed by World War I, the two revolutions of 1917, and civil war, we gain…
The Russian Revolution, 1905-1921 is a new history of Russia's revolutionary era as a story of experience-of people making sense of history as it unfolded in their own lives and as they took part in making history themselves. The major events, trends, and explanations, reaching from Bloody Sunday in 1905 to the final shots of the civil war in 1921, are viewed through the doubled perspective of the professional historian looking backward and the contemporary journalist reporting and interpreting history as it happened. The volume then turns toward particular places and people: city streets, peasant villages, the margins of empire…
History has always been my passion. Since I was 16, I tried to understand the world around me and the forces that shaped it. I thought that history as a discipline provided the best answers. In the 1970s, because of the official anti-Semitism, it was impossible to get into the history department programs at the Soviet universities. Nonetheless, I resolved to study history after my emigration to the US in 1979 and joined a graduate program at the University of Chicago. For four decades I have been writing about Russian history, although I also read, teach, and write on global history.
Beautifully written, the book follows the lives of Russia’s two great aristocratic families in the aftermath of the Bolshevik Revolution. Their fate was typical of the entire Russian aristocracy. It is a story of the Bolsheviks' cruelty and a painful survival of their many victims.
The riveting and harrowing story of the Russian nobility caught in the upheaval of the Revolution
Winner of the Pushkin House Russian Book Prize Named a Best Book of the Year by The Kansas City Star and Salon
Epic in scope, precise in detail, and heartbreaking in its human drama, Former People is the first book to recount the history of the aristocracy caught up in the maelstrom of the Bolshevik Revolution and the creation of Stalin's Russia. It is the story of how a centuries-old elite, famous for its glittering wealth, its service to the tsar and empire, and…
I’m a professional explainer of Russia. For over 20 years I’ve been studying the country and trying to understand what makes it (and its leaders and people) so intent on attacking those around it and perceived adversaries further afield. That’s never been more important to understand than today when Ukraine and its soldiers are the only thing preventing Russia from once again rampaging across Europe. These books are ones that have helped me understand one part or several parts of the Russia problem, and I think they’ll be helpful for anybody else who wants to, too.
I found it hard to choose between several of Edward Crankshaw’s books explaining Russia. Each, in its own way, uncovers a particular aspect of history or society that makes the country what it is. In the end, I settled on this, his first: published in 1947, not long after Crankshaw had been posted to Moscow during WWII, and while he was still reeling from the vast gulf between what he experienced there and the image of the USSR that was being sold abroad.
Crankshaw was sometimes accused of being too sympathetic to Russia, but while he does his best to explain why the country behaves as it does, he doesn’t seek to excuse it. For that reason I find this one of the most clear-headed appraisals of Russia. And given the continuities that run through all of Russian history, his rationalising of how Russia works and what it does is…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I read modern history as an undergraduate and then trained as a primary school teacher. Unsurprisingly, our classroom topics were often historical. My interest in the experiences of people, especially children, in Europe during WWII stems from the fact that my own father grew up in Germany and had numerous tales to tell. My first book was a recount of his wartime childhood. My father gave a copy of his book to his friend and neighbor who happened to be a Polish wartime veteran with his own remarkable stories to tell and this led to three years’ intensive historical research for his book.
Having read The Long Walk, like so many others, I wondered about the identity of the character known as Mr. Smith, so I was intrigued to discover that Linda Willis had spent some ten years researching this character.
As I had myself spent three years trying to locate evidence to authenticate the story in my own book, I could empathize with all Linda’s frustration in following dead ends and scrabbling down rabbit warrens.
Learn the facts behind the blockbuster film The Way Back. Since 1956, The Long Walk has been, for many, the symbol of an immense love of freedom and has become one of the greatest true-life adventure stories of all time. The harrowing story about a group of POWs who escaped a labor camp in Siberia and walked to freedom in India during WWII deeply affected thousands of its readers, and Linda Willis was one of those moved by the story. But she had questions about its authenticity:
Was it all true? What happened after their arrival in India? Were there…
I’ve always loved history and historical stories, but like the majority of people, didn’t really know very much about WWI. That changed in early 2017 when I read The Zimmermann Telegram by Barbara W Tuchman. I immediately fell into a vortex of further reading, resulting in my writing The War in Our Hearts at the end of that year--because although there is a lot of great non-fiction out there about WWI, there aren’t nearly as many novels that quite scratched the itch I had for fiction…so I wrote the book I wanted to read!
This is a fantastic novel about a girl soldier in Russia who joins the Women’s Battalion of Death, during the time that the Russian Revolution was beginning and morale among male soldiers was flagging. The Russian army thought the men’s morale might be boosted if girls came along and gave the men a little competition. I love the camaraderie and amazing determination of these women to do their bit for their country.
A dramatic page-turner that captures the devastating toll of war and the impact of women's struggles and solidarity, through the lens of a little-known slice of history.
In 1917, Russia is losing the war with Germany, soldiers are deserting in droves, and food shortages on the home front are pushing people to the brink of revolution. Seventeen-year-old Katya is politically conflicted, but she wants Russia to win the war. Working at a munitions factory seems like the most she can do to serve her country―until the government begins recruiting an all-female army battalion. Inspired, Katya enlists. Training with other brave…
I grew up in the United States, completed my undergraduate degree there, and then pursued a doctorate in Modern History at the University of Cambridge. Now, I teach European history at Oxford Brookes University and publish research on Russia and the Soviet Union. I have always been fascinated by revolutions and civil conflicts, especially how people navigate the disruption of stability and normality. How they process fragmentary information, protect themselves, and embrace new ideas to give meaning to their threatened lives is central to my work as a historian. The Russian Revolution and Civil War offer a rich tapestry for exploring these dilemmas.
The history of the revolution in Russia has changed both in terms of chronology and geography. Over the past 25 years, historians have documented the multifaceted ways in which the First World War set in motion the collapse of the Russian Empire.
At the same time, much recent research has explored how that collapse was experienced and how the revolution was processed across the expanse of the empire, in effect de-centering the narrative of the revolution in new and insightful ways.
Laura Engelstein’s book is an up-to-date narrative history of the revolution and civil war that manages the challenging trick of knitting all of those disparate threads together.
October 1917, heralded as the culmination of the Russian Revolution, remains a defining moment in world history. Even a hundred years after the events that led to the emergence of the world's first self-proclaimed socialist state, debate continues over whether, as historian E. H. Carr put it decades ago, these earth-shaking days were a "landmark in the emancipation of mankind from past oppression" or "a crime and a disaster." Some things are clear. After the implosion of the three-hundred-year-old Romanov dynasty as a result of the First World War, Russia was in crisis--one interim government replaced another in the vacuum…
I’ve been fascinated by the First World War ever since I read Vera Brittain’s Testament of Youth at the age of 19. When I lived in France in my twenties I started to read French nurses’ memoirs and diaries, and for the last fifteen years or so have continued to read and write about women’s experiences during and after the war as a university academic researcher, often from a comparative perspective. Men’s stories and memories of the First World War still dominate our understanding of it, but I believe that women’s perspectives give us a vital and often overlooked insight into the war and its consequences.
Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.
Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.
Women have participated in war throughout history, but their experience in Russia during the First World War was truly exceptional. Between the war's beginning and the October Revolution of 1917, approximately 6,000 women answered their country's call. These courageous women became media stars throughout Europe and America, but were brushed aside by Soviet chroniclers and until now have been largely neglected by history. Laurie Stoff draws on deep archival research into previously unplumbed material, including many first-person accounts, to examine the roots, motivations, and legacy of these women. She reveals that Russia was the only nation in World War I…
Sara Wheeler is a prize-winning non-fiction author. Sara is a Fellow of the Royal Society of Literature, a Contributing Editor of The Literary Review, a Trustee of The London Library, and former chair of the Stanford Dolman Travel Book of the Year award. She contributes to a wide range of publications in the UK and US and broadcasts regularly on BBC Radio. Her five-part series, ‘To Strive, To Seek’, went out on Radio 4, and her book Cherry was made into a television film.
The author was an old fraud but this is a delightful period piece which reveals a good deal, sometimes inadvertently, about the lives of Russians in the benighted Soviet sixties.
Since adolescence, I have been fascinated by Slavonic languages, literature, cultures, and history, and by what can be retrieved from archives all over Eastern Europe. And because so much has been suppressed or distorted in everything from biographies of writers to atrocities by totalitarian governments, there has been much to expose and write about. Studying at Cambridge in the 1960s gave me an opportunity to learn everything from Lithuanian to Slovak: I have been able to write histories of Stalin and of Georgia, biographies of Russians such as Chekhov, Suvorin, and Przhevalsky, and the field is still fresh and open for future work.
Like Felix Krull, or Jonathan Wild, this is the story of a con-man, murderer, traitor, somehow redeemed by his charm and incidents of bravery The novel is at its best when Javakhishvili starts to describe Kvachi’s experiences with the Russians during the Revolution, the civil war and the early years of the Soviet state; it becomes clear that what has seemed a send-up of morality and a celebration of the picaresque is in fact equally valid as a cold assessment of revolutionary realpolitik. This is a wonderful novel, subtle and extravagant at the same time, seeming to fly by the seat of its pants but in fact consistently aware of exactly how to tread the line between structure and improvisation. It is extremely generous, bursting out of what appear to be its narrow confines to give us far more than we initially expected.
This is, in brief, the story of a swindler, a Georgian Felix Krull, or perhaps a cynical Don Quixote, named Kvachi Kvachantiradze: womanizer, cheat, perpetrator of insurance fraud, bank-robber, associate of Rasputin, filmmaker, revolutionary, and pimp. Though originally denounced as pornographic, Kvachi's tale is one of the great classics of twentieth-century Georgian literature--and a hilarious romp to boot.
