100 books like Alexander's Bridge

Player Piano, Kurt Vonnegut’s first novel, was not, he said, “a book about what is, but a book about what could be.” Further, “it is mostly about managers and engineers” and more precisely, about automation and what American society could become if machines took over work, and labor, as we have known it, was made redundant. His imagined city of Illium was socially and physically split between the managers and engineers of its industrial plant and the former workers had been displaced by automation and now led meaningless lives of busy work provided by the government. The engineer Paul Proteus becomes disaffected and joins in a revolution being plotted against the new order. They succeed, but soon realize that the people of Illium were “already eager to recreate the same old nightmare.” The logic of the machine continued its sway.

I like that you have to watch Vonnegut carefully.… show more.

It is hardly news that housework is gendered. But in this classic study Cowan, by taking housewifery seriously as work and kitchen utensils and appliances seriously as technologies, opens up the whole panorama of production and consumption in a domestic setting. The influx of new appliances, and in a more convenient form old materials (such as powdered soap) in the early decades of the 20th century worked to, in a sense, “industrialize” the home. Unlike factory workers, however, housewives were unpaid, isolated, and unspecialized. Their managerial role shrank (hired help disappeared from most homes)  and rather than being drained of meaning, like the work of factory hands, theirs became burdened with portentous implications of love, devotion, and creativity. Finally, as housework became “easy,” standards rose. At one time changing the bed might have amounted to putting the bottom sheet in the wash and the top sheet on the bottom,… show more.

My admiration for this book is demonstrated by the way in which I quite shamelessly ripped off its title for my own. It has been said that America is the only nation that began perfect and hoped to improve. The engine of that improvement, from the earliest days of the Republic, had been new technologies but by the middle of the pre-Civil War period some Americans began to realize that the “improvement” they had unleashed was beginning to erode the very “perfection” that they had hoped to enshrine in the nation’s foundation. Writers, artists, and creative intellectuals in general are society’s canaries in the mine shaft, and the great names of the American Renaissance—Ralph Waldo Emerson, Henry David Thoreau, Washington Irving, Herman Melville, George Innes, Charles Sheeler, and their colleagues—attempted to describe, understand, and perhaps heal the destructive effects of the machine. As Marx concludes, “what was a grim possibility… show more.

Adler demonstrates that the lie detector is a rather simple machine, "a banal assemblage of medical technologies" (as he calls it) to measure blood pressure and perspiration, that has been widely used in America since its appearance between the wars. It was purported to sort out lies from the truth but the science behind it ranged from junk to speculative, and its evidence has never been accepted in courts of law.  It has not been used anywhere else in the world, and Adler concludes that it “belonged to [the]…American strain of the Enlightenment project to replace personal discretion with science.” As he shows however, personal discretion, in practice, lay at the very heart of its use and popularity. It was no doubt more humane than the “third degree” so commonly used by police to obtain confessions, but it was a machine that manufactured something less than the Truth.

This will look like nepotism because Richard is a dear friend who provided a quote for my book cover, however I am mainly friends with him because we are of the same mind about most things, including death.

We both deal with it using a good dose of sarcasm and humour whilst also being big old existential softies who have our moments.

His book about his cancer diagnosis sees his coping mechanism of humour balanced with the honest sadnesses of potentially leaving behind young children who might forget him, before returning to humourous disapproval at his wife's imagined new man.

My own firmly held belief that you can't live well without the shadow of death also comes through as he starts to live better and healthier in recovery, thanks to his brush with the reaper. 

What I love about The Way of the Superior Man is that it frames the traditional, ancient ways of looking at masculine energy in a way that those of us in the modern, 21st-century western world can relate to. 

This is not a book about being a man, or in any way exclusively for men. It’s about how we relate to the masculine energy that is inside of all of us. This is an important component of what I teach in Stepping Beyond Intention as well because it shows us how we relate to others and the world around us. 

It’s about getting you to see the interplay and polarity of energies that exist within you. Armed with that awareness, you’ll be able to better direct yourself at achieving your goals. 

This book insists that we need to think about the ways that what we read or view may shape the way we see the world.

Greg Daddis has waded through mountains of “macho pulps”—the massively-popular war-focused men’s adventure magazines from the 1950s and 1960s, with titles like True Men, Male, Valor, and Battle Cry—to show us how they portrayed men and war.

He asks how these stories of outsized heroism (often accompanied by sexual conquest) may have shaped the expectations of the young men sent to fight in Vietnam.

Pulp Vietnam is a masterful balancing act, never insisting that A → B, but refusing to treat popular culture as nothing more than a story. And the color photo insert is worth the price all by itself!

Better than any other study on filibustering, Amy Greenberg treats it through the lens of gender, and she is particularly interested in public opinion about filibustering. Mass rallies in support of filibuster invasions of Cuba and Central America occurred in U.S. cities in the 1850s, providing funds, recruits, and moral support for criminal enterprises. What did gender have to do with who approved of filibustering, and who didn’t? What did filibustering have to do with ideas about what constituted proper masculinity? Did women participate in filibustering in any way, and did images of exoticized women in other parts of the world affect the attitudes of male filibusters?

Greenberg uses a fascinating variety of sources, including cartoons, poetry, travel accounts, and artwork, to convey the ambience of the filibustering world. Intriguingly, she both links and differentiates what she found about U.S. expansionist initiatives in Latin America before the Civil War to… show more.

Pettegrew, a historian, also portrays Roosevelt as brute-in-chief at the turn of the 20th century, but he zooms out and describes other social forces in the United States that contributed to the emergence of the militaristic definition of manhood. These include the mythologizing of the Civil War as a noble display of male honor, divorcing the war from its roots in slavery and mistreatment of Blacks. He shows how the advocates for stronger men—and dependent women—“self-consciously used Darwinian biology to classify brutishness as an essential and natural male trait.” The book provides a fascinating and comprehensive look at the complicated ways in which gender stereotypes have been created and perpetuated in America.

(Spoiler alert: I appear in Ms. Stur’s book, albeit briefly)

Beyond Combat is one of the few books that examines the role of the more than 60,000 women who served in military and civilian capacities in Vietnam and the gender stereotypes that accompanied them. In addition to nurses, who formed the largest group of U.S. military women in Vietnam, Stur highlights those who served under the auspices of the Red Cross Supplemental Recreational Activities Overseas program. These young college graduates were commonly known as “donut dollies” because of their girl-next-door appeal. “Our job was to lift the guys’ spirits,” recalls donut dollie Jeanne Christie. Music was one way the donut dollies did that. “Some of us DJ’d at various bases during our time in-country,” adds Bobbi McDaniel Stephens. “I took dedications from the guys,” a playlist she says included “Get Back,” “My Girl,” and “He Ain’t Heavy He’s My Brother,”… show more.