94 books like Across a Field of Starlight

This is the spark that lit me on fire and showed me that all the features of queer adolescence I thought were impossible to write about in “books for teens” are totally possible to write about.

Juliet, Puerto Rican teen from the Bronx, feels the weight of her community’s and family’s homophobia, and attempts to build her resume and find a wider world by interning for her favorite feminist writer—a thirtysomething eccentric, woo-woo white Oregonian, who despite having friends and exes of color and apparently genuinely hoping to offer Juliet wisdom, care, and research opportunities, is lackadaisical, irresponsible, and more than capable of shrewdly using Juliet to market herself and her books.

Juliet’s encounters with racist microagressions, feminist approaches to menstruation, weed, heartbreak, and the problem of regionally-specific queer buzzwords pull no punches. Rivera asks us to look at what responsibilities might be involved in “community”, including the responsibility to… show more.

I don’t usually love coming-out stories, since the coming-out narrative tends to replace anything else that happens for trans people, but this one shines—in part because Sasha Masha’s emergence precedes her contact with queer community, but only starts to actually makes sense in the context of knowing other gay and trans people.

It’s one of the only trans girl YA novels I know of, and it feels like it’s written for someone who is, like Sasha, half-out and tripping down the final steps. This is a fantastic book about how we may find our most real selves alone, but it might take a one-sided romantic friendship, a community showing of Querelle, or a couple old drag queens showing you their hallway of photos of Queer Icons to feel like you aren’t going crazy. 

Let me start by saying…this book is gorgeous. Each page is so beautifully illustrated—I would genuinely recommend this book for the art alone.

The story, however, is just as much of a treat. I love this book because it features a wide variety of lesbian characters and tackles an important topic: representation of toxic relationships and the struggle to break out of them! I’ve certainly been there myself, and it made this story very relatable and meaningful for me.

I don’t know if most librarians would understand or shelve this as YA, but Lowrey’s cast of eighteen-year-old trans punks and squatters have more in common with most trans kids, in 2006 or the present day, than many YA-marketed idyllic stories about teens with accepting families and limited substance use issues.

From nonprofits where suburban children pick fights with homeless teens to squats where young punks pressure each other into conforming to their own specific dysfunctional microculture in Portland, Oregon, this book resonates for me as tracking a moment in history—the youth of all the trans people who were in their twenties when I came out in my early teens, and were trying to devote themselves to the same community projects they had benefited from when they were runaways and train-hoppers.

I’ve been a longtime fan of Tillie Walden, and love everything she creates, but Are You Listening? has a special place in my heart. It follows Bea and Lou, both running from their own grief, as they drive through West Texas together after a chance encounter.

It’s a strange, surreal, and emotionally complex story about the blossoming of an intergenerational queer friendship, and finding what you need on the road.

Walden’s a true master of cartooning, her lines are fluid, both sparse and incredibly impactful. I also can’t help but love that it takes place in my home state of Texas. 

Friendship and navigating school social hierarchy is hard enough, but throw in a secret queer relationship and a bootleg anime dvd business? Yikes!

What I love about Forest Hills Bootleg Society is how messy it is; these girls have PROBLEMS. Of course they do, they’re teens. This graphic novel is so funny and relatable at times, while at other points, it’s heartbreaking. This especially speaks to me as a former anime-teen! 

Elle’s had a crush on her elusive classmate Madeline for ages, and when she runs into her at the party she and her bestie crash, she’s ecstatic to finally get the chance to chat Madeline up. Unfortunately, she drinks too much and ends up back at her apartment the next morning with a bad hangover and a bag full of stolen expensive trinkets.

Somehow this accidental theft ends up bringing her and Madeline, who has quite a few secrets of her own, closer together. Reverse heist hijinks, going to too many parties, smooching, and self-discovery ensue.

Lucie Bryon’s art is expressive and lively, and the characters feel like real teens—big crushes, bad decisions, and all. 

Not strictly speaking World War Two, this rather strange miniature masterpiece by a French author is set during the Russian Civil War and tells the story of the friendship of four very different soldiers. It is very short – it only takes about two hours to read – but its perfectly-drawn themes of life stripped bare, of comradeship, survival, and futility will stay with you for a very long time.

As a fellow genderqueer/non-binary Asian writer, I’m happy to champion the first in Neon Yang’s Tensorate series. A YA novella set in a non-Western fantasy landscape, this book tackles issues of gender identity and choice head-on, introducing us to a society where children are referred to individually using they/them pronouns, and can select one of the binary genders when they come of age or chose to remain non-binary. We see the world through the eyes of twins Mokoya and Akeha as they come into their gender expressions and their powers in a feudal, monastic society largely reminiscent of those found in Asian history.

Because Crook (not Custer!) was probably the most successful and thoughtful general officer to lead troops in the West. Robinson traces Crook’s career from the 1850s Rogue River War in the Oregon Territory, through the Great Sioux War of the 1870s, concluding with the pursuit of Geronimo in the 1880s, where he achieved his greatest fame. And because, as indicated in an epigraph, quoting Oglala Chief Red Cloud, “He, at least, never lied to us.” I found comments on Crook’s employment of tribal scouts especially informative. Robinson concludes, “In war, he could be as cruel as they, but he always respected them as human beings.” He doesn’t apotheosize Crook, who reflected the views of his era in advocating assimilation to make Indians useful and productive citizens “by white standards.”