Here are 100 books that A Circle of Stars fans have personally recommended if you like
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I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This was just such a fun read. It had me giggling. Well, at first, it had me rolling my eyes. This is probably one of my all-time favorites. Within a few chapters, I was swooning for both characters and trying to logic a reason why things would turn out well, even though it’s literally about an assassin whose target is a prince.
There was so much fun worldbuilding in the background of this adorable romance, and I’m a sucker for big magical worlds.
He’s supposed to kill Prince Julien. Not fall for him.
Whisper doesn’t remember his real name. All he knows is the elite assassin guild that raised him—and controls him with the threat of blood magic. He doesn’t get to refuse assignments, even when his new job doesn’t make sense:
Infiltrate Prince Julien’s court, protect him until the signal arrives, then kill him.
Julien hides his political talent behind his playboy reputation. He trusts nobody besides his brothers, and he certainly doesn’t trust the sad-eyed, beautiful new stranger at court. But Whisper’s vulnerability and kindness draw Julien in anyway—especially when Whisper…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This book has so many tropes that I despise, such as miscommunication, deceit/manipulation, and third-act breakups. Yet somehow, Bryn managed to execute them all with such finesse that I fell in love.
Both main characters are adorable in completely different ways. Wes is such a confident goof, while Vincent is so sad and adorable that I just want to hug him. The romance is cute but fades to black. However, there are apparently some spicy short stories that follow up with the lives of Wes and Vincent. I need to get my next dose of these cute boys.
Vincent Barnes has suffered four years as a vampire, and they’ve been the most miserable years of his pathetic life. Too poor for black market blood, he feeds from sleeping humans to survive. He tries to never intrude on the same prey twice, but after a single delicious taste of a long-lost childhood neighbor, he can’t help returning for seconds.
Wesley Garcia has been waking up with fang marks. Lucky for him, he needs a vampire—to use as bait. He’s certain Vitalis-Barron Pharmaceutical killed his mother, but to gain access to their covert research labs, he has to bring them…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This falls more on the Sci-fi side of SFF, but it really is just such a fun ride. What I loved the most about this one is how it seemed to have such a fascinating world of technology but was completely closed off from the world.
It takes place in a mansion, a very small setting, and very character-driven until BAM—suddenly you’re thrown into this big mysterious world with all the clues of technology advancements and government, etc (har har).
Watching the two main characters navigate their way through this dangerous world, and the way it shapes each of them is spectacular. My eyes watered for sure during this one.
Cinderella meets the Matrix in this LGBTQ fantasy perfect for fans of Becky Chambers, TJ Klune, and Martha Wells.
Eke lives in a nice house, in a wealthy neighborhood, with an upstanding family: Mr. and Mrs. Kensworth and their three children. But Eke is not family; Eke is property. He’s an AI whose job is to keep the house clean and organized, and no matter how much Eke secretly wishes to be allowed outside to see the stars or to make a real friend, he’s either ignored or bullied by the family that owns him.…
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
Ezra was just such a sweet, introverted grump (and those are my weaknesses). I adored this book so much! The magic of this world snuck up on me when I started it.
Everything is very grounded in the real world, with Ezra struggling to get by until suddenly, we’re tossed into the deep end of vampires, werewolves, witches (sort of?), and other demonic elements. I really liked how this one seemed sort of rambly with the fantasy building until it all tied together in this creepy, intricate web.
Ezra Santos is tired of running. Of burning bridge after bridge and going through new names like used matches. He desperately wants something he was never destined to have—a future all his own. Having escaped his hell of a home two years ago, he can’t go a day without looking over his shoulder. Putting down roots was never in the cards when the family that raised Ezra relentlessly hunts him across the country. Right as he’s about to restart the cycle—new name, new life, the whole nine yards—his plans come to a screeching halt when he crosses paths with a…
I have been writing about LGBTQ+ culture for magazines and newspapers for almost a decade, and am a voracious consumer of queer stories. Queer literature makes our various needs and desires as a community come alive on the page, and helps us to connect with and understand one another. Reading LGBTQ+ books is a way to learn about contemporary queer life, and work out what more we can be doing to help those more marginalised than us.
The follow-up to his acclaimed book What Belongs to You, Cleanness is a relatively short but gorgeously executed novel about an American teacher living in Sofia, Bulgaria. It gives snapshots of his relationship, as well as dating app hooks ups – for better or worse. Greenwell is one of the greatest writers of our time, and he turns each sentence beautifully.
Longlisted for the Prix Sade 2021 Longlisted for the Joyce Carol Oates Prize Longlisted for the Gordon Burn Prize
A New York Times Notable Book of 2020 A New York Times Critics Top Ten Book of the Year Named a Best Book of the Year by over 30 Publications, including The New Yorker, TIME, The Washington Post, Entertainment Weekly, NPR, and the BBC
In the highly anticipated follow-up to his beloved debut, What Belongs to You, Garth Greenwell deepens his exploration of foreignness, obligation, and desire
Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval.…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
I loved McLemore’s retelling of “The Red Shoes” because the novel felt uniquely historical and modern due to its dual timelines, with one storyline in 1518 and the other five centuries later. Despite being so far apart, the timelines were connected by the intriguing mystery of a dancing fever.
Another element I loved is that the 1518 timeline featured a queer romance with a trans character, which you don’t see often, even in queer retellings, and added another layer of richness to the story.
I’m a fan of everything McLemore writes because of their lush prose and compelling characters, but this one remains my favorite of theirs.
With Anna-Marie McLemore's signature lush prose, Dark and Deepest Red pairs the forbidding magic of a fairy tale with a modern story of passion and betrayal.
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s…
I am the author of over a dozen LGBT novels. I wrote my college thesis on queer criminal coding in Victorian London novels vs. 20th-century American literature. I was a teenage fan of Leopold and Loeb fiction before I added to the canon myself. I chose these books for a queer murder compendium because each offers something unique to the genre. Challenge yourself by asking: do you have sympathy for these murderers? Is it dangerous when queer characters are criminals? Is it fair representation, since homosexuality is illegal to act on, identify with, or speak of in many places? Read these stories, and let their implications disturb you.
What if queer American cannibal killer Jeffery Dahmer met his British equivalent, Dennis Nilsen?
This novel is a fictionalized answer to that question, pairing serial murderers Jay and Andrew in a psychosexual tear through lush New Orleans.
However, my favorites are the other central characters: Luke and Tran, two ex-lovers who are living with HIV, homelessness, and the emotional scars of their bad romance. There is subtle, skillful storytelling showcased in the relationship you only get in retrospect between these two.
It’s so unique that I once taught it to a Master’s degree writing class as an example of rule-breaking and genre-bending to aspire towards.
There are also alluring literary parallels to explore between venereal disease and violent death stalking the unsuspecting gay men of the bayou. Overall, it’s a delightfully depraved masterpiece.
From the author of Lost Souls, Drawing Blood, and Wormwood comes a thrilling and chilling novel that bestselling author Peter Straub says serves as a “guidebook to hell.”
To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
Set in a London congregation at the height of the AIDS crisis, this is a powerful novel that packs a lot into one Easter weekend. Its ingenious triptych structure underlines the fact that there’s often more going on than a superficial understanding of either faith or sexuality would like to believe. The oldest book on this list by a couple of decades, this is one of the first novels to engage seriously with what it means to be queer in an institution that prefers to ignore that fact, and it was both a challenge and a comfort in my own coming-out years.
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
If ever there was a book that felt like it had been written just for me, this is it. Set in a fictional European country in the early nineteenth century, it has swashbuckling, nights at the opera, complicated family history, politics, magic, and lesbians. The way that Christianity is integrated into the fantastic element won’t be for everybody, but I was won over by Margerit’s earnest insistence on claiming her identity as a queer woman of faith and power. I’d wholeheartedly recommend the rest of the series, too.
Margerit Sovitre did not expect to inherit Baron Saveze’s fortunes—even less his bodyguard, a ruthlessly efficient swordswoman known only as Barbara. Wealth suddenly makes Margerit a highly eligible heiress and buys her the enmity of the new Baron. He had expected to inherit all, and now eyes her fortune with open envy.
Barbara proudly served as the old Baron’s duelist but she had expected his death to make her a free woman. Bitterness turns to determination when she finds herself the only force that stands between Margerit and the new Baron’s greed.
At first Margerit protests the need for Barbara’s…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
A Beauty and the Beast retelling, set amid the upheaval of the Second World War, in which the Beast is a dragon and the protagonist is a person who doesn’t see why his daughter should take the rap for her father’s misdemeanour. Humane and compassionate, this story isn’t afraid of exploring the theology of sexuality, but it never gets bogged down in details, and it maintains its fairy-tale atmosphere while remaining grounded in time and place. I loved it.
An m/m World War II-era retelling of Beauty and the Beast.During a chance summer shower, an English country parson takes refuge in a country house. The house seems deserted, yet the table is laid with a sumptuous banquet such as the parson has not seen since before war rationing. Unnerved by the uncanny house, he flees, but stops to pluck a single perfect rose from the garden for his daughter - only for the master of the house to appear, breathing fire with rage. Literally. At first, the parson can't stand this dragon-man. But slowly, he begins to feel the…
