What I love about philosophy (I’ve been a philosophy professor at the University of California, Riverside, since 1997) is not its ability to deliver the one correct answer to the nature of the world and how to live but rather its power to open our mind to new possibilities that we hadn’t previously considered; its power to blow apart our presuppositions, our culturally given “common sense” understandings, and our habitual patterns of thinking, casting us into doubt and wonder. The science writing, fiction, and personal essays I love best have that same power.
Do we live inside a simulated reality or a pocket universe embedded in a larger structure about which we know virtually nothing? Is consciousness a purely physical matter, or might it require something extra, something nonphysical?
My book argues that the answers to these questions and other questions concerning the fundamental nature of consciousness and the cosmos lie beyond our powers of comprehension. We can be certain only that the truth, whatever it is, is weird. Philosophy can aim to open, to reveal possibilities we had not previously appreciated, or to close, to narrow down to the one correct theory of the phenomenon in question. This book argues for a philosophy that opens.
Maybe the weirdest and most beautiful collection of stories in my house full of books.
In “The Circular Ruins,” a man dreams up another man, only to realize that he, too, is a dream. “The Library of Babel” imagines a world containing every possible book, most of which are nonsense but some of which, if only you could find them, contain the most profound truths ever written. “Funes the Memorious” imagines a boy paralyzed by a perfect memory, one that retains every single detail of every event ever experienced.
Every sentence of these stories is bizarre and fascinating, with a richness that leaves me understanding them differently with every re-read.
The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.
This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations…
In the 16th century, Montaigne literally invented the concept of an essay, literally, “essais” or attempts, attempts to find answers rather than treatises that present the answers ready-made.
I feel that rather than trying to sell a particular view, Montaigne invites me as a reader into his wandering thoughts, looping back and forth through his wonderful ideas. Montaigne is skeptical of conventional wisdom but also skeptical of his, our, my, ability to surpass conventional wisdom. Are we as much smarter than foxes as we think? Are cannibals more civilized than the French?
Montaigne feels like my intimate friend, my partner in reflection.
Michel de Montaigne was one of the most influential figures of the Renaissance, singlehandedly responsible for popularising the essay as a literary form. This Penguin Classics edition of The Complete Essays is translated from the French and edited with an introduction and notes by M.A. Screech.
In 1572 Montaigne retired to his estates in order to devote himself to leisure, reading and reflection. There he wrote his constantly expanding 'assays', inspired by the ideas he found in books contained in his library and from his own experience. He discusses subjects as diverse as war-horses and cannibals, poetry and politics, sex…
In the 1990s, I stopped reading science fiction to focus on more “serious” writing. In 2008, someone recommended this book to me, and my appreciation of science fiction changed forever.
In Diaspora, science fiction is an exploration of the deepest existential questions we can face: In a post-scarcity world, where people can duplicate themselves, back themselves up, and radically alter their personalities and values at will, what can and should we want?
Egan guides us through a diverse landscape of possibilities, from biologically enhanced apes to AI systems that derive immense joy from proving mathematical theorems to creators of multidimensional experimental art and beyond.
A quantum Brave New World from the boldest and most wildly speculative writer of his generation. "Greg Egan is perhaps the most important SF writer in the world."-Science Fiction Weekly "One of the very best "-Locus. "Science fiction with an emphasis on science."-New York Times Book Review
Since the Introdus in the twenty-first century, humanity has reconfigured itself drastically. Most chose immortality, joining the polises to become conscious software. Others opted for gleisners: disposable, renewable robotic bodies that remain in contact with the physical world of force and friction. Many of these have left the solar system forever in fusion-drive…
Every time I revisit Sacks, especially this book, I am blown away anew at people’s ability to create meaning and value in the face of severe cognitive disability.
A man’s capacity to categorize objects is so impaired that when he moves to leave the room, he mistakenly reaches for his wife’s head instead of his hat. How can he even get through the day? With the help of familiar routines, his loving spouse, and music.
A “lost mariner” can’t retain any new information longer than a few minutes and still thinks he’s living decades ago, but he finds meaning in the timeless ceremonies of his religion. A man repeatedly throws his own leg out of bed and is surprised to find himself on the floor again….
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it.
In this extraordinary book, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognize everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with…
The ancient Chinese text Zhuangzi/Chuang Tzu has been translated many times, but Burton Watson’s 1968 version is still my favorite, best capturing the wit and humor of this playful Daoist.
Chuang Tzu constantly pokes at our philosophical and moral presumptions. Reading him, I feel my smugness and arrogance melting away in favor of joyful doubt and wonder. Chuang Tzu dreams he is a butterfly, flitting about, doing just as he pleases, and then he wakes up, solid and unmistakable Chuang. But is he a human who has just dreamed he was a butterfly or a butterfly now dreaming he’s a human?
Instead of rushing about busily, thinking we understand things, maybe we should doze beneath a giant, useless tree in the field of the bright and boundless.
The basic writings of Chuang Tzu have been savored by Chinese readers for over two thousand years. And Burton Watson's lucid and beautiful translation has been loved by generations of readers. Chuang Tzu (369?-286? B.C.) was a leading philosopher representing the Taoist strain in Chinese thought. Using parable and anecdote, allegory and paradox, he set forth, in the book that bears his name, the early ideas of what was to become the Taoist school. Central to these is the belief that only by understanding Tao (the Way of Nature) and dwelling in its unity can man achieve true happiness and…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
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