Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
I love Nordic crime and Icelandic writer Arnaldur Indridason writes a good game. His Detective Erlendur is a complex man who has little luck in his relationships with the living; but when it comes to solving murder and mystery, he is like a dog with a bone. Like all his Reykjavik Murder Mysteries there are several strands interwoven to create a multi-layered puzzle. At the heart of the series, and this fifth book, is the one mystery that he can’t, yet most desperately wants to solve, his brother’s disappearance in a snowstorm when they were boys. Everyone lies, particularly the guilty.
One cold autumn night, a woman is found hanging from a beam at her holiday cottage. At first sight, it appears like a straightforward case of suicide; Maria had never recovered from the death of her mother two years previously and she had a history of depression. But then the friend who found her body approaches Detective Erlendur with a tape of a seance that Maria attended before her death and his curiosity is aroused.
Driven by a need to find answers, Erlendur begins an unofficial investigation into Maria's death. But he is also haunted by another unsolved mystery -…
I adore depictions of the natural world, I've always been fascinated by how humanity interacts, describes and catalogues birds and animals. I’ve collected books on birds for as long as I can remember and sought solace in the golden hues of the gardens and parks of my childhood. My own book is a reflection on what can be described as ‘queer nature writing’, the exploration of an environment that does not judge our identity or gender. The motivation of all my work is to challenge injustice in subtle and surprising ways and my ongoing mission to share my work from Pansy Boy, The Pansy Project, and Birds Can Fly.
This is a book that communicates a sense of childhood resilience that I adore, the style of illustration is paired-back and minimal with an aesthetic that is evocative and nostalgic. The story of a child who can’t bare the cold speaks to my own aversion to cold weather. Yamamoto depicts a child who is inventive and brave and overcomes her aversion by creating her own solutions to the challenges she faces and eventually she goes on to embrace the world. With diagrams and recipes, this book is a wonderful way of promoting intelligence and the creativity to solve one’s own problems.
Stina does not like the cold. In fact, she will go to any length to avoid it. Even in summer she will never go out without tights and socks that cover her knees. When winter comes she retreats inside, and invents ingenious devices to protect her from the slightest chill. The temperature drops further and Stina finally succumbs to the lure of her feather duvet and falls into a deep and dreamless sleep from which she is woken by a pounding at her door - two children tumble in blown by the icy wind and Stina learns that nothing can…
I have always been interested in the environment, ever since I studied Human Ecology under Professor Roger Revelle at Harvard. Several summer jobs in the Arctic with the Geological Survey of Canada gave me an early appreciation of what climate change meant for the polar region, and a more recent visit to Greenland brought the environmental devastation there more into focus. Also, having escaped from Communist Hungary in 1956, I have keenly followed Russia and its superpower ambitions, so it was natural for me to combine these two areas of interest into an environmental thriller. I am now writing a sequel, Arctic Inferno.
As with the previous book, this one too shows the author’s deep knowledge of the subject and his ability to weave that into a gripping thriller. Here too, you get both learning and titillation. In this book, Brooks Yeager, a former advisor to the Arctic Council and environmental negotiator, combines the high-stakes dynamics of international Arctic politics and many of the critical environmental issues facing us there and elsewhere, with other key ingredients such as well-constructed characters, lots of romance and an engaging plot to create a book you cannot put down.
2021 American Fiction Award Winner in Adventure: General
Taz Blackwell, former environmental negotiator and now a trouble-seeking drinker and romantic charmer, tries to find a new life and love against a backdrop of espionage, corporate plunderers, and devious diplomats.
Escaping a failed marriage, Taz moves to the island of Chincoteague on Virginia's Atlantic Coast, where he explores friendships with a cast of small-town misfits and romance with a beautiful but wary divorcee. Meanwhile, he fights a corporate land grab on the shore and a shady billion-dollar mining play in the international Arctic.
Why is a Chinese mining conglomerate stealing the…
I got started as a writer through writing fiction intended to accompany a hobby, to deepen worldbuilding, and breathe life into the miniatures in a table-top wargame. I have always been fascinated by the worlds that grab our attention, that yank at our nostrils and dare us to make something more, to tell our own stories in this grander universe. So, I put together this list of books to accompany you as you dream of other worlds and build something with that hobby, whether it is painting miniatures for your friends, knitting, or whatever keeps your hands occupied. Here is a list of books to keep you company.
Jackson Crawford’s lectures on Norse mythology make a wonderful accompaniment to any bit of hobby-doing. It fits, I think, with the venue these stories would have originally been told, something to pass the time, to make work of the hand and eye go by a bit faster. What better to help inspire some fantasy making, like painting miniatures or knitting something more elaborate than stories of gods and heroes of a bygone age, when magic was real, and the gods and giants battled around us? I started with Dr. Crawford’s YouTube lectures on all things Old Norse and came to appreciate his engaging style and masterful depth of the subject. He brings the stories to life and reveals the language as it may have been spoken. He puts the myths in their contexts. I view any day that I haven’t learned something new as a bit of a waste and…
Thor, Odin, Loki, Freyja, the Valkyries, Valhalla, Ragnarok — many of the places we encounter these and other names, places, and events from Norse mythology in daily life and pop culture are connected to the medieval sources in name only.
Join Jackson Crawford, a translator of Old Norse, for a rousing introduction to the original stories, characters, and themes of Norse mythology in these 24 lectures. Packed with gods, anti-gods, magical figures, human heroes, religious practices, and literary devices, this course lays bare the reasons for our enduring fascination with these undeniably dramatic tales. It also connects the dots to…
Purely by accident I stumbled on to a 1961 Penguin translation of Njáls saga and it was a transformative moment in my life. I signed up for Old Norse the next term, and never looked back. The sagas were incomparably intelligent in matters of psychology and politics and interpersonal interaction. And then told with such wit. How could the utter miracle of the fluorescence of so much pure genius on a volcanic island in the middle of nowhere not grab you? And what confluence of friendly stars would allow me to spend a life teaching and writing about them in a law school no less, paid as if I were a real lawyer?
This is by all estimation the greatest of the sagas. I would even claim that its excellence allows it to be fairly mentioned in the same breath as the Iliad, Don Quixote, and the tragedies of Shakespeare. It is quite complex and I would suggest, if I am allowed to, my Why is Your Axe Bloody? (2014) as a guide. But the present Penguin translation is a travesty and should be avoided. The best English translation available is the older Penguin translated by Magnus Magnusson and Hermann Pálsson (1961) and still available from various used booksellers online. Their translation is as good as a translation can get. Hrafnkels saga is a perfect entry to the sagas because it is short and compact and prepares one for the complexity of Njáls saga.
Magnusson, Magnus and Palsson, Hermann [transl.]. Njal's Saga. Translated with an introduction by Magnus Magnusson and Hermann Palsson. Harmondsworth, Penguin Books, 1966. 11 cm x 18 cm. 378, (6) pages. Original Softcover. Very good condition with some minor signs of external wear. From the library of swiss - american - irish poet Chuck Kruger. [Penguin Classics]. Contains the following chapters: Introduction; Note on the Translation; Njal's Saga; Genealogical Tables; Glossary of Proper Names; Note on the Chronology; Maps.
I love true stories of strong women who defy
our expectations. Iceland’s fishing industry in the early 1800s would seem to
be a man’s world.
But Captain Thurídur was one of many women who rowed out into
the icy North Atlantic in open boats—and in winter, no less—to catch the fish
that powered Iceland’s colonial economy.
Haunted by a ghost, a believer in
elves and omens, Thurídur could read the waves and weather like no one else.
Her catches were legendary. Best, in her 50 years at sea, not one of her
crewmembers drowned.
A daring and magnificent historical narrative nonfiction account of Iceland's most famous female sea captain who constantly fought for women's rights and equality-and who also solved one of the country's most notorious robberies.
Every day was a fight for survival, equality, and justice for Iceland's most renowned female fishing captain of the 19th century.
History would have us believe the sea has always been a male realm, the idea of female captains almost unthinkable. But there is one exception, so notable she defies any expectation.
This is her remarkable story.
Captain Thuridur, born in Iceland in 1777, lived a life…
I’ve been writing about science and the environment for over 20 years, but always I find myself gravitating to the non-sciency, non-naturey part of stories. My favorite part of my first book, on the American chestnut, was about how people in Appalachia loved and relied on this tree that was largely killed off in the early twentieth century. For Plastic: A Toxic Love Story, I was as fascinated by the cultural and psychological effects of plastic as its environmental and health impacts. One of the things I’ve learned is that some of the most powerful things shaping our lives – for better or worse – are ones we don’t notice or see.
The North Atlantic between Iceland and Canada once teemed with cod. That rich fishery is what lured Europeans across the Atlantic in the first place, starting with the Vikings. And salt curing of the fish – a method perfected by medieval Basque whalers – is what made those long voyages possible. By the mid-sixteenth century, 60 percent of all fish eaten in Europe was cod. It soon would be a staple of new world diets – and one of the pleasures of the book are the cod recipes across the centuries. Above all, I appreciate how Kurlansky makes us care about this fish, whose numbers are now dwindling. As he writes, “the cod is on the wrong end of this 1,000-year fishing spree.”
'Who would ever think that a book on cod would make a compulsive read? And yet this is precisely what Kurlansky has done' Express on Sunday
The Cod. Wars have been fought over it, revolutions have been triggered by it, national diets have been based on it, economies and livelihoods have depended on it. To the millions it has sustained, it has been a treasure more precious that gold. This book spans 1,000 years and four continents. From the Vikings to Clarence Birdseye, Mark Kurlansky introduces the explorers, merchants, writers, chefs and fisherman, whose lives have been interwoven with this…
Growing up, my brothers and I begged for a dog, but our parents never gave in. Fortunately, when my kids begged for a pup, my husband and I gave in. So, as a children’s book writer, I wanted to give kids a book to help them convince their parents that there’s always room for a pup in the family, and at the same time, subtly emphasize the importance of gratitude and inclusion.
When is an encyclopedia a fun read? When it introduces you to 150 plus dog breeds with photographs, fun facts, and an overview of physical and behavioral characteristics. The Dog Encyclopedia for Kids is the perfect book to help you find your perfect pet. Yes, there’s definitely a dog for everyone.
Icelandic Sheepdogs are born with extra toes. Dalmatians are born without spots. Some Siberian Huskies have one blue eye and one brown eye. Learn all about the characteristics of various dog breeds and much more! Packed with amazing photographs and fun facts, dog owners and fans will get an in-depth look at these curious, lovable canines.
I am a Professor of Viking Studies at the University of Nottingham and have been teaching, researching, and writing about all aspects of the Viking Age and its aftermath for many years. My particular expertise is in the poetry, sagas, and runic writings of medieval Scandinavia. To understand these, it has been important to me to follow in the footsteps of the Vikings from the Baltic to North America, to see the places they were familiar with, and to experience the traces of their culture in those places. These books tell the stories which will guide the armchair traveller on the same voyages.
What other nation can boast that it has a written account of the first people to inhabit it? Iceland was an uninhabited, volcanic island until the arrival of Vikings from Scandinavia and elsewhere in the 870s. This book, written in the 13th century, is a catalogue of some 3000 individuals who link the settlement period to the time of writing. Of these around 400 (including 13 women) are remembered as the landnámsmenn or original ‘land-takers’ who settled, distributed, named, and cultivated this empty land. In amongst the lists and genealogies are wonderful short anecdotes about their families, feuds, and adventures in their new-found land.
The laws of Mediaeval Iceland provide detailed and fascinating insight into the society that produced the Icelandic sagas. Known collectively as Gragas (Greygoose), this great legal code offers a wealth of information about early European legal systems and the society of the Middles Ages. This first translation of Gragas is in two volumes.
I've always been a bookworm, and fascinated by the North—after all, I made my home here. I thrived (and still do) on stories about rain-drenched moors, ships in distress running aground in boiling seas, men with swords stumping through dark woods searching for gold and demons. So no wonder that I am fascinated by Iceland and its stories, and have returned to the island again and again. Here, literature plays a crucial role in preserving and developing culture and language equally. So as a fan of Icelandic past and present I try and spread the word about this craggy island and its literary heritage as much as I can.
Even though this is a massive tome with almost 800 pages, the book is the perfect introduction to the rich medieval literature of the sagas that form the foundation of Icelandic literature today. It contains many of the main sagas including the Egil's Saga, the Laxdæla Saga, and the Vinland Sagas as well as background information on saga history, medieval Iceland, and the Icelandic language. A collection full of the battles, witchcraft, poetry, monsters, and heroic journeys that influenced generations of writers from Jules Verne and J.R.R. Tolkien over to A.S. Byatt.
In Iceland, the age of the Vikings is also known as the Saga Age. A unique body of medieval literature, the Sagas rank with the world's great literary treasures - as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the…
