I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
You could really choose any graphic novel by Patrick Kyle—they’re all excellent. I personally like this collection of his short stories. The art is abstract, cartoony, expressive, drawn with a stylistic boldness not often seen in graphic novels.
The art could stand on its own, and often I find myself skimming this novel just to look at the art. But the narratives themselves are the real key here—completely original, contemporary thinking that discusses things like the end of cell phones and purifying skin creams. These narratives will change the way you think about narrative.
A keen observer of the absurd, Patrick Kyle's stories defamiliarize the machinations of life, work, and art with droll dialogue and his angular, humanely geometric drawing and sci-fi settings that recall set design more than satellite images. Kyle's figures may be foreign and his settings strange, but his stories resonate deeply.
Patrick Kyle lives and works in Toronto, ON. He is the author of the graphic novels Black Mass (2012), Distance Mover (2014), and Don't Come In Here (2016). At the 2016 Doug Wright Awards, he won the Pigskin Peters Award for New Comics #6 and #7.
My name is Susan Blumberg-Kason and I write books about strong women who have a strong sense of place. I think we are all partly defined by where we live and I enjoy examining how our environment informs our choices. My first book centers around someone I know very well—me! My memoir, Good Chinese Wife, takes place in my favorite city—Hong Kong—the place where I came of age and married for the first time, as well as China and a few cities in the US. I’m also a sucker for a good cover and I absolutely love my Good Chinese Wife cover!
Marc Chagall is a household name to arts aficionados, but
his daughter Ida was also renowned in the Paris art world before World War II.
This lovely novel tells of the overbearing way Chagall treated Ida and how he
viewed her more as an assistant than a daughter. And when she married, he
painted “The Wedding Chair” as a gift to her, which represented his anger at
her leaving. This novel helped bring about a new trend to recount the untold
stories of women alongside—or even in front of—famous men.
"In prose as painterly and evocative as Chagall's own dazzling brushstrokes, Gloria Goldreich finely evokes one of the most significant masters of modern art through the discerning eyes of [his] loyally protective daughter."—Cynthia Ozick, award-winning author of Foreign Bodies
An exquisite, haunting exploration of the complex mind of Marc Chagall, and the artist's famous chair, through the eyes of his daughter during World War II—perfect for fans of Mrs. Poe and The Paris Wife
Beautiful Ida Chagall, the only daughter of Marc Chagall, is blossoming in the Paris art world beyond her father's controlling gaze. But, her newfound independence is…
Yohanan Petrovsky-Shtern is the Crown Family Professor of Jewish Studies and a Professor of Jewish History in the History Department at Northwestern University. He teaches a variety of courses that include early modern and modern Jewish history; Jewish mysticism and Kabbalah; history and culture of Ukraine; and Slavic-Jewish literary encounters.
Known to broad public due to the hilarious “Whistler’s Mother” starring Mr. Bean, James Whistler is a paramount American participant in the Fin-de-siècle artistic life of France and England and a predecessor of most important artistic endeavors of the 20th century. Daniel Sutherland combed all possible archives and produced a stunning study of Whistler’s private life, full of scandals, sufferings, travels, and triumphs. From the childhood Whister spent in the tsarist Russia to his vagabond life in Paris, his life is always a journey and a self-quest. Eminently readable and bright narrative of a somber and paradoxical character.
A major new biography of James McNeill Whistler, one of most complex, intriguing, and important of America's artists
This engaging personal history dispels the popular notion of James McNeill Whistler (1834-1903) as merely a combative, eccentric, and unrelenting publicity seeker. The Whistler revealed in these beautifully illustrated pages is an intense, introspective, and complex man, plagued by self-doubt and haunted by an endless pursuit of perfection in his painting and drawing.
"[Sutherland] seeks to get behind the public Whistler . . . never judging or condescending to his subject. . . . The portrait of Whistler that emerges is complex…
I have been involved in the arts all my life, working as a writer, in film, and as a musician. I have degrees in music and creative writing and have studied visual arts and art history extensively as well. Besides being an author, I teach writing and humanities at the college level. I hope you enjoy these books as much as I do!
Gwen Frostic overcame disability as a child to become one of the most famous nature artists. Through her engaging art and writing, Frostic reminded people to stop and revel in the wonder and beauty of the natural world which is all around. The colorful illustrations highlight the informative and lyrical text.
2019 Green Earth Book Awards - Long List The art and writing of Gwen Frostic are well known in her home state of Michigan and around the world, but this picture book biography tells the story behind Gwen's famous work. After a debilitating illness as a child, Gwen sought solace in art and nature. She learned to be persistent and independent--never taking no for an answer or letting her disabilities define her. After creating artwork for famous Detroiters and for display at the World's Fair and helping to build WWII bombers, Gwen moved her printmaking business to northern Michigan. She…
Plus, Tracey's
2, and 7-year-old's favorite books.
Why did Tracey love this book?
Loh’s
gorgeous book pursues Renaissance artists, including Michelangelo, Raphael,
Titian, and Dürer, into their studios, bedrooms, and graves to examine
artists’ self-portraits and portraits.
I found the self-portraits of Sofonisba
Anguissola, Parmigianino, Jacopo da Pontormo, Nicolas Poussin, and the Carracci
family particularly remarkable. Loh evokes the fear and pathos of living in an
age of plague and syphilis. She told tales of art-world friendship and
rivalries, including pranks and poisonings.
The book is lavishly illustrated,
and I enjoyed her evident delight in the vivacious text she was generating.
This book took me on a fascinating journey into the necromantic powers of the
portrait, as all bodies inexorably become still lives. A nonfiction book that was
as unputdownable as any fine novel.
Michelangelo was one of the biggest international art stars of his time, but being Michelangelo was no easy thing: he was stalked by fans, lauded and lambasted by critics, and depicted in unauthorized portraits. Still Lives traces the process by which artists such as Michelangelo, Durer, and Titian became early modern celebrities. Artists had been subjects of biographies since antiquity, but Renaissance artists were the first whose faces were sometimes as recognizable as their art. Maria Loh shows how this transformation was aided by the rapid expansion of portraiture and self-portraiture as independent genres in painting and sculpture. She examines…
Born and raised in Mississippi, I have long been fascinated with the natural history of the South and of the Americas in general. And as an outdoorsy guy, a NOLS graudate, mountain-biker, trail-runner, and paddler, I revel in reading accounts of the early days of Western exploration in the woodlands, mountains, and coastal regions of our hemisphere. Finally, as an avid reader and now author, I constantly seek out enthralling and wide-ranging narratives about exploration, outdoor adventure, and the natural world.
I had never heard of Maria Sybilla Merian before researching my latest book, but her life was amazing.
A brilliant artist, Merian lived an unconventional life—even before going to the Dutch colony of Surinam in 1698 accompanied only by her daughter. There Merian produced stunning and important works, illustrating the life cycles of insects and relationships between insect and plant species.
Before Darwin, before Audubon, before Gilbert White, there was Merian. An artist turned naturalist, known for her botanical illustrations, Maria Sybilla Merian was born in Germany just sixteen years after Galileo proclaimed that the earth orbited the sun. But at the age of fifty she sailed from Europe to the New World on a solo scientific expedition to study insect metamorphosis - an unheard-of journey for any naturalist at that time, much less an unaccompanied woman. When she returned she produced a book that secured her reputation, only to have it savaged in the nineteenth century by scientists who disdained…
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
I am conflicted recommending this book. I detest this bestselling biography’s gossipy tone concerning Jean-Michel Basquiat’s personal and professional drama.
Yet many of these disturbances are unpleasantly true, and Hoban extensively, tediously researched her book. When I forget key names, or need to reference milestones, I look in the glossary and chapters. Chronologically it is helpful, but loosely delivered.
A revised edition would make a lot of sense, with so much discovery since its publication. The expansiveness, thoroughness, and ambition keep this book useful to me. Readers should take this exhaustive bio with a grain of salt, because of its biased fixation on the negative curiosities of Basquiat’s legacy.
In addition, with so much new information being revealed, researchers must cross-reference all facts taken from this title.
The tragic story of the talented painter Jean-Michel Basquiat details his turbulent childhood, explosive dealings with the elite art world, relationships with such figures as Andy Warhol and Madonna, and rise to fame, which led to his death from a drug overdose at the age of twenty-seven. 12,000 first printing.
I'm passionate about nature, our impact on it and the people who best know how to be its companion – Indigenous peoples. I grew up on B.C.'s west coast, swimming with seals and otters. That inspires me to protect the land and to write and draw about it.
As the author/illustrator of over 70 books I've been lucky to be able to present my thoughts on many topics. I learned early on to do my research and work with rigorous editors. With P'eska, I relied on members of the community I wrote about. I know I'm speaking to young kids so honesty is paramount.
Going to the Vancouver Art Gallery when I was a kid I saw my first Emily Carr painting and it drew me in with its dark beauty.
This book brings to life the story of Emily Carr, a talented painter and (although the word wouldn't have been used then) ecologist. She passionately pursued her art in ways proper young ladies of the time just didn't do. She revered the First Nations people and their cultures. The gift was returned when she received her own honourary name, Klee Wyck (Laughing One) from the Nuu-chah-nulth (Nootka) people.
I love this book because of its honesty, it is about a person and a place, firmly rooted in a love of nature.
Shortlisted for the 2005-2006 Red Cedar Book Award, Nonfiction
Selected as Honour Book by the Children's Literature Roundtable Information Book of the Year
The brilliant artist Emily Carr lived at the edge. When she was born, in 1871, Victoria, British Columbia was a small, insular place. She was at the edge of a society that expected well-bred young ladies to marry. For years, she was at the edge of the world of artists she longed to join.
Emily Carr’s life was not an easy one. She struggled against a family that did not approve of her art and against poor…
Plus, Tariq's
9, 11, and 17-year-old's favorite books.
Why did Tariq love this book?
There was one night reading this, when the story affected my breathing,
heart rate, and time left on this planet, for the worse, as I galloped through
it even though I knew every paragraph could hold up to a few years worth of
study, if I hadn’t been so impatient to learn more!
Very crudely, White seems to say that it doesn’t matter what people do, goodness matters and
the imaginative and usually obtrusive ways in which he shows good is often
quieter than evil, more basic and durable, but sometimes not as strong, seem to
me the discipline he tried to train himself in, to get it all down and write
the novel in the first place.
That story often feels more painted than written,
and when written, written in Australian and not English; people seem to speak
when its someone else’s turn…
Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aborigine artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
When I read this book, I felt like I was back walking on the streets of India. Alka Joshi's vivid storytelling will transport you to a world of vibrant colors, rich traditions, and compelling characters.
In this first book of the Jaipur Trilogy, Lakshmi, a skilled henna artist, navigates a complex society, unraveling secrets and defying societal norms. Joshi's exquisite prose and the book's engrossing plot offer the perfect blend of escapism and depth, making it an ideal companion for a journey.
As you soar through the skies, it promises to transport you to another time and place, making the flight feel like a brief detour into an enchanting literary world.
For fans of Balli Kaur Jaswal's Erotic Stories for Punjabi Widows and Thrity Umrigar's The Space Between Us, Alka Josh's The Henna Artist by is lushly-rendered, emotional book club fiction set in post-Raj 1950s Jaipur about a young woman struggling to shape her own destiny in a world pivoting between the traditional and the modern.
After fleeing an arranged marriage as a fifteen year old to an abusive older man, Lakshmi Shastri steals away alone from her rural village to Jaipur. Here, against odds, she carves out a living for herself as a henna artist, and friend and confidante to…
