100 books like Winters in the World

Queen Emma, wife to both Æthelred the ‘Unready’ (d. 1016) and then to Cnut (d. 1035), and Queen Edith, wife to Edward the Confessor (d. 1066), lived through some of the most turbulent and interesting politics of the early medieval period.

We are permitted unusual access to their lives through eleventh-century texts either directly about them (the Encomium Emmae) or commissioned by them (the Vita Edwardi). Stafford wonderfully brings to the fore their pivotal roles in English politics across the eleventh century, and, in doing so, shines the spotlight on the position of women in medieval society more generally. 

I first read this book as a student and found it utterly enthralling.

Having grown up in Durham myself, I’ve long been interested in the history of the north of England. Bloodfeud vividly portrays early eleventh-century Northumbria, at a time when King Cnut had just taken control and was trying to impose his authority.

The book plunges you into the politics of the Northumbrian aristocracy and some of the ways in which Cnut approached the governance of this part of the English kingdom. The sources on which Fletcher relies are scanty and complex, but he masterfully brings them to life. 

This book provides an accessible translation of one of the most important texts to have survived from the reign of King Alfred the Great.

Having acceded in 871, Alfred’s early reign was beset by Viking raids before a military victory in 878 afforded the king some respite in the 880s. But peace was shattered in the early 890s with the return of the Vikings from their raids on the continent. It was at this point, in 893, that Asser, a Welsh cleric in service at Alfred’s court, first published his account of Alfred’s life.

Asser takes us to the heart of Alfred’s court at a period of high political tension with details about Alfred’s life and his abilities, all with one principal aim in mind: to win over his readers (particularly the Welsh) to Alfred’s cause, and thus to save the kingdom from further Viking inroads.

It is electrifying to handle a coin from the early medieval period.

A typical coin from late tenth-century England will be made of silver, will have the king’s name, title, and bust imprinted on one side, and the name of the moneyer and of the mint on the other. These details alone raise questions: how was the coin used and by how many people? Where was it accepted and what kind of goods could it buy?

Rory Naismith, a leading historian and numismatist, provides answers to these questions and illuminates the development of the coinage system from the fall of Rome in the fifth century right through to the twelfth century. And his focus is exceptionally broad, taking in much of north-western Europe. It is an invaluable account that transforms our understanding of how money was actually used in the early medieval period.   

Patrick Wormald’s early death was a tragedy for early medieval studies as a whole.

Thankfully his former student, Stephen Baxter – an exceptional scholar in his own right – had the energy to carry some of his mentor’s projects over the line, including this collection of some of Wormald’s best essays, articles, and book chapters relating to Bede and his world.

Patrick was also my tutor for several undergraduate courses at Oxford as well as being the supervisor for my Master's Thesis and I too owe him a great debt. This edited collection – with the advantage of updated references and comments – showcases the searing brilliance which made Wormald such a prized commentator on everything connected to the early Middle Ages.

Coupled with Campbell's Essays in Anglo-Saxon History, readers will quickly gain nuanced perspectives on elements and themes crucial in comprehending the conversion of the early English.

This book covers the entirety of the history of the Anglo-Saxons in their own words. Like Bede’s History, it suffers from bias, depending on the scribe writing each section and what kingdom they inhabited, but it is a fascinating year-by-year account of the rise and fall of kings and clergy, and of the battles and natural phenomena faced by the people of early medieval Britain.

Aethelstan is an engrossing account of king Aethelstan, lauded as the first crowned king of ‘England,’ something his father, and more importantly, his grandfather, King Alfred, was unable to lay claim to. It’s a thorough examination of all that’s known about Aethelstan during his reign. It’s rare to get a book dedicated to any one single king before the reign of Æthelred II, who was Aethelstan’s great, great-nephew, and reigned thirty years later. The work shows just how much can be gleaned about historical figures during this period by experts in the field, who know how to unpick all the complicated details and present them to readers in an engaging format.

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

This is the granddaddy of history books about the Anglo-Saxons. Much of the history has evolved and moved on since its original publication in the 1940s, but Sir Frank Stenton is comprehensive and thorough and the resulting tome is jam-packed with information.

Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.