56 books like Winter

What was it like to work as a forester with the US Forest Service was young? This is a memoir by Elers Koch who worked as a federal forester from 1903 to 1943 in the Northern Rockies. Forty Years a Forester gives an inside account of how rangers built the national forest system in its earliest years, which is fascinating enough. But what makes Koch even more interesting is how he bucked conventional wisdom on quandaries like forest fires (with which he had ample firsthand experience and shared here) and wilderness long before views like his became common. Government bureaucrats rarely write good memoirs, but this one invites you in and provides real insight—and even some inspiration.

The first time I finished reading this book, I felt ambushed. The description is breathtaking and the dialogue is hilarious.

So much of the book is surreal: The main character hunts for a runaway girlfriend who’s absconded with his electric razor (which is useless; it has no cord). A woman at a bar blows smoke rings without a cigarette. A guy known only as “airplane man” winds up nabbed, with a large plush bear, by the FBI—and the main character’s major epiphany is sparked by a horse fart. Then, suddenly, near the end, I cried so hard the words blurred. And the final scene is perfection.

Funny, heartbreaking, absurd, and poignant at once.

It’s funny, for one thing, but not merely funny.

“It is those we live with and love and should know who elude us,” Maclean writes, and here brotherhood, religion, and fly-fishing bleed into one another to comprise the river flowing through this stunning novella.

Wild Paul and his measured older brother Norman seem more friends than family, mostly because they choose one another. Meditative asides abound and delight, but the tender stuff concerns memory and acceptance and forgiveness, affirming Emily Dickinson’s adage: “The soul selects her own society.”

In a tale of Scottish immigrants who homestead Montana ranches in the shadows of the Rocky Mountains, Dancing at the Rascal Fair features a cast of characters who cooperate and sometimes clash as they build lives in a harsh new country. Human relationships prove as challenging as the land, the livestock, and the weather. Doig, like few authors who write about the West, presents a faithful picture of ranch life.   

The Big Sky is a masterpiece of historical fiction and an often-cited classic novel of the American West. It earns this distinction because of its original characterization, its use of historical and geographical accuracy, its thematic depth, and its symbolism. It is set in the mountain man or fur trade era, and it shows the consequences of White men going into the wilderness. This book introduces the idea, in cultural and environmental terms, that in the occupation of the American West, people ruin the thing they love. This book not only makes it to the top of the lists by western writers, but it also is well appreciated by scholars and students in Western American Literature. 

I grew up in a small Montana town, so Watson’s novel has a special meaning for me. It is a vivid portrayal of small-town life on the Great Plains and takes place during the same time period as my own book. It tells of the corruption of a trusted official and its effect on his family, his victims, and the town itself. Watson’s novel allowed me to feel and understand the deep emotions, the pain, the anxiety, the love, and the disappointment that his characters were feeling.

McGuane sure kicked it off for me in terms of seeing a way to write new fiction. Story is not a priority in his world rather observation of characters battling the odds of surviving each day. The reader wants to be like some of the characters and run to the hills from others but the sense of humor, dirt under the fingernails of these singular people we’ll never meet, relationships we’ll never be in, and locations such as Livingston, Montana or Key West, Florida we won’t spend much time in, draws me to McGuane’s page. McGuane, who wrote scripts for Missouri Breaks and Rancho Deluxe, writes like a filmmaker – the smells, the weather, the alcohol, the drugs – the reader is in the scene, the sun on your neck, the dust in the air, the sound of the ice-cold creek. McGuane is a travel agent.

Winter Wheat, published in 1944, tells the story of Ellen Webb, a young woman coming of age on a farm in Montana. Walker moved from back east to Great Falls, Montana in 1933, and she is one of many writers who adopted Montana as their home state and wrote very eloquently about the unique challenges of growing up in such isolation, living a life so focused on hard work and basic survival. Walker published several excellent novels, but Winter Wheat was her tour de force. 

I’ve always felt a desire to make the world make sense through data – that numbers and structure could help unlock hidden meanings. When I read this novel, I felt seen: it’s told from the perspective of T. S. Spivet – a 12-year-old boy who has the same urge. Spivet thoroughly documents the world around him, sketching an ant he sees in the grass, and drawing schematics and maps of the spaces he travels through on his quest to travel to the Smithsonian Institution. The book’s margin is lavishly illustrated with Spivet’s diagrams – in seeing the world through his eyes, it felt like how I see it through my own.

Not only is Hattie Big Sky a Newbery Award Honor Book, it’s a beautifully written story based on the author’s own history and ancestors.

At the ripe ol’ age of sixteen, the main character, Hattie Brooks, moves to Montana to work the homestead of her great uncle. Alone, I might add. I felt Hattie’s fear, tragedy, determination, and triumph throughout the story.